Yonder Window Theatre Company presents a delightful production of The House on Poe Street. While the finer points of the story are dubious, the show is beautiful, engaging and strange.
Estate lawyer Mendel Steingold (Gregory Jensen) meets an interesting pair of twin sisters, Argonne and Flourine Seaborg (Olivia Nice and Eliza Shea, respectively), while handling the estate of their deceased mother, Dr. Seaborg. The house is reportedly where Edgar Allen Poe wrote The Raven, and the twins discuss their hopes to turn the old house into a museum dedicated to Poe’s work. They also talk about their mother’s experiments to find an “empathy gene.” She hoped to find create or find a hormone that would rid the world of male aggression by injecting the hormone into world leaders, and men in general. Mendel of course doesn’t find this appealing, and the quirky sisters soon run him ragged with their peculiar demeanor. At their request, Mendel introduces them to his fiancé, Samaria Silverman (Tamara Geisler), and the three ladies become fast friends. Despite his reservations about the twins, Mendel also introduces them to Sam’s brother Lawrence (Gadi Rubin) and his friend, Astin Rutherford (Daniel Light). As they spend more time together, they discover the presence of a ghost who leaves a strange substance in tea cups at night. After an attempt to speak with the ghost through medium Lithia Nickels (Laura Johnston), Mendel’s world begins to crack as he is forced to examine his world view.
The scenic design by Pei-Wen Huang-Shea is lovely. It really brings the parlor of an old house to life – a lived in house full of character and story. In this charming setting, director Katie McHugh makes stage pictures that reflect the characters’ power and peculiarities as they tell their fantastic story.
Olivia Nice and Eliza Shea are the heart and soul of the entire performance. They are lovely to watch. Their timing with each other, and moving and speaking in unison was impeccable. They have such great chemistry, their singing voices are well matched. At several points throughout the show, Olivia and Eliza sing harmonies composed by Sheilah Rae. The lyrics are poetry by Poe and his wife, giving the gentle lilt of the melodies an eerie feel.
Gregory Jensen drives the play with ease, though it is a pity that his character has less and less to offer him as the action of the play moves forward. The rest of the actors do what they can with their two dimensional characters. Tamara Geisler fills out her character rather well. Laura Johnston and Daniel Light both have undeniable stage presence and a knack for the details of their characters.
Fengar Gael crafts an intriguing story and impeccable dialogue, however, most of the play is exposition. While the device she uses to tell the story is successful, it also means that we do not get to see all the action of the two stories we are being told. This feminist sci-fi is told through Mendel’s eyes, and Mendel is a man unaware of his privilege and power – the type of person the Seaborg sisters wish to eradicate. Naturally the characters clash, but because Mendel is telling the story, we follow his plot line. As a result, the climax of the twin sisters’ story takes place in the two months that Mendel is absent. It is odd that we learn so much about the peculiar lives of the Seaborg sisters, yet in the end the story doesn’t really seem to be about them.
Some moments of the play feel unfinished. For example, the result of the séance is the discovery of an oblong box that hold bones, potentially belonging to Virginia Clemm Poe; but this discovery does not propel the plot in anyway. It is like an empty Easter egg – it was so compelling to find it only to understand it doesn’t hold any meaning.
I rather enjoyed the story and the performance, yet I find a bizarre irony in the fact that a story about two very strong female characters surrounded by subpar characters is told from the perspective of a two-dimensional male character.
The House on Poe Street, Yonder Window Theatre Company, 14th Street Y Theatre, 344 East 14th Street. Closes November 12.
Business
Meta Brings AI Agents to Small Businesses — and the AI Assistant Is Becoming an Operator
The next phase of business AI is moving beyond chatbots.
Meta is now putting its AI agent, Muse, directly into the workflows of small businesses, allowing owners to connect the agent to many of the applications they already use to run their companies. The announcement comes as Meta simultaneously builds a dedicated enterprise AI business, signaling a broader shift from AI that answers questions to AI that can work across a company’s operations.
