Connect with us


The Glorious Corner



G.H. Harding

MICKY & JIMMY — As we teased a few columns back, we can now officially announce that Micky Dolenz will be joining Jimmy Fallon on The Tonight Show starring Jimmy Fallon on Monday, February 27.

Micky will join Jimmy on the couch and talk about the generational impact of The Monkess and their music, which continues as strong as ever to this day. He’ll also discuss his forthcoming tour in April: The Monkees Celebrated by Micky Dolenz. He’ll also drop news on a sensational new project as well that will be of supreme interest to Monkee-fans and the public alike.

Dolenz last guested on the show, sitting in with The Roots in 2015. Will he rejoin them again? Stay tuned.

And, remember, the two seasons of The Monkees (1966-1968) was on NBC … as is Fallon. It should be a sensational homecoming. Congrats!

JOHN, YOKO AND MIKE — (via Variety) Yoko Ono and Sean Lennon have authorized Daytime Revolution, a documentary about the week John Lennon and Ono co-hosted The Mike Douglas Show in early 1972, a few months after the release of their single “Happy Christmas (War Is Over).”

The Shout! Studios, Creative Differences, and CBS Media Ventures feature docu uses archival footage from each of the five 70-minute shows as well as interviews with six surviving guests, including Ralph Nader, to tell the behind-the-scenes story of the unprecedented week. While Ono and her son did not participate on camera, the duo approved and creatively consulted on the project. Directed by Erik Nelson, the 108-minute docu recently wrapped production and is looking for distributor as Ono prepares to celebrate her 90th birthday Feb. 18. “It’s become a cliche that Woodstock was the defining moment of the counterculture,” Nelson says, but “when I watched these broadcasts in their entirety, I realized that, in reality, this week in 1972, when John Lennon and Yoko Ono essentially hijacked the airwaves and presented the best minds and dreams of their generation to the widest possible mass audience of what was then called ‘Middle America,’ was as far as the counterculture would ever get. Not just music but a prescient blueprint for the future we now live in.”

Nelson believes that today’s viewers could learn from this remarkable week of programming 51 years ago. “Basically, this past points a way to our future,” he said.

Mike Douglas, Yoko Ono, John Lennon

When Lennon and Ono hosted the Philadelphia-based talk show alongside Douglas, it was the most popular show on daytime television, seen by about 40 million people a week. As hosts, Lennon and Ono broached controversial topics, including the empowerment of women, the deterioration of the environment, as well as police violence. The duo personally invited Black Panther chairman Bobby Seale, political activist Ralph Nader and comedian George Carlin to join them on the program. “We wanted to do the shows to show that we are working for peace and love and also to change the world, not with violence, but with love,” Ono explained in 1972. “And everybody that we selected is participating in efforts to change the world.” The shows also featured musical acts, with Lennon performing alongside Chuck Berry as well as delivering a poignant rendition of the now classic “Imagine.”  “Let’s say that some of the people around the back of the show who were nervous about certain aspects of what we were doing were happy about it at the end,” Lennon said after completing his hosting duties.But not everyone, especially the Nixon administration, was thrilled with the duo taking over as co-hosts.“We heard that on February 4, just ten days before these shows were about to air, Senator Strom Thurmond went to Attorney General John Mitchell and wanted to warn the Nixon administration that John and Yoko were about to take sides,” says E.V Di Massa, an associate producer on “The Mike Douglas Show” in 1972.

I well remember this series of shows, which I believe were taped in just two days. Chuck Berry was a highlight for sure, but the site of John sand Yoko and Elephant’s Memory shook Philly like never before. I still have the box set of VHS tapes – a collector’s item for sure.

Douglas was a bit of an enigma himself. He was sort of like Jay Leno, but with a touch of Dick Cavett thrown in. He had great guests, but because the show didn’t originate from NY or LA, it didn’t have the same kind of clout. It was a great show to do, but only as a ladder to the Tonight Show or Merv Griffin.

I can’t confirm, but I believe Roger Ailes, who would go onto fame and fortune and controversy, as the chief of Fox News  (and MSNBC before that) was once of the producers. Eons ago for certain but a great piece of musical history.

RAQUEL RIP — (Via Deadline) What can you say about Raquel Welch. Just a sensational personality all round. She turned heads in 1000 BC and was rather extraordinary in Fantastic Voyage.

Born Jo Raquel Tejada on September 5, 1940, in Chicago, Welch’s family moved to San Diego when she was a toddler. She attended San Diego State on a theater arts scholarship and got her start as a local TV weathercaster before starting to land guest shots on such classics TV series as McHale’s Navy, Bewitched, The Virginian and others.

Her breakout role came as Cora in the wild 1966 sci-fi pic Fantastic Voyage, also starring Stephen Boyd, Edmund O’Brien, Donald Pleasance and Arthur Kennedy. It followed the adventures of a group of people who are miniaturized along with a submarine and injected into the bloodstream of a nearly-assassinated scientist in an effort to save his life. But they only have an hour before they return to real size.

The film won Oscars for its visual effects and for Art Direction/Set Decoration and became a cult classic. It maintains a 91% Fresh rating on Rotten Tomatoes.

Welch then starred as a clan cavewoman in the 1966 British film One Million Years B.C., another wild tale set in an age when humans and dinosaurs existed together. A slightly censored version was released in the U.S., and the film became a TV staple in later years.

