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What Has Cancelled and What Hasn’t

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I have gotten countless e-mails from shows and events closing. Here are just some of them.

Tribeca Film Festival will no longer be taking place next month.

The 19th annual event for independent film was set for April 15 through April 26, but has been postponed because of coronavirus. No new dates have been announced.

“We founded the Tribeca Film Festival as a way to heal our community after the devastation of the 9/11 attacks in 2001. We were determined to overcome our fear and anxiety by joining together.  It is in our DNA to march forward while caring about our community,” Jane Rosenthal, co-founder and CEO of Tribeca Enterprises, said in a statement. “We have made the difficult decision to postpone the 19th Tribeca Film Festival (April 15-26) based on the announcement by Gov. Andrew Cuomo that events of 500 people or more are banned due to the spread of the novel coronavirus. We are committed to ensuring the health and safety of the public while also supporting our friends, filmmakers and storytellers who look to Tribeca as a platform to showcase their work to audiences. We will be back to you shortly with our plans.”

THE SIBLINGS PLAY will close following the performance on March 14, so if you want to see a show there is one more night.

Performances of Harry Townsend’s Last Stand at City Center Stage IIwill continue as scheduled. Per Governor Cuomo’s advisement, the show will reduce the seating capacity of the theater by 50% to allow for social distancing. Our audience’s health and well-being and that of our company are of the utmost importance and the venue has implemented advanced hygienic and health safety protocol precautions.

We welcome audiences to experience this wonderful play that’s relatable to just about every family, starring the iconic Tony Award® winner Len Cariou and the great Broadway actor David Lansbury.

Birdland Jazz Club and Birdland Theater are closely monitoring the city, state, and federal safety recommendations about the spread of the COVID-19 virus.

Our primary concern is for the safety of our artist-performers, customers, and staff.

We have implemented every possible measure to ensure a safe environment. These precautions include:

  • Sanitizing our venues by disinfecting all surfaces, restrooms, and kitchen areas before and after every performance throughout the evening, and overnight after we have closed.
     
  • Training and monitoring all employees for vigilant sanitary practices include personal washing, cleaning, and sanitary service techniques.
     
  • Closely monitoring the health of our staff and artist-performers, and enforcing a stay at home policy for any staff or performer feeling or exhibiting even the slightest symptoms.
     
  • Requesting that all of our customers observe the same sanitary and health monitoring practices.

Due to the unpredictable and developing nature of this crisis, we have cancelled some of our upcoming performances. However, we also feel a great responsibility, as part of NYC’s culture and history, to make every effort to continue presenting a modified program of performances every evening, as long as it is safe to do so. If current ticket holders wish to cancel we will happily transfer tickets or give full credit for a future show when the crisis passes.

The arts and culture industry in NYC are not only important to our society but are also the source of employment for tens of thousands of artist-performers, staff, and service workers. “The Show Must Go On,” is not only our credo but also our livelihood. By working together, safely, we will survive this crisis.

Vineyard Theatre announces that starting tomorrow, Friday, March 13  all performances ofDana H. will be suspended through March 31. The theatre will play to 50% capacity April 1 – 12. This is in accordance with guidelines from the CDC and state and local health officials’ executive orders.  
 
Tonight’s 7pm performance of Dana H. will be performed as scheduled.
 
Dana H. will be extending to April 19 in order to accommodate patrons who want to see the production or must reschedule. Current ticket holders may begin rebooking into additional performances immediately. To reschedule tickets, current ticket holders should email boxoffice@vineyardtheatre.org. Tickets for additional performances will go on sale to the general public on Thursday, March 19.
 
Vineyard Theatre will continue to closely monitor the coronavirus situation on behalf of the community and share updates as they evolve. 

Per Governor Cuomo’s order closing of all Broadway theaters and public gatherings with a capacity of 500 or more effective yesterday, Thursday, March 12, the McKittrick Hotel follows the order for the safety of our casts, staff and patrons.

The McKittrick Hotel which houses the shows Sleep No More, The Woman in Black, Speakeasy Magick and the rooftop Lodge at Gallow Green will close for a period of 30 days through April 12, 2020.