For small-business owners, that distinction could matter considerably.
Muse Can Now Connect to the Business Behind the Business
Meta’s new Muse for Small Business can connect to Facebook and Instagram business accounts as well as services including Shopify, QuickBooks, Slack, Canva, Dropbox, Asana, Notion, Stripe, Klaviyo, Zoom and HighLevel.
The idea is relatively simple: instead of asking an AI about information that has been manually copied into a conversation, the business can give the agent access to the systems where its information already lives.
Meta says an owner can give Muse goals such as analyzing sales performance, finding new customers, improving advertising or figuring out which business expenses deserve attention. Muse can then work across the connected information to produce recommendations and carry out portions of the work.
That represents an important change in the AI market.
For years, the typical small-business AI pitch was essentially:
“Ask our chatbot a question.”
The emerging pitch is:
“Give our agent a business objective.”
The Approval Button May Be More Important Than the AI
There is an important limitation built into Meta’s system.
Meta says Muse will not publish content, send messages or spend money without the user’s approval.
That distinction becomes increasingly important as AI agents gain access to business systems.
An AI that drafts a Facebook advertisement is one thing.
An AI that can access a company’s advertising account, customer information, financial records and payment systems is something entirely different.
The more useful agents become, the more consequential their mistakes can become. That is one reason the industry is increasingly focused not only on what AI agents can do, but on what they are permitted to do without human authorization.
Small Businesses Are Becoming the Next AI Battleground
Meta’s announcement did not happen in isolation.
On September 28, Meta launched Meta Enterprise Platform, a new business focused on bringing its AI models, agents and developer tools to companies. Meta specifically identified Muse, Meta Business Agent, Muse API and Muse Code as components of the platform.
A day later, OpenAI announced Dots, always-on AI agents designed to continue working on goals between conversations. OpenAI says a Dot can operate from its own cloud computer, connect to the applications it needs and continue making progress for the user.
The timing is revealing.
The major AI companies are increasingly competing for the same thing: the work performed inside businesses.
That potentially puts traditional business software in an interesting position.
If an AI agent can sit between a business owner and dozens of applications, the owner may eventually interact less with individual software products and more with the AI layer connecting them.
What This Means for a Local Business
Consider a small plumbing company.
Today, the owner might have one system for leads, another for scheduling, another for accounting, another for marketing, another for customer communication and another for social media.
The owner or employees have to move information between those systems.
An agent changes the potential workflow.
A business owner could theoretically ask:
«“Find out where our leads are coming from, identify the campaigns producing the best customers, follow up with prospects who haven’t booked, and prepare next week’s marketing plan.”»
The important development is not that AI can write the resulting report.
It is that the agent can increasingly access the underlying business information required to produce it.
Meta is explicitly building toward this model by connecting Muse to the applications small businesses already use.
The Opportunity for Businesses Is Also a Warning for AI Service Providers
This shift creates a more complicated market for companies selling AI automation.
An AI receptionist that simply answers questions may no longer be the entire opportunity.
The larger opportunity is connecting AI to the business’s actual workflow: lead generation, qualification, follow-up, scheduling, customer records, payments, marketing and reporting.
At the same time, some basic automation services could become commodities as platforms such as Meta and OpenAI incorporate more capabilities directly into their products.
That does not necessarily eliminate the need for implementation.
For many small businesses, the difficult part isn’t having access to an AI agent. It is determining what the agent should actually do, which systems it should access, what permissions it should have, and where humans must remain in control.
That creates a different kind of service opportunity: designing and managing the business process around the AI rather than simply selling access to the AI itself.
The Bigger Story
The significance of Meta’s announcement is therefore bigger than Muse.
Meta is betting that small businesses will eventually want AI that understands their business context and can operate across the software stack rather than another isolated chatbot.