She went on to star with Dudley Moore and Peter Cook in the London-set 1967 comedy Bedazzled and opposite James Stewart, Dean Martin and George Kennedy in the 1968 western Bandolero! Welch’s next major film was with Mae West and John Huston in the title role of Myra Breckinridge. Based on the satirical Gore Vidal novel that reportedly was the first whose main character underwent a sex-change operation, the 1970 film followed her character’s journey to Hollywood in search of stardom and a cut of her wealthy uncle’s estate. It was West’s final major film and Farrah Fawcett’s first.

Firmly established as a movie star, Welch continued her big-screen career opposite some of the era’s biggest stars. She appeared with Burt Reynolds in the 1972 cop comedy Fuzz; with Richard Burton in Bluebeard the same year; with James Coburn, Richard Benjamin and others in Herbert Ross’ The Last of Sheila, written by Stephen Sondheim and Anthony Perkins; and opposite Richard Chamberlain, Oliver Reed and Michael York in 1973 The Three Musketeers.

That pic earned Welch a Golden Globe Award for Best Actress in a Comedy or Musical and spawned a 1974 sequel, The Four Musketeers: Milady’s Revenge. She also starred with Bill Cosby and Harvey Keitel in the L.A.-set 1976 ambulance-crew romp Mother, Jugs & Speed.

Among her other films of the era was Kansas City Bomber, the 1972 drama set in then-popular world of roller derby, along with The Beloved (1971) and toplining the western Hannie Caulder with Robert Culp and Ernest Borgnine, also in 1971.

Welch never was shy to fight for herself and her place at the Hollywood table. In that context, she made a very different set of headlines in the 1980’s when she sued MGM over being dumped from starring with Nick Nolte in Cannery Row.

Set to play an empathetic prostitute in the David S. Ward-helmed movie based on the work of John Steinbeck, Welch was booted off the project by the studio over a contract violation. She insisted on having her hair and makeup done at her home before coming to set every day.

MGM said no and replaced Welch with Debra Winger.

After trying to make peace by taking another role and being rebuffed by the studio then run by David Begelman, Welch hit back and sued MGM for $24 million.

Making headlines all over the world, Welch alleged in her suit that the studio had built the movie and its financing around her and then used the hair-and-makeup dispute as a way to get a younger actress in the hooker role.

The matter dragged on through the courts and appeals, but Welch ultimately was awarded a $10 million verdict in 1987 — which, of course, generated a whole new set of headlines for her.

Welch’s film career had ebbed by the late 1970’s, and she began to do more TV work. She appeared in a couple of Season 2 Mork & Mindy episodes with Robin Williams in 1979 and continued to appear in telefilms throughout that decade and the 1980’s.

Among her higher-profile roles of the era was the title character in The Legend of Walks Far Woman, the 1982 NBC telepic about a woman who kills her abusive husband. Another was in Right to Die, in which she toplined as a successful woman whose life is changed forever after her ALS diagnosis. The role earned her a Golden Globe nomination.

She later did a memorable cameo as herself in 1994’s Naked Gun 33 1/3: The Final Insult, getting into a wrestling match onstage at the Oscars with Leslie Nielsen’s Lt. Frank Drebin, and briefly appeared as Mrs Windham-Vandermark in 2001’s Legally Blonde.

Welch also played herself in the classic 1997 Seinfeld episode “The Summer of George.” It featured the actress mistakenly presenting a Tony Award to Michael Richards’ Kramer, with unexpected repercussions. The final episode of the all-timer series’ penultimate season also featured the classic “catfight” between Welch and Julia Louis-Dreyfus’ Elaine Benes.

Other 1990’s TV guest roles included Evening Shade — reuniting with Reynolds — Sabrina the Teenage Witch, Lois & Clark and multiple episodes of Spin City and C.P.W. Her small-screen credits since then include a recurring role on the 2002 PBS series American Family, which starred Edward James Olmos and Sonia Braga, along with 8 Simple Rules, CSI: Miami, telefilm House of Versace, the short-lived CBS sitcom Welcome to the Captain and the Canadian comedy Date My Dad.

Since the 1960’s and throughout her career, Welch appeared on scores of TV talk, game and awards shows. She hosted Saturday Night Live during its first season in 1976, was a presenter at multiple Academy Awards and Tony Awards ceremonies, appeared on Bob Hope comedy specials and toplined her own specials in 1970, 1974 and 1980. Her 1970 CBS special Raquel! showcased Welch’s comedy, dancing and singing skills, earning a 51% share.

She also was a guest on Late Show with David Letterman, The Tonight Show with Jay Leno, The Late Late Show with Craig Ferguson and talk or variety shows hosted by Oprah Winfrey, Craig Ferguson, Bonnie Hunt, Dick Cavett, Mike Douglas, Joey Bishop, Dean Martin, Merv Griffin and others.

Welch also appeared twice on Broadway. The first time in 1981, when she filled in for a vacationing Lauren Bacall in Woman of the Year. In 1997, she played the lead role of Victoria Grant in Victor/Victoria, replacing original star Julie Andrews.

Despite her Golden Globes win and nom, Welch never earned an Oscar or Emmy nomination during her long career. But other accolades include an ALMA Award in 2001, a Western Heritage Award for The Legend of Walks Far Woman and a star on the Hollywood Walk of Fame in 1996.