We are working to update our schedule and will rebook your reservations at no extra charge. Your reservation will not expire and can be used at any time. Once our schedule is posted, in the event that you cannot find a suitable exchange date, we will be happy to assist you further. 

Per Governor Cuomo’s order effective today, Thursday, March 12, closing all Broadway theaters and public gatherings with a capacity of 500 or more, which includes New World Stages, all performances of the off-Broadway production of Drift at New World Stages through Sunday, April 12, 2020 are cancelled.  To reschedule your tickets, please contact your point of sale.

In light of the escalating Coronavirus COVID-19 pandemic and the New York City and New York State mandate to limit capacity at Broadway theaters and reduce social gatherings, and in order to keep our company and audiences safe, we are canceling upcoming performances of Then She Fell. Currently, our plan is to only suspend performances through Sunday, April 12th. 

For current ticket holders: If you have already purchased tickets to Then She Fell for this period, please keep an eye on your inbox over the next few days for an additional email from our Box Office with specific information regarding your performance date and your options for rebooking at a future date, donating the cost of your tickets to help support our artists and team, or refunds. 

We look forward to inviting you into the show again when this situation resolves, and we send you all our best regards for good health and safety.

Michael McDonald ,Café Carlyle
Michael McDonald

The Café Carlyle guests are a primary concern. In an abundance of caution due to COVID-19, all performances from March 24th through May 2nd have been canceled. Café Carlyle regrets having to make this difficult decision but feels it is the most practical action to take at this time.  

Affected events include:

Michael McDonald (March 24-April 4)
Mario Cantone (April 7-11)
Wayne Brady (April 14-18)
Bernie Williams (April 21-25)
Woody Allen & the Eddy Davis New Orleans Jazz Band (all Mondays through April 27)

Café Carlyle is currently working to reschedule the shows for a future date. Thanks for your understanding and please continue to check www.cafecarlylenewyork.com for the latest updates.

How do we remain calm and continue to be creative & productive in the midst of the current disruption to our everyday lives? As Americans we are experiencing this collective vulnerability for the first time. Isn’t this how most women live every day? Don’t women continuously work hard, hoping that the solution is just slightly ahead?

I was always taught that the true power of a community is how it responds to uncertainty and economic crisis.

Our organization started the night of the great New York City blackout of 1977, when our founders came together in the dark to shed light on the issues facing women working in the media. We are nearly 43 years strong. We have persevered, overcome and learned many lessons along the way. We thrived in spite of the circumstances. Now is no exception. While our government and health officials mandate we use social distancing as the best strategy to curtail the spread of this virus, we at NYWIFT headquarters hope to combine this strategy with virtual and digital tools to keep the community together in new and meaningful ways:

  • We are shifting some of our upcoming panels and workshops into virtual webinars – where you can continue honing your craft and get inspired from the comfort of your own home. For example, the previously announced Mental Health in Documentary panel will still happen, but via Zoom. On March 31st, all those registered will receive a link to access the panel. You can still register for the program on our website.
  • We are re-launching our online messaging system GoldenWheel, so even though our March and April NYWIFT Nights Out are postponed, you can still make professional connections with one another directly. We will be in touch with GoldenWheel info shortly.
  • As is recommended by our elected officials – please work remotely when possible. And while at your desk take a few minutes and watch some of the fabulous films in our NYWIFT Online Shorts Festivalboth online and on the GoIndieTV Roku channel on your TV. It’s the perfect way to take a break from the news cycle while also supporting your fellow women in film. If you liked a project, let our community know: tweet us at @NYWIFT and @docuqueen
  • We encourage you to take this time to log in to our member center, update your member profile, and check out the online membership directory. It offers advanced search options to help you connect with the right person. You can increase your visibility and maybe even add a new headshot.

(The NYWIFT Moms Network – an integral part of the NYWIFT community.)