OpenAI is making a similar bet with its always-on Dots.
The competitive question is increasingly shifting from:
“Which AI gives the best answer?”
to:
“Which AI can actually get the work done?”
For small businesses, that could ultimately be a much more consequential question.
The companies that figure out how to safely delegate repetitive operational work to AI agents could gain significant leverage without necessarily adding more employees.
But the businesses adopting these systems will also have to treat permissions, oversight and security as part of the implementation—not as an afterthought.
The AI assistant is becoming an AI operator.
And for small businesses, that may be the development worth watching most closely.
Cabaret
My View: Surprise Star of The Show…Randy Roberts at The Laurie Beechman Theatre
No spoilers—except this one: Randy’s rendition of Stephen Sondheim’s “The Ladies Who Lunch” from Company left the entire company we were with last night completely spellbound. And speaking of that company, check out my photos from last night’s show.
It was a night of shock, awe, surprise, and enormous talent as Randy Roberts brought a star-studded Laurie Beechman Theatre to its feet several times with a brilliant display of singing, comedy, acting, and female impersonation.
The biggest surprise of all? Randy began the evening as a spot-on Bette Midler, then transformed into a remarkable Liza Minnelli and Cher. But by the end of the night, there was no mistaking who the real star was: the incredibly talented Randy Roberts himself.
Eda and I were at the Copa back in the day when Bette Midler first entered the room to begin her performance. The excitement was electric, and I can honestly say that the wall-to-wall audience reaction when Randy entered the Laurie Beechman Theatre as Bette last night was every bit as thrilling to experience. The audience erupted. For a moment, it was as if Bette herself had walked through the door.
What a performer. What a night. And what a thrill to watch Randy Roberts remind a room filled with sophisticated cabaret and theatre connoisseurs that, while his impersonations are extraordinary, the real revelation is the immensely talented artist that is Randy Roberts himself. As usual, no spoilers here! Not with the buzz racing along 42nd Street that the D’Angora’s may have plans to keep Randy on that Laurie Beechman stage for many more nights for the kind of dazzling show business that left this audience begging for more.
No spoilers—except this one: Randy’s rendition of Stephen Sondheim’s “The Ladies Who Lunch” from Company left the entire company we were with last night completely spellbound. And speaking of that company, check out my photos from last night’s show.
Business
When AI Agents Can Reach the Real World, Businesses Have a New Security Problem
A Google Gemini security test has exposed a problem that businesses deploying increasingly autonomous AI agents will have to take seriously: an AI system can be given a legitimate task, operate inside what is supposed to be a controlled environment, and still end up interacting with real-world systems if the surrounding safeguards fail.
In May, Gemini was being evaluated by AI security testing company Irregular in a simulated “capture the flag” exercise. The model was supposed to attack a fictional company inside a controlled environment. But the test environment unintentionally provided internet access, and the fictional company shared a name with a real company. Gemini subsequently accessed systems belonging to three real companies.
According to Google, Gemini used publicly available information and credentials it either found or guessed. In all three cases, the model stopped once it recognized that it had reached real companies rather than the simulated targets. Google said the affected organizations were notified and that testing procedures were changed.
The business lesson is bigger than the incident
The important issue for companies isn’t that Gemini “turned rogue.” This was a testing failure involving unintended internet access and insufficient separation between simulated and real systems.
The bigger lesson is that AI agents need to be treated as systems with access, not simply as software that produces text.
That distinction becomes increasingly important as companies give AI the ability to browse websites, access databases, send emails, write and execute code, interact with customers and make changes inside business applications.
A human employee might have access to ten systems. An AI agent could potentially have access to dozens, while operating at machine speed and continuously pursuing a task.
That creates a new security question for businesses:
What exactly is this AI allowed to touch, and what prevents it from touching everything else?
The Google incident is particularly relevant because similar problems involving AI models from OpenAI, Anthropic and Meta have also emerged during security testing conducted by Irregular. The company said an issue that unintentionally allowed models to access the internet had been fixed.