Welch is survived by her son, Damon Welch, and daughter, Tahnee Welch.


SHORT TAKES — I’ve never watched an entire show of The Masked Singer on Fox. To me, it’s always looked a bit tawdry and the judges (Robin Thicke; Jenny McCarthy Wahlberg; Ken Jeong and Nicole Scherzinger) always looked like second-string choices, but Wednesday night, one of the unmasked figures was 97-year old Dick Van Dyke who always brings a smile. Good choice for sure … The movie Rust will resume in the spring. With all the legal wrangling still in the mix, it seems impossible, but stay tuned … From a Harvey Kubernick/Burt Bacharach interview via Forgotten Hits: “I started making my own records out of self-defense.  To protect.  Because I think (years ago) I ruined some good songs, because I trusted some of the A&R people.  I thought they really had to be good, or they wouldn’t have that job.  If I had a three bar phrase, then that really worked as a three bar phrase.  It’s like, let’s take a song like “Wives and Lovers.”  Thank God nobody suggested it in the A&R department, but if somebody had said, “We’ll get so-and-so to record it, it will be a single, it’ll go in the movie … but you’ve got to put it in 4/4. I’m very conscious of too much strings on records.  It’s an invasion of some territory that I’m very allergic to now.  First of all, you’ve got to have a lead going in.  So, when you know you have a situation that plays, then you can take the strings – “ … hey, let them play five bars and let’s bail.  Let’s bring ‘em out for that sweep down, and then, right on the modulation … ”  And, you know …  it’s like you have a great smile but you can’t use it all the time. Drop it in. I’ve gone 30, 40 takes. On Dionne’s first record, I had her on take four.  Maybe the difference now from what it used to be is that I know I’m going to be OK at 95 percent.  You can make yourself crazy going for 100 percent.  It’s not about what you get, but what you’re gonna get as a result.  Something is gonna be at fault in the record.  The guitar player played great, but you don’t do it all at the same time.  Played great on the one take, but the drummer made a mistake, or didn’t play as good, or didn’t go to the ride cymbal when you hoped he would.  Then the balance shifts and you didn’t get the performance on the next take.  It’s about compromising” …

The trailer for the third and possibly final season of Apple’s Ted Lasso dropped yesterday and its just brilliant. To me, the real beauty of it is that it drops no new information on this next season, but it’s uplifting just like the show. Check it out here:

The show returns on March 15 …

The trailer for Amazon’s Daisy Jones and The Six appeared this week and though it looks interesting, I immediately thought Almost Famous, The Affair and Vinyl while watching it. Based on the book, which I never heard of, it features Riley Keogh and Sam Claflin. Boy, Vinyl was a brilliant show. Check out the trailer:

Ryan Seacrest announced yesterday that he will be exiting Live With Kelly And Ryan. He’s hosted since 2001. I’ve known Ryan for years and he’s totally professional. He’d fly back-and-forth between LA and NYC for Live and his hosting duties on American Idol. With Disney laying off 7,000 people, I’m quite sure they immediately saw the savings in canceling those trips! Surprisingly in his farewell speech, neither he nor Kelly acknowledge original host Regis Philbin. Philbin for the record came up with the host chat segment …. which Barbara Walters stole for her View. Philbin did give Barbara his blessings. Shocking for sure.

NAMES IN THE NEWS — Jeremy Long; Tom & Lisa Cuddy; Barbara Walters; Donald Berman; Rick Nowels; Vinny Napolitano; Tony King; Reed Richards; Paul Rudd; Dan Rattiner; Peter Shendell; Barry Fisch; Ken Dashow; Joe Bonadonna; Jim Kerr; Derek Taylor; Maria Milito; Steve Walter; Race Taylor; Morgan Landau; and BELLA!

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email:

Continue Reading

Book Reviews

The Glorious Corner



G.H. Harding

GORDON OH GORDON — (from The Guardian) In the 1960’s and 70’s, no serious rock fan viewed the drummer Jim Gordon with anything but awe. By the 80’s, none of them viewed him with anything but contempt, a 180-degree turn that led to his virtual erasure from the culture. Even four decades later, when the veteran music journalist Joel Selvin first tried to sell publishers on a book meant to tell Gordon’s story with nuance and depth, they balked. “They would debate it for months and then say, ‘Nope, can’t do it,’” Selvin said. “It was almost impossible for them because of what he had done.”

In 1983, he entered his mother’s house and began to attack her with a hammer, crashing it into her skull four times before grabbing a knife and stabbing her repeatedly, the final time with such force it pinned her to the floor. Soon after her resulting death, Gordon was arrested, charged and convicted of murder, and spent the next four decades in prison, before dying this past March at 77. Over the years, several prominent articles have been published that tried to trace the outlines of Gordon’s story, ascribing his heinous act to an diagnosed case of schizophrenia that forced him to hear voices and experience hallucinations. Yet only in Selvin’s new book, Drums & Demons, does the reader get a feel for the full horror of his disease and the mess it made of his mind. “In one of his hallucinations, he thought he was in a jail cell that was on fire,” Selvin said. “To me, that was a metaphor for Jim’s whole life. For him, life was a jail cell that was always on fire.”