During this last week, I have witnessed the incredible strength of our NYWIFT community. When your film premieres at SXSW, Tribeca Film Festival, and New Directors/New Films were rescheduled or postponed with no clear plan in sight, you accepted this reality with grace, and understood these actions needed to be taken for the greater good of the entire community. Your films, digital content, and television series will be seen. Your creative energy will not be lost.

As creators, we reinvent ourselves when something in our lives is not working or broken. The coronavirus and the current economic forecast pose the perfect circumstances for us to use and develop new virtual initiatives.

We are in this together!

Onward,

Cynthia Lopez

Executive Director
New York Women in Film & Television

LAByrinth Theater Company (John Ortiz, Artistic Director; Aaron Roman Weiner, Associate Artistic Director), with the support of and in unison with its partners at The Sol Project, announces the postponement of the world premiere play Bees and Honey by Guadalís Del Carmen. In order to support citywide efforts to reduce the spread of the COVID-19 virus, the organizations agree that postponing the production is the healthiest and safest way forward for all audiences, artists, and staff. Bees and Honey was originally scheduled to play The Cherry Lane Theatre from March 27 through April 26.

“LAByrinth and The Sol Project remain committed to producing this stunning new play by Guadalís Del Carmen,” says Artistic Director John Ortiz. “We appreciate the continued support and understanding of our patrons as we navigate these unprecedented decisions, and we look forward to sharing this exciting work with you later this year.”
Ticketholders for Bees and Honey will be contacted by a representative from OvationTix in the coming days with options for ticket refunds and exchanges. For more information, or if you have questions or concerns, please contact Producing Manager Chris Goodwin at Chris@labtheater.org.

The health and well-being of audiences, artists, students, and staff is our utmost priority. At this time, and in accordance with New York State guidelines for public gatherings, MCC Theater is announcing changes to our 2019/20 productions and events:

The New York premiere of All The Natalie Portmans, by C.A. Johnson with direction by Kate Whoriskey, played its final performance yesterday, Thursday, March 12.

The World Premiere of Nollywood Dreams, by Jocelyn Bioh with direction by Saheem Ali, will not begin preview performances on Thursday, March 19 as previously announced. The production will be rescheduled for a later date in our 2019/20 Season. New dates will be announced. 

All tickets purchased for these two productions will be refunded to the credit card used for purchase within the next few business days. Ticket holders may also choose to transfer their tickets to a donation to support MCC Theater during these uncertain times. To make a donation, please contact the MCC Box Office at boxoffice@mcctheater.org

Miscast 20, the 20th annual MCC Theater gala, previously scheduled for Monday, April 6, will now be held on Monday, June 15 at The Hammerstein Ballroom at the Manhattan Center. The gala is one of the highlights of the New York theater season and supports MCC’s mission, educational programs, and emerging writers. 

Tickets purchased to the April 6 event will be honored on June 15. For any ticket donations, refunds, or to purchase tickets, please contact Sara Stevens at sstevens@mcctheater.org.

In the midst of the current Covid-19 pandemic, The Flea Theater has decided to cancel all Flea performances through April 2, effective following Friday, March 13 performances. 

The safety and security of the audiences, artists and staff is The Flea’s highest priority. The Flea is following the lead of the city, state, and federal elected officials as well as the recommendations of the Department of Health and the Center for Disease Control.

Patrons who have tickets to any of these performances will have the option to be credited their tickets by rescheduling tickets to a Flea performance for a later date, donating the value of a ticket as a tax-deductible contribution, or by requesting a full refund of the original method of payment. The Flea’s box office will be reaching out to all ticket holders directly to determine next steps.

The Flea does not take this change in calendar lightly and deeply appreciates the impact this has on its community — the artists who have made inspired work, the staff that has tirelessly supported the work and the audience who have planned to join us in the coming weeks.

The Flea will be back and looks forward to welcoming audiences back to The Flea later this spring.

The Public Theater has been closely following the COVID-19 outbreak, and the health, safety, and well-being of our staff, artists, audiences, and our fellow New Yorkers has been and continues to be our top priority. With that in mind, The Public is cancelling all shows and events at The Public starting today, Thursday, March 12  through Sunday, April 12 to support citywide efforts to reduce the coronavirus spread. You can take a look at our full statement here.  

