Entertainment
Why Practical Effects Make a Better Movie

We’re very much in the era of computer-generated effects and visual enhancements in both movie and TV – it comes as technology has allowed all sorts of changes with entertainment moving to our pocket whether through favorites in change like this site offering punters a bit of fun, or bringing the movies we love with newer options in accessibility, but there has long been a discussion of what is better – practical or computer generated? From movies that have become timeless like the original Lord of the Rings trilogy because of its incredible practical effects, to brand new releases like Shang-Chi which use practical effects where many may not expect like that bus scene – but why do practical effects make a better movie?
They simply age better – With the rate at which technology changes, it’s no surprise that CGI from movies a decade ago look a bit dated, and those from before perhaps even worse. Even things today that look like they couldn’t get any better may seem strange to watch again in a few years. That isn’t to say there aren’t some questionable uses of practical effects, but as a rule of thumb they tend to look much better and age more gracefully than CGI counterparts – something that some directors may need to consider a bit more in the future with fans calling for practical effects to make a much larger return where they may not already be seen.
A better sense of placement – Some movie releases just scream the need for practical effects, and a look at movies like Mad Max Fury Road show this morning than anything – the efforts taken to create intricate costumes, custom vehicles, and some great filming sequences make the world feel very alive and gives a better sense of placement for these effects too in a way that’s difficult for CGI to replicate. Granted there are some things that practical effects can’t do, but in most situations, it can certainly help a world feel more alive, and give a better sense of belonging too.
An opportunity for some very unique shots – Whether it’s Tom Cruise climbing the Burj Khalifa with sticky gloves in Mission Impossible, or the plane hijack from The Dark Knight Rises, practical effects can lead to some very unique shots that may only come from this approach and can lead to something very visceral not easily replicated with CGI too – It can be something very easy to see, and much like the first point when the movies start to age, this approach certainly pays off with creating some extremely unique shots and some very memorable movie moments.
There are many directors that certainly prefer the application of practical effects over CGI, and many occasions where it simply makes more sense to do so for budget purposes or for just getting the right shot – try to keep an eye out for where these differing options may be used, and it can greatly change a movie experience.
Cabaret
My View: IT’S TOUGH TO SWING LIKE FRANK….THIS TOUGH GUY CAN…..ROBERT DAVI
The atmosphere in The Boca Black Box was akin to The Sands Hotel in Las Vegas last night as movie/TV star Robert Davi (140 films and counting) swaggered onto the stage to sing and swing the songs of Frank Sinatra. His show, titled “My Kind Of Town” had all the elements of a Sinatra event thanks to Davi’s personality which radiates the same mystique and musical excitement that ‘Ol Blue Eyes” possessed. Robert Davi’s performance was not a great actor acting a role… this was Robert Davi, a great actor who started his career as a trained singer thrilling an audience singing songs made famous by Frank Sinatra, but with Davi’s own magnetism and vocal prowess. I don’t know if Sinatra ever played Boca Raton but Robert Davi turned Boca into ‘his kind of town last night” as he brought the musical substance and charisma of “the chairman of the board” to South Florida.
Davi’s had a long and distinguished career in show business and this Boca Black Box audience got to see a lot of the musical part of it last night. The tough guy movie actor sang the music of Frank swinging it “his way”
About Robert Davi:
Robert Davi, an American actor, singer, writer, and producer has played the roles of main villain and drug lord Franz Sanchez in the 1989 James Bond film License to Kill. He was FBI Special Agent Bailey Malone in the NBC television series Proflier. He played a Vietnam veteran and FBI Special Agent Big Johnson in Die Hard. Davi played the opera-singing heavy Jake Fratelli in The goonies, Hans Zarba in Son of the Pink Panther and Al Torres in Showgirls. His album, Davi Sings Sinatra—On The Road to Romance, hit #6 on the Billboard jazz charts. Praised for his voice, Davi debuted as a headliner at The Venetian, in Las Vegas.
Celebrity
The Glorious Corner

CHRIS CARTER — (