Despite the chaos that created, both for Gordon, and increasingly, for those around him, Selvin aimed to tell his story with empathy. Only after the drummer’s death was, he able to finally convince a publisher to go along. “The guy got so little compassion,” he said. “I wanted readers to know just how impossible Jim’s life was and how brave he was in battling the disease.”

At the same time, the author meant to “restore Jim’s peerless legacy. Who has done more to put his mark on our music than Jim Gordon?” Selvin said. “What a playlist he was on!”

Just tracing the surface of Gordon’s contributions reveals more than 100 classic songs powered by his invention and finesse. In his early studio work, he appeared on an entire chart’s worth of pop hits, by acts like the Beach Boys, Ike & Tina Turner, the Byrds and Glen Campbell. By the 70’s, he became a key member of pivotal rock bands, including Delaney & Bonnie, Mad Dogs & Englishmen, Derek and the Dominos and Traffic. Growing up in the San Fernando Valley of California, Gordon became entranced by the power of the beat from childhood. He played in bands by puberty and, by 17, helped flesh out demos for the publishing arm of Liberty Records. That same year, he joined the Everly Brothers on a tour of England and, afterwards, became part of the storied Wrecking Crew, a loose collection of studio musicians who played on a dizzying range of 60’s hits. “Back then, there were loads of great studio drummers,” said Lenny Waronker, a legendary producer and record executive whose career started in the same west coast studio milieu of the 60’s. “Jim was able to plow through that. All the other musicians were amazed by him.”

Gordon’s role on those storied sessions extended way beyond the simple task of keeping time. “He wasn’t just a backbeat guy,” Selvin said. “He was a fully musical drummer who embedded his playing into the core of the composition.”

For instance: in the 70’s hit, Grazing in the Grass, by the Friends of Distinction, Gordon’s drum elaborated the song. “Even though there was a chart in which every note was written out for him, he added a Latin boogaloo feel that exploded the whole record,” Selvin said.

The fills and intonations he added to Carly Simon’s You’re So Vain contoured the melody and directed the listener’s ear to the record’s subtler touches. “Jim orchestrated that entire song from the drum stool,” Selvin said. In Maria Muldaur’s number one smash Midnight at the Oasis, he added a key samba groove, while in Steely Dan’s Rikki Don’t Lose That Number, the tricky beat he devised deepened the song’s debt to jazz. In doing so, “Jim became an important part of the hit-making process,” Selvin said.

Mark Lindsay, frontman of the hit group Paul Revere & the Raiders, immediately noticed Gordon’s gift after he was hired to drum on their song The Great Airplane Strike. “He was doing this polyrhythmic thing with a kick, a snare and a high hat, accented by tom-toms,” Lindsay said. “He changed the song up so much that I wound up rewriting half of my lyrics to fit was he was doing! Jim became the conductor of the track.”

Waronker recognized the same level of creativity on Sundown, a song he produced for Gordon Lightfoot that became a number one hit. “His drum part made the song move in its own way,” he said. “It’s a specific rhythm that Jimmy picked up from Gordon’s guitar. It became one of the most important parts of the song.”

In the 70’s, Gordon expanded his range to work with rock’n’roll’s most cutting-edge bands on the road. “When you listen to his live work with Mad Dogs & Englishmen or Derek and the Dominos, he’s unleashed,” Selvin said. “The ideas just flow from him.”

At the same time, the voices that were roiling inside his head began to find disturbing external expression. In an infamous incident on the Mad Dogs tour, he hauled off and punched his then girlfriend, the singer Rita Coolidge, in the head. “Here was a guy who was noted for being gentle, smiling and laid back,” Selvin said. “But that was just the mask he wore.”

Some people were already beginning to see through it. “[The singer] Claudia Lennear said she always wondered about that smile,” Selvin said. “It was too simple. She felt he was hiding behind it.”

“Jim had such genius,” Lindsay said, “but I sensed there might be something lurking behind the curtain.”

To Selvin, Gordon’s talent can’t be separated from his torment. “The level of intuition that Jim displayed

in his playing requires a certain electro-chemical makeup,” he said. “His highly personal style had to come from the same place in the brain that produced his schizophrenia.”

At the same time, the focus and power involved in playing drums gave Gordon a refuge from the cyclone of thoughts whipping through his head. “The combination of the resonance of the drums and the rhythmic entertainment of the groove produces a hypnotic feeling that can lift you out,” Selvin said. “Nothing calms a schizophrenic faster than a Walkman and a pair of headphones. For Jim, the drums provided a place where the voices couldn’t follow.”

Strangely enough, the herculean amount of recreational drugs Gordon took at the time also had a calming effect. “You would think that the massive amounts of cocaine he did would make things worse,” Selvin said. “But I talked to psychiatrists who said that it would normalize his dopamine levels. He was doing blow to feel normal.”

Similarly, the crazy rock’n’roll lifestyle of the 70’s, which Gordon exemplified, served as a cover for his increasingly aberrant actions. “The rock scene of the time was nearly indistinguishable from psychotic behavior,” Selvin said with a rueful laugh. “Jim just blended into the background.”