We apologize for any inconvenience that this COAL COUNTRY cancellation may cause and appreciate your continued support and your understanding as The Public Theater makes decisions in the best interest of our city and our community.

To support the City of New York’s efforts to contain the spread of COVID-19 and to prioritize the health of our audiences, artists, and staff, The Shed is suspending its exhibitions and performances effective today, March 12, at 6 pm through March 30. Agnes Denes: Absolutes and Intermediates, originally scheduled to be on view through March 22, is now closed and performances of Help through March 30 are canceled. Ticket holders with questions about refunds or exchanges should contact The Shed at info@theshed.org or (646) 455-3494. We will continue to provide updates as we receive new information. 

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Film

Live From The Hotel Edison Times Square Chronicles Presents The Day With No End a Film Directed by Portrait Photographer Alistair Morrison

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Live From The Hotel Edison Times Square Chronicles Presents, is filmed from the Hotel Edison and is a podcast extension of T2C. We are back after a small hiatus.

Today on Live From The Hotel Edison Times Square Chronicles Presents The Day With No End a Film Directed by Portrait Photographer Alistair Morrison. The Day With No End explores grief, mental health, illness, and legacy in the 9/11 community, focusing on the 25th commemoration of September 11, 2001. The film centers on the story of firefighter Joseph Hunter of FDNY Squad 288 (who died in the World Trade Center collapse) and weaves together accounts from his family, survivors, first responders, and individuals living with long-term health complications or toxic exposure from Ground Zero. Filmed exclusively in New York and Long Island. Rather than using dramatic archival news footage, the documentary relies on intimate, quiet conversations and shared emotional terrain between survivors, strangers, and the Hunter family.

The documentary initially debuted in September 2026 to mark the 25th anniversary of 9/11. Screenings have been held in coordination with survivor advocacy groups, including a featured presentation and symposium hosted by the Voices Center for Resilience in New York City.

Alistair Morrison is a British visual artist with 83 portraits held in the National Portrait Gallery, known for his work capturing the “extraordinary ordinary” with moral clarity

I am so grateful to Alistair Morrison and his film The Day With No End for his keeping alive the tragedy of 9/11 and his concern, love and care. We should never forget.

We are so proud because the show and our guests are featured on the TV screens in the lobby and the hotel rooms.

Thank-you Magda Katz for videoing and creating the content to go live, Rommel Gopez and The Hotel Edison for their kindness and hospitality, Broadway HD and Dr K and at 200 West 54th Street for giving me back my health and my smile.

We have been named by Variety Entertainment News as one of Summer’s Best Picks in the category of Best Television, Radio, Podcasts. The company we are in, has made us so humbled, grateful and motivated to continue.

“The Daily Geek Report” named host Suzanna Bowling on the list of Most Engaging Hosts.

You can catch us on the following platforms:

Pandora

Stitcher

Spotify:

Amazon:

Apple Podcasts:

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Celebrity

The Glorious Corner

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G.H. Harding

MACCA SPEAKS, AGAIN — Paul McCartney’s promotional efforts for his latest album The Boys of Dungeon Lane, has been really remarkable. Between his efforts and the PR for the Michael Douglas and Sylvester Stallone memoirs, it’s been quite the fall so far. Even though Todd Rundgren in his now infamous interview in Vulture, claimed that “McCartney would go to a mall opening,” but I think what he’s done has been really good.

Credit manager Scott Rodger for the spirited jaunt.

Amy Poehler

But today I heard today what unquestionably must be one of the best interviews he’s ever done and that’s the Good Hang podcast with Amy Poehler.

I never been a huge fan of Poehler, but I must say, her efforts on this really knocked me out, as she covered everything from John, George and Ringo to Linda and got McCartney to talk a lot about his kids. Even 2009’s Nowhere Boy and the forthcoming Sam Mendes movies were referenced. It was McCartney, in a totally different light … a reflective and relaxed light for sure.