AI security is becoming an operational requirement
For businesses adopting AI agents, traditional cybersecurity controls are no longer enough by themselves.
Companies will increasingly need to establish separate identities and permissions for AI agents, restrict which websites and applications they can access, isolate testing environments from production systems, monitor their actions and maintain logs showing what an agent did and why.
They also need safeguards that assume the AI can make mistakes.
An agent doesn’t necessarily have to be malicious to create a security incident. It can simply misunderstand its environment, follow instructions too literally, discover credentials it should never have seen, or encounter a system that wasn’t supposed to be reachable.
That changes the economics of AI deployment.
The question for businesses is no longer simply “Can we automate this job with AI?”
It is also “What happens if the AI makes the wrong decision while it has permission to act?”
As AI moves from answering questions to performing actual business operations, controlling those permissions may become just as important as choosing the underlying AI model.
What this means for businesses: Companies should begin treating every autonomous AI agent as a new digital employee with its own identity, permissions, limits and audit trail. The more authority an AI receives, the more important it becomes to design the environment around the AI—not just the AI itself.
Business
The Next AI Business Is Helping Companies Actually Use AI
For years, the AI race was largely about building better models. Now another race is emerging: getting those models into actual businesses.
Google Cloud and Accenture have created a new business group dedicated to helping companies deploy Google’s Gemini AI across their operations. The partnership brings together AI specialists and engineers who can work directly with businesses to turn AI technology into functioning systems.
The development points to a growing problem for companies: buying access to AI is relatively easy. Figuring out where it should be used, connecting it to existing software and data, redesigning workflows, training employees and getting the system into production is much harder.
That creates an important shift in the AI economy.
AI Implementation Becomes the Opportunity
Businesses may not need another chatbot. They need someone to take an existing AI technology and make it useful inside their company.
That could mean automating customer service, analyzing documents, assisting employees, improving software development, processing data or connecting AI to existing business systems.
Large technology companies are increasingly building dedicated services around this implementation work because simply providing the model is only part of the customer’s problem.
For smaller businesses, the lesson is similar: AI adoption may be less about finding the newest model and more about finding the right business process to change.
The companies that can bridge that gap — between what AI can do and what a business actually needs — are likely to become an increasingly important part of the AI economy.
Cabaret
My View: Gunhild Carling…A Great Bon Voyage Party on Pier 57 at City Winery
If Louis Prima and Louis Armstrong had grown up on a steady diet of Swedish meatballs, the result might very well have been Sweden’s Gunhild Carling.
Like a magician who somehow keeps producing one dazzling surprise after another from up her sleeve, entertainer musician extraordinaire Gunhild Carling had the City Winery audience at Pier 57 on the edge of its seat last night, as her jazz/pop music and showmanship delivered one thrilling song after another.
If Louis Prima and Louis Armstrong had grown up on a steady diet of Swedish meatballs, the result might very well have been Sweden’s Gunhild Carling. She has Prima’s wild, infectious energy and Armstrong’s unmistakable trumpet phrasing and vocal flair—and she brings it all to the stage with a show-business sensibility and proficiency on many instruments that is impossible to resist.
Remember those circus clown cars where you were convinced there couldn’t possibly be room for another performer, only to have one more, and then another, and another, somehow climb out? That’s Gunhild Carling’s band. Just when you think you’ve seen the last great musician, out comes another one—each more talented and entertaining than the next, including her brother Max Carling.
A special shout-out to NYC and Birdland favorite drummer Daniel Glass, who delivered some amazing solos that had the audience cheering.
It felt like one great Bon Voyage party last night on Pier 57. And the next time Carling’s ship comes sailing into town, make sure you don’t miss the boat.
Gunhild Carling and her band are definitely a unique musical experience—part jazz concert, part circus, and completely entertaining.
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