It helped that, at the time, he was still soaring creatively. In 1973, Gordon devised a pair of drum patterns that proved crucial to the development of two separate genres. His work on the Hues Corporation’s smash Rock the Boat, with its high-hat syncopations and danceable beat, helped patent the rhythms of disco. Similarly, his extended break on the song Apache, paired with the congas of King Errisson, became a foundational pattern in hip-hop that was later sampled ad infinitum. “When Kool Herc found Jim’s long drum break on Apache, he discovered that he could make it bound from one turntable to another forever,” Selvin said. “He was driving crowds nuts with that sound.”

By late in 1973, however, Gordon’s beat, and sanity, were beginning to seriously waver. He viciously attacked his wife Renee Armand, cracking several ribs in the process, ending their marriage. His work with the would-be country-rock super group Souther-Hilman-Furay Band grew so erratic they had to sack him. While he managed to keep it together in the studio for a few more years, by 1978 Gordon proved too unreliable to be employed.

In a reporting coup, Selvin acquired research that helped fill in Gordon’s inner life during that pivotal time. He found two women who, in the late 80’s, had gained the drummer’s cooperation for a book that never got off the ground. The notes they took gave Selvin access to jail house interviews with Gordon along with his medical records and related court documents. (Selvin sent several written requests to interview Gordon himself but they went answered.) Regardless, the research he acquired from the women allowed him to put the reader deep inside the musician’s roiling mind.

The voices Gordon heard shamed him so deeply, he rarely told anyone about them, which contributed to him never getting a proper diagnosis. His mother, one of his closest witnesses, believed that drinking and drugs were his problem rather than a symptom of something far more corrosive. While Gordon began to imagine that many people were torturing him at the time, the main voice in his head was his mother’s. “Because Jim’s father was a practicing alcoholic, his mother became the sub rosa leader of the household,” Selvin said. “That’s why she became the major figure in this panoply of voices hectoring him.”

As a result, it was her voice that he felt the most urgent need to silence. Once details of the subsequent murder came out, some observers who knew Gordon in his high functioning days were floored. “When I knew him, he was a tremendously nice person,” Waronker said. “He was the all-American boy.”

Selvin’s book describes what led up to the murder in granular detail, but he doesn’t write much about Gordon’s subsequent decades in prison because, he said, he found it undramatic. Often keeping to himself, Gordon became a virtual zombie due to the anti-psychotic drugs the prison pumped him with. Rare as Gordon’s particular case was, one key reason Selvin said he wrote his book was to let readers know how common various forms of schizophrenia are. “To me, the single most astonishing fact of the research I did was that schizophrenia affects one in 100 people,” he said. “Let that sink in: Multiple sclerosis affects one in 10,000! We see these people out in the street, hearing voices all the time. Their world is totally frightening. And I have nothing but compassion for them. Unfortunately, society doesn’t.”

The other key reason Selvin wrote Drums & Demons, he said, was to restore Jim Gordon to the popular music world. “He’s gone,” he said, “and he needs to come back.”

Drums & Demons: The Tragic Journey of Jim Gordon is out on 27 February.

SHORT TAKES —New bio on the Bee Gees by music-wiz Bob Stanley. The group, one of my all-time favorites, were huge, but in many ways never got the respect they deserved. Many people don’t realize that Robert Stigwood, who masterminded them to the top, used to work for Brian Epstein.I’m eagerly waiting for this one. From Pegasus BooksWe watched Anatomy of a Fall and loved it. Its long, but fascinating and intense. A French legal drama, directed by Justine Triet from a screenplay she co-wrote with Arthur Harari. A great cast, especially Milo Machado-Graner, as the boy Daniel …

I watched the opening SNL monologue, with host Shane Gillis -who was fired from the cast for some racial slurs-. A sort of Adam Sandler-wanna be, I didn’t find him funny in the least. He actually reminded me of a low-rent Louis C.K. -remember him?

Lorne Michaels

I don’t know why Lorne Michaels would even want him back, except for some splashy ink – which wasn’t terribly kind. This appears to be Michael’s next-to-last year on the show and he’s clearly choosing to go out quietly. No more gas in the engine I fear …

AppleTV+ has a new show Constellation with Noomi Rapace. Stunningly done; reminds me of Gravity from a few years back … And, Happy Bday Paul Undersinger and George Harrison!

NAMES IN THE NEWS — William Schill; Anthony Noto; Tom & Lisa Cuddy; Derek Taylor; Charles Comer; Howard Bloom; Mark Bego; Phil Goldstein; Tropique Records; Marsha Stern; Beth Wernick; Marion Perkins; Les Schwartz; Liz Rosenberg; Bob Merlis; Obi Steinman; Andrew Sandoval; Warren Lawrence; Jodi Ritzen; Jeremy Long; and CHIP!

Continue Reading


The Glorious Corner



G.H. Harding

MORE MURDER — (Via Deadline) Sophie Ellis-Bextor is gearing up to tour around North America for the first time and adding more cities for fans to see her perform “Murder on the Dance Floor” live.

The British singer’s song is featured in the final scene of Emerald Fennell’s Saltburn, where Barry Keoghan’s Oliver dances naked around the manor. After the scene went viral, the song, co-written by Ellis-Bextor and Gregg Alexander, also went viral on social media. “Murder on the Dance Floor” was originally released in 2001, but it never charted on the Billboard Hot 100 until now, peaking at 51 recently.

Ellis-Bextor recently made an appearance on The Tonight Show starring Jimmy Fallon where she performed the viral hit and the star is now embarking on a North America tour.