I know it seems like everyone and their mother has a podcast right now, but this one was extra-special.

I was knocked out. Take a listen

X FILES — (Via Deadline) Ryan Coogler’s long-gestating The X-Files reboot starring Emmy nominee Himesh Patel (The Odyssey, Station Eleven) and Danielle Deadwyler (The Bell Jar, The Chaperones), has been ordered to series at Hulu.

From Onyx Collective and 20th Television, the reimagining of Chris Carter’s classic series follows two highly decorated but vastly different FBI agents, played by Deadwyler and Patel, who form an unlikely bond when they are assigned to a long-shuttered division devoted to cases involving unexplained phenomena.

Sinners filmmaker Coogler wrote, directed and executive produced the pilot.

Like the Miami Vice reboot, currently in production, I don’t see it as a success. I mean, how can you do the X-Files with Mulder or scully? But we’ll see.

Crustacean

SHORT TAKES — One of my favorite restaurants in LA is closing, Crustacean on Bedford Drive in Beverly Hills. Fish-centric, but just a great, great spot. Been going for a decade. Very sad … Whatever happened to a follow-up date for John Cafferty at NYC’s Cutting Room? We’d love to see him there again … SIGHTING: PR-pasha David Salidor at Din in Brooklyn Heights … Sad to read about Mike Love’s recent health struggles. Here’s hoping for all the best … Maximum Pleasure Guaranteed will be back for another go-round. Apple TV announced Wednesday that it has renewed the dark comedy thriller for a second season. A writers room is underway, we hear, with Season 2 production slated for the first half of 2027. Starring Emmy winner Tatiana Maslany …There’s another trailer for the Blade Runner series on Prime. Take a peak:

Bruce Morrow

Happy 91 to radio’s Cousin Bruce Morrow. An icon for sure!

NAMES IN THE NEWS — Daryl Hall; Raspin Stuwart; Roy Trakin; John Hughes; Lorne Michaels; Robert Funaro; Ken Sharp; John Sykes; Tom & Lisa Cuddy; Sharon Bush; Anthony Pomes; Chris Carter; Max Sabrin; Michael Domino; Harrison Jordan; Steve Leeds; Steve Walter; Moe Kaplan; Dianna O’Neill; Jacqueline Boyd; Judy Kaufman; Chuck Pulin; Bob Gruen; Markos Papadatos; and CHIP!

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Broadway

Tom Hiddleston and Hayley Atwell Are Bringing Shakespeare’s Battle of the Sexes to Broadway

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Jamie Lloyd’s Much Ado About Nothing begins rehearsals in London before its hotly anticipated New York engagement at the Winter Garden Theatre.

Gerald Kyd, Jamie Lloyd Photo by Justine Matthew

Broadway is about to get a delicious dose of Shakespearean sparring, and the combatants are rather irresistible.

Tom Hiddleston photo by Justine Matthew

Tom Hiddleston

Hayley Atwell Photo by Justine Matthew

and Hayley Atwell are preparing to go head-to-head in Much Ado About Nothing, bringing two formidable British talents, considerable star power and what promises to be some spectacular verbal warfare to the Winter Garden Theatre.

Cast and crew photo by Justine Matthew

Under the direction of the ever-provocative Jamie Lloyd, rehearsals are officially underway in London for the strictly limited Broadway engagement, which begins previews October 31, opens November 19 and runs through January 10, 2027.


Tom Hiddleston, Mason Alexander Park photo by Justine Matthew

Frankly, who better to play Shakespeare’s most gloriously argumentative couple?

Hiddleston, whose effortless sophistication and mischievous charm have made him equally compelling on stage and screen, takes on Benedick, the confirmed bachelor who considers himself far too clever to fall in love. Audiences know him as Marvel’s deliciously unpredictable Loki, but theatre devotees know that beneath the cinematic charisma is a classically trained actor with serious Shakespearean credentials. An Olivier Award winner, Tony nominee and Golden Globe winner, Hiddleston has the intelligence, precision and impeccable comic instincts to make Benedick’s verbal gymnastics particularly entertaining.