The artist announced her first-ever live show in NYC, set to take place on June 6 at Webster Hall, and the date quickly sold out. Ellis-Bextor has now announced more dates across the U.S. and Canada that will take her to San Francisco, San Diego, Boston, Washington D.C. and Philadelphia.

“Oh my… the New York show sold out in a day! Thank you thank you thank you,” Ellis-Bextor said in her newsletter announcing the additional tour dates. “So – how about some more shows in some more cities?! My band and I are coming for you! Super excited. Come and dance with me….”

May 30: August Hall (San Francisco, CA)May 31: The Observatory North Park (San Diego, CA)June 3: 9:30 Club (Washington D.C.)June 4: Royale Boston (Boston, MA)June 5: Union Transfer (Philadelphia, PA)June 6: Webster Hall (New York City, NY)June 8: Danforth Music Hall (Toronto, Ontario, Canada)

I love this record, because its an actual song. Sure, they repeat the title about three-dozen times, but its a great track.

Neil Diamond and Micky Dolenz

NOISE CLOSES — (Via Deadline) Broadway’s A Beautiful Noise, The Neil Diamond Musical will play its final performance on Sunday, June 30, before launching a national tour this fall, producers announced today.

The musical, which began previews on November 2, 2022, at the Broadhurst Theatre and opened that year on December 4, will have played 35 preview performances and 657 regular performances when it closes.

As I’ve said, early reviews of the show, kind of stopped me from going to this. An artist who is even referenced in the play said to me ‘why would I go to a play that got bad reviews.’ Understood.

But, I did see it and absolutely loved it. Of course, I’m somewhat on the business side and loved all the insider-nuances. And, I saw it with the original performers in it.

There will be a national tour and I predict it will be a huge hit as Diamond’s music is multi-generational. As I’ve said, I preferred Diamond’s “Solitary Man”-period more than “America” and “I Am, I Said.” Although, “Turn On Your Heart Light” (written with Carole Bayer Sager and Burt Bacharach) was a great record.

An icon for certain.

SHORT TAKES — Warner’s second Aquaman movie; Aquaman and the Lost Kingdom will stream on MAX on February 27. The first Aquaman movie, out in 2018, remains the highest-grossing DC film of all time. The sequel, after a plethora of media, mostly about Amber Heard, disappeared in a matter of weeks … Broadway-journeyman and Rockers On Broadway-creator Donnie Kehr recupping. Get well soon brother! … Keith Girard’s New York Independent featured an interview with 17-old wunderkind Kjersti Long. Check it out:

Pet Shop Boys

Just listened to the Pet Shop Boys “West End Girls.” What a tremendous record that hold up amazingly well all these years later. It came out in 1984 and produced by Bobby Orlando … Amazon shuttering Freevee? First off, as an offshoot of Amazon, this has got to be one of the worst monikers ever! I mean, FreeVee ... always sounded like frisbee!  Adios … Thursday’s Law & Order was the ode to Sam Waterston’s Jack McCoy-character (Last Dance).

Sam Waterston

After 404 episodes, we had to say goodbye. It wasn’t the greatest episode, but when McCoy took over the case and presented it to the jury, Waterston shone brightly. When McCoy said to Hugh Dancy (Nolan Ryan), it was a hell of a ride, it resonated terrifically. Thanks Jack! …

True Detective

I loved the finale on HBO of True Detective with Jodie Foster and Kali Reis. I didn’t understand it all, but the look and direction (by Issa Lopez) and Jodie Foster was just superb. I had forgotten just how good an actress Foster was. Sure, she was good in Nyad, but it was a supporting role. Here, she was just stellar. I’d like to see more of her …

Micky Jones

It was a grim week medically speaking as talk-show hostess Wendy Williams was diagnosed with aphasia and dementia and Mick Jones of Foreigner, with Parkinson’s. Sending prayers to both … And finally, news surfaced Thursday that an “inebriated” Andy Cohen harassed Brandi Glanville. I don’t know Andy at all, but his bad-boy antics of the last several years were clearly leading to something like this. Glanville’s lawyers even invoked NBC’s Matt Lauer in their brief. Expect a huge media brouhaha over this one. Sad for sure … Happy Bday Lou Christie; Niki Avers and Chloe Gaier.

NAMES IN THE NEWS — Steve Walter; Obi Steinman; Felix Cavaliere; Tom & Lisa Cuddy; Kent Kotal; Ace Frehley; Alex Saltzman; Lush Ice; Tony King; Barry Zelman; Justin Ridener; Kent & Laura Denmark; Mark Bego; Mark Scheerer; Barbara Shelley; and SADIE!

Continue Reading


The Glorious Corner



G.H. Harding

McCALLUM’S FAREWELL — Last night was the NCIS show dedicated to David McCallum (The Stories We Leave Behind) and it was simply terrific. Written by Brian Dietzen, who essays Dr. Jimmy Palmer on the show, it was extremely touching and featured some great clips from past shows.

The vibrant opening theme for the show was re-cast in a memorial-type tone and worked perfectly. There was also a reference to his cat named ‘Solo’ – a fitting nod to his Man From U.N.C.L.E. costar Robert Vaughn.

McCallum was just a tremendous actor. I one met him once in Bloomingdale’s of all places and he couldn’t have been nicer. There was also last-minute cameo from Michael Weatherly, who left the show several years ago. It was just a brilliant moment and though pundits are already saying he’ll return, I don’t think it will come to pass.