Hayley Atwell photo by Justine Matthew

Opposite him is Hayley Atwell, making her Broadway debut as Beatrice, one of Shakespeare’s most brilliantly outspoken women. Best known internationally for her portrayal of Peggy Carter in the Marvel universe, Atwell is also a three-time Olivier Award nominee whose theatrical career has demonstrated a remarkable combination of emotional depth, razor-sharp wit and commanding presence. Beatrice requires an actress who can turn a cutting remark into an art form while revealing the vulnerability beneath the bravado. Atwell seems particularly well suited to the challenge.

Then there is the irresistible prospect of seeing these two Marvel veterans trading Shakespearean insults instead of saving the universe. One suspects their weapons of choice will be considerably more entertaining than anything found in an Avengers arsenal.

For the uninitiated, Much Ado About Nothing revolves around Benedick and Beatrice, two fiercely independent personalities who insist they have absolutely no interest in romance, particularly with each other. Naturally, everyone around them knows better. Their friends conspire to bring them together, setting off a cascade of misunderstandings, romantic intrigue, wounded pride and some of the most dazzling dialogue Shakespeare ever wrote.

Beneath the comedy lies a surprisingly modern examination of reputation, public humiliation, deception and the dangerous ease with which appearances can be mistaken for truth. In an age of social media, instant judgment and reputations destroyed at breathtaking speed, Shakespeare’s observations about human behavior feel remarkably contemporary.

That tension between sparkling comedy and darker emotional undercurrents should prove fertile territory for Jamie Lloyd, whose theatrical imagination has made him one of the most talked-about directors working today. A Tony Award winner and multiple Olivier Award recipient, Lloyd is known for stripping familiar classics down to their emotional essentials, creating productions that challenge expectations while placing extraordinary demands on their performers.

His approach to Much Ado About Nothing is likely to make this far more than a conventional evening of Elizabethan romance. With Lloyd at the helm, the question is not simply whether Benedick and Beatrice will fall in love, but how their pride, defenses and carefully constructed identities will survive the experience.

Mara Huf photo by Justine Matthew

Joining Hiddleston and Atwell is an accomplished ensemble featuring Mara Huf as Hero

James Phoon photo by Justine Matthew

James Phoon as Claudio, Gerald Kyd as Don Pedro, Forbes Masson as Leonato, Tim Steed as Don John, Mika Onyx Johnson as Borachio,

Mason Alexander Park, Hayley Atwell photo by Justine Matthew

Mason Alexander Park as Margaret

Phillip Olagoke photo by Justine Matthew

and Phillip Olagoke as Friar Francis. Newly announced understudies include

Franklin Bongjio photo by Justine Matthew

Franklin Bongjio

Michael Iván Carrier photo by Justine Matthew

Michael Iván Carrier

Beth Elliott photo by Justine Matthew

Beth Elliott, Marlon Alexander Vargas

Ed White photo by Justine Matthew

and Ed White.

The first rehearsal photographs, captured in London by Justine Matthew, offer an early glimpse of the company coming together ahead of what is certain to be one of Broadway’s most closely watched fall openings.

There is something especially appealing about a production that reunites Hiddleston and Atwell within Shakespeare’s universe of wit, romance and emotional warfare. Both possess the kind of intelligence and theatrical confidence that can make a familiar text feel spontaneous, and Much Ado About Nothing depends upon precisely that quality. Benedick and Beatrice must appear capable of outthinking everyone in the room, even as they remain spectacularly incapable of understanding their own hearts.

Broadway has no shortage of love stories, but few offer the delicious pleasure of watching two people argue themselves into romance.

With Tom Hiddleston and Hayley Atwell leading the charge, this particular battle of the sexes may be worth every insult.

Much Ado About Nothing begins previews October 31 at Broadway’s Winter Garden Theatre, 1634 Broadway, officially opens November 19 and continues through January 10, 2027, only.

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Celebrity

The Glorious Corner

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G.H. Harding

VICE 2028 — When Michael Mann tried to reboot his series Miami Vice in 2006, it was a commercial and critical disappointment. Miami Vice 85, the latest reboot, is well underway with a most impressive cast, including Austin Butler and Michael B. Jordan as the series lead characters Crockett and Tubbs.

Austin Butler and Michael B. Jordan

When Vice first hit TV screens in September of 1984, audiences had rarely seen anything as ambitious or creative. Mann -and Anthony (Buffalo Club) Yerkovich- hit on something new for the small screen. NBC’s head-honcho at the time Brandon Tartikoff, called them “MTV cops.”

Anthony Yerkovich

MTV was approaching its peak (27 million households) and this TV-show captured not only that, but both the angst and joy of the go-go 80s.

It propelled Don Johnson to mega-stardom, as well as Philip Michael Thomas. The two even recorded albums, which were not bad, but never fully realized.

One major key to the show’s success was the endless streaming of hit music -from Phil Collins; Dire Straits; Steve Jones; to INXS on down. This was before music supervisors came into play and it was often the label’s PR-people that propelled songs and artists to major success. The show also employed various music stars (like Collins and Franz Zappa) as guests stars and often, they were great. Zappa, as a cool-drug merchant on a yacht was great.

PR-man David Salidor was handling PR for The Funhouse, one of the key-clubs of the time, and remembers bringing producer Michael Attanasio down to the club. “They wanted something authentic and since they were going to be shooting in NY for the second season, the club was a perfect fit.”

I was a fan and remain a fan, and even when I watched the episodes now, they’re a bit dated, buy the symbiosis of what’s on the screen and the music remain pretty outstanding.

I honesty doubt whether Mann can do it again, but interest remains high … very high. See you in 2028 Miami Vice!

Read more here: https://www.hollywoodreporter.com/movies/movie-news/miami-vice-85-austin-butler-michael-b-jordan-1236727734/

And here’s a great take from Yerkovich on the creation: https://intelligentcollector.com/miami-vice-creator-anthony-yerkovich-on-the-style-packed-pilot-that-changed-tv-forever/

SHORT TAKES — I watched the 1998 movie Deep Impact over the weekend and the basic plot was an asteroid was about the hit the Earth and one of the plans President Morgan Freeman came up with was to build immense silos in the mountains. Sounds a tad like the TV-showParadise, right? Amazing …

Sheryl Crow

Sheryl Crow says she’s losing major money on her new album. Interetsing article from Female First. Take a read: https://www.femalefirst.co.uk/music/musicnews/sheryl-crow-says-losing-ton-money-latest-album-reflects-fame-cancer-ageing-radio-1451871.html … Great interview on Rory Kennedy’s The Trial of Alec Baldwin. Check it out: https://deadline.com/2026/10/the-trial-of-alec-baldwin-director-rory-kennedy-interview-1237154646/ … Happy Bday Daryl Hall.

NAMES IN THE NEWS — Bill Maher; Chuck LaBella; David Bowie; Steve Walter; Frank Ucciardo; Thomas Jay; Mark Biggs; Tugg Putt; Tom & Lisa Cuddy; Race Taylor; Chuck Nolan; Bill Evans; Dan Zelinski; David Foster; Michael Hutchinson; Walter Egan; Bill McCuddy; Eppy; Joe Lynch; Linda Wnek; and ZIGGY!

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Celebrity

The Glorious Corner

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G.H. Harding

THE TRIAL OF ALEC BALDWIN — The wattage on Alec Baldwin has definitely simmered down. I saw him a few weeks back in the Hamptons, but other than that, he’s been under the radar. The film Rust, which interrupted everything is out; was minimally shown in May in about 115 theaters and was released on various on-demands. But the powers that be have kept it basically under wraps. Ironically, the few reviews I read noted how good it looked, rather than dwell on the tragic incidents that occurred.

Now, from documentarian-Rory Kennedy comes the film The Trial of Alec Baldwin. Both stories which I’ve posted below say the very first thing you see is a statement saying that Baldwin had no input into the making of the film. I haven’t seen it, but I think everything I need to know has always been disclosed.