There was also a letter from Gibbs (Mark Harmon) whose shadow always lingers.

A touching tribute well done on every level. McCallum will be missed tremendously; an icon for sure. 7 million viewers thought so too.

Kelly Rowland

SHORT TAKES — Last week’s kerfuffle with Kelly Rowland abruptly leaving the Today Show, where she was pegged to co-host the fourth hour with Hoda, is much ado about nothing. Gossip pundits claimed it was because her dressing room was too small and Hoda herself sort of copped to it on Monday’s show. I predict she’ll be banned from the entire show for quite some time. It was probably more of a stunt pulled by her PR-people, as she generated a heap of press. For those who don’t know: most all of their dressing rooms are small …

Kjersti Long

17-old wunderkind Kjersti Long (her “Sad Song” was just released) looks to have her Relative Space-play begin in the West End, pegged for later this year  …

Vanessa Williams will have for the role of Miranda Priestly in the upcoming musical adaption of The Devil Wears Prada by Elton John, It’ll debut in the West End shortly … SiriusXM’s Evan Levy left the station for Amazon, but has now officially surfaced at Jason Spiewak’s Noble Steed Music.

Congrats … Micky Dolenz speaks to Goldmine’s Tone Scott today about his I’m Told I Had A Good Timebook and upcoming appearance at LA’s Troubadour on April 5 … The media was ablaze Tuesday with news that director Sam Mendes would make 4 movies featuring each of The Beatles. Astonishing. Mendez is a great director and this looms as a challenge for sure. As a group they were invincible, but it’ll be interesting to see how Mendes handles each of their post-Beatles work; which had their ups and downs. Stay tuned, this is a big one …

Rod Stewart sells his catalog for $100 million? … We started watching Feud: Capote vs. The Swans -featuring a bravura performance by Tom Hollander as Truman Capote- and am loving it tremendously. Hollander’s performance is one of the best I’ve seen in years on the small-screen. Absolutely stunning with the direction by none other than the stellar Gus Van Sant. More on this brilliant series next time …

Yoko Ono

Happy 90th Bday Yoko Ono.NAMES IN THE NEWS — Steve Leeds; Tom & Lisa Cuddy; Adam Sandler; Jennifer Aniston; Curt Smith; Bob Small; Andy Forrester; Rob Dickens; Daryl Estrea; Jane Blunkell; Jane Berk; Eloise Keene; Eppy; June Pointre; Ken Kragen; Kent Denmark; Mark Bego; Jake Malooley; Graydon Carter; and ZIGGY!

Continue Reading


The Glorious Corner



G.H. Harding

WE ARE THE WORLD DOC ON NETFLIX — I just watched the Netflix doc on the 1985’s We Are The World record and session and enjoyed it immensely. It’s hard to believe it was so long ago and the participants that appeared on it and are no longer with us. I interacted with manager Ken Kragen who brought the idea to Lionel Richie and Michael Jackson after being approached by Harry Belafonte. Kragen was a savvy manager back then and even managed the Smothers Brothers for a while.

Recorded after Dick Clark’s AMA Awards, it was simply a stellar turnout. Every article on the record said that at the last-minute Quincy Jones took a blank piece of paper and scribbled Leave Your Egos At The Door – inspired for sure. Today, it’d be Leave Yor Egos At The Door With Your Glam Squad.

I don’t know if a session like that could even happen today with so much natural unrest – even in the music  business. Even A&M Studios where the session took place has changed to Henson Studios.

Its a funny doc as we start with insider-comments from two women who worked for Kragen and producer Larry Klein – who was involved with Dick Clark back then. Then, the three of them sort of disappear and Richie takes over as narrator; engineer Humberto Gatica has some nice memories too; as doe Tom Bahler, an associate of Jones who worked with him for years.

There were some funny reminiscences, mostly from Huey Lewis, who found himself amazed to be with the likes of Paul Simon and Willie Nelson. At one point Wonder starts playing Belafonte’s “Day-O (The Banana Boat Song)” and then the entire ensemble continues to sing it.

Wonder, definitely a musical genius, even coaches Bob Dylan by mimicking his voice. Diane Ross ambles over to Daryl Hall and asks for his autograph. Funny stuff for sure.

It’d be nice if something like this happened today, but I fear it’s near impossible. JLO doing a charity record with Selena Gomez, Arianna Grande and Beyonce? Never.

Micky Dolenz

DOLENZ ON AMERICAN POP FLASHBACK — Over a dozen of the most successful singing artists in the history of American music including Glen Campbell, Lesley Gore, Bill Medley and many more are presented live-on-stage with thrilling concert performances in the new Public Television special AMERICAN POP FLASHBACK! GREAT HITS OF THE ‘60s & ‘70s premiering nationwide beginning the weekend of February 23 (please check local listings for air-dates/times).

Join program host, legendary singer Micky Dolenz of The Monkees, as he salutes the groundbreaking musicians, teen idols, TV stars and vocal greats from rock, pop and country whose hits make us sing along, tap our feet, shed a tear, fall in love and recall the great memory-filled times of our lives.

Appearing exclusively on American Public Television stations, the all-star concert features performances by late legends Glen Campbell (“Rhinestone Cowboy,” “Wichita Lineman”) and Lesley Gore (“It’s My Party”) in addition to a cavalcade of timeless classics and Number One Hits by Bill Medley of The Righteous Brothers (“You’ve Lost That Lovin’ Feelin’,” “(You’re My) Soul & Inspiration),” The Chiffons (“One Fine Day”), Bobby Vinton (“Blue Velvet”), Ray Stevens (“Everything Is Beautiful”), Debby Boone (“You Light Up My Life”), Chris Montez (“Let’s Dance”),Tony Orlando (“Candida”/”Knock Three Times”) The Osmond Brothers (“One Bad Apple,” “He Ain’t Heavy…He’s My Brother)”, Crystal Gayle “Don’t It Make My Brown Eyes Blue”) and other chart-topping favorites.

Additionally, the programs legendary host Micky Dolenz thrills fans with a performance of The Monkees’ signature hit I’m a Believer. AMERICAN POP FLASHBACK! GREAT HITS OF THE ‘60s & ‘70s presented by American Public Television is a production of DEB Entertainment and Emmy-nominated producer Jim Pierson (“California Dreamin’” – The Songs of The Mamas & The Papas, Fever The Music of Peggy Lee) in association with Emmy Award-winning producers Rene Reyes and Shane Rosamond

SHORT TAKES — We’ve written about how similar TV’s Yellowstone is to Dallas; a huge hit back-in-the-day. Sure, the language is a bit more torrid, but the similarities are indeed many.

Taylor Sheridan

Now Roger Friedman reports that Yellowstone-creator Taylor Sheridan is creating a show (With Jon Hamm; Demi Moore; and Billy Bob Thornton attached) closer to Dallas than ever before. Of course, Kevin Costner starred in Yellowstone and is being written out. Check it out here:

David Salidor; Scott Shannon and Steve Leeds

… Happy Bday Steve Leeds & Mitch Kanner!NAMES IN THE NEWS — Michelle Grant; Art Rutter; Jimmy Fallon; Vinny Napolitano; Jodi Ritzen; Dan Zelinski; Tom & Lisa Cuddy; Anthony Noto; Robert Funaro; Steve Klein; Steve Leeds; Mark Bego; Sophie Ellis-Bextor; Brad Pitt; and CHIP!

Continue Reading


The Glorious Corner



G.H. Harding

FANTASTIC FOUR SETMarvel announced Wednesday morning the cast for their coming Fantastic Four movie. Actually, there were three before, but not 100% Marvel. As a fan of the comic from the start, the first movie, with Ioan Gruffeud, Michael Chiklis, Jessica Alba and Chris Evans was just great. Julian McMahon as the bad guy Dr. Doom was great too. The second one was pretty good too as it introduced the Silver Surfer; one of my personal Marvel faves.

silver Surfer

Each did not make a zillion-dollars and when the rights reverted back to Marvel, they went with it.

Pedro Pascal was great in his cable series Narcos and the current Last of Us, but not as Reed Richards. Ioan was excellent and even John Krasinki who made a brief cameo in Dr. Strange, would have been a much, much better choice. Marvel even issued a Valentine Day’s announcement of sorts that made the Fab Four look like something out of The Jetsons … and, clearly, they’re not.

Hey, this is just one opinion … Pascal is the flavor of the moment! Read SHOWBIZ 411’s take on it:

Flash Forward

SHORT TAKESNBC’s LaBrea wound up their abbreviated third and final season Tuesday with an episode wherein all of the major characters resolved their issues and successfully got back home. Honestly, the show started out with a band (who can’t resist a giant-sinkhole in LA?), but then with COVID and the strikes, it began to fall apart. LaBrea joins the hallowed ranks of other sci-fi shows Flash Forward, The Event; Salvation; First Wave; Solos; Another Life; Millennium; and Brave New World – all great shows that slowly-but-surely died on the vine … Check out Joe Cocker-biographer Mark Bego on Leon Russell’s relationship with Joe:

17-year-old Kjersti Long was interviewed by SKOPE in conjunction with her new single “Sad Song” –

I’m Told I Had A Good Time/Micky Dolenz

Micky Dolenz spoke to Billboard’s Gary Graff this week about his book, I’m Told I Had A Good Time

Jennifer Lopez

JLO was the special guest on NBC’s Today Thursday and really dazzled me. Her new album has gotten very mixed reviews, but what a total professional, she looked great; her kids are now each 16; and she answered every question Hoda Kotb had with pizzazz. She announced a tour later this year and posters for it were already displayed in their plaza immediately after the interview. She’s been a star for years and she still is …

Lana Del Rey covering John Denver’s “Tale Me Home Country Roads?” Yes. here it is:
I love it! …

Whatever happened to our guilty-jazz pleasure, Robert Miller’s Project Grand Slam.

NAMES IN THE NEWS — Gary Graff; Tone Scott; Tony King; Tom & Lisa Cuddy; Morgan White; Jim Kerr; Graydon Carter; James Clash; Jeremy Long; Van Dean; Dean Scene; Pete Bennett; Chris Cuomo; Dan Zelinski; Barry Fisch; Gary Gershoff; Eppy; Kent & Laura Denmark; Don Wardell; William Schill; and ZIGGY!

Continue Reading


Copyright © 2023 Times Square Chronicles

Times Square Chronicles