Baldwin made himself a target and whatever did really happen; he was in the bulls-eye for certain. I’m sure I’ve relayed this story before, but I had an unfortunate incident with him, but several months later had a conversation with him, at his El Dorado Films, and he couldn’t have been more receptive. Acting? Who knows, but I was suitably charmed.

Don’t forgot, Baldwin is one hell of an actor. Check out his astonishing scene in Glengarry GlenRoss:

What happened was awful, but awful things happen every day, and the truth remains perhaps we’ll never know the truth.

ttps://www.hollywoodreporter.com/movies/movie-reviews/the-trial-of-alec-baldwin-review-rory-kennedy-documentary-1236723653/

TCM LIVES — Turns out that so far there’s one golden-nugget from the Skydance takeover and that’s is the fact that the TCM channel will remain. Spielberg and Scorsese jumped onboard the channel a few years back and they’ll stay very much involved along with Michael De Luca and Pam Abdy.

I don’t know about you, but I don’t watch everything on TCM, but more often than not they’ll have a gem on.

Clearly Ellison didn’t want tor rattle-the-cages too soon. I’m sure that will come, but just not now. Take a read from Deadline on the story: https://deadline.com/2026/10/turner-classic-movies-skydance-film-group-1237150281/

actor Michael Douglas promo image from his Netflix show The Komisky Method

SHORT TAKES — The Michael Douglas book PR-engine moves ever forward. I just checked Facebook and there were 3 postings from Douglas and his pub-company Grand Central Publishing. As I said last column, I think you can save $46.00 buying the book and just read and listen to everything that’s out. He did Diane Sawyer for ABC; The View; Morning Joe; Jimmy Kimmel; the 92 Street Y; CBS Sunday Morning; LA Times; andDeadline (where ghost-writer Mike Fleming, Jr. in an editor) … what else is left? Actually, as I was leaving my apartment I turned on the Today Show to see Catherine Zeta-Jones plugging her latest TV-movie (Killing Jackie)and she plainly said, she had no plans to read the book. Smart gal …

David Zaslav

David Zaslav, aka Zaz The Butcher, will receives about $600 million, for the Warner Bros sale.

Mandy Patinkin

Amazing …  (Via Deadline) Mandy Patinkin really digs Digger. In an effusive video message, posted soon after watching Digger in a theater, the Homeland star implored his followers to ignore the haters and watch Tom Cruise’s ecological disaster movie. Patinkin described Alejandro G. Iñárritu-directed Digger as an “instant classic” and said it was “one of the greatest pieces of film I have ever seen in my entire life.” “This is an incredible piece of work. It puts the heart and soul back into the cinema. Everything we all love about cinema, this is it. Please, please, please, run! Don’t walk, run, and see this film,” he continued. You just know, the tide will turn .. Just in: Pershing Square bar at Grand Central in NYC will close after 3 decades in business. Sad as it was a great spot to wait for Metro North! … Who hasn’t spent time in a good, old-fashioned diner? 200 have closed in the metropolitan area so far. Check out this article on them from the New York Post: https://nypost.com/2026/10/08/lifestyle/nycs-evolving-love-affair-with-diners-enters-a-new-era/?utm_source=facebook&utm_medium=social&utm_campaign=nypost_trending&fbclid=IwY2xjawU15FlleHRuA2FlbQIxMABwZG9mBWJyaWQRMURwUUx2UHRmME9oT05xeTBzcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyAAEeDhyVr1Rp_BbBfebFdI2ovl87xm3BGk7uwgnerZv-kSYKIYz3gK6c5kDqN90_aem_az9ap3hQOvpiIueQ9aC-Vg

NAMES IN THE NEWS — Shane Salerno; Andrew Sandoval; Piper Smite; Tony King; John Hughes; Tony Seidel; Bruce Haring; Jane Blunkell; George Harrison; Mal Evans; Dan Zelinski; Steve Walter; Eppy; Tom & Lisa Cuddy; Peter Bart; Judd Bernard; Lush Ice; Chuck Taylor; Elizabeth Neff; and BELLA!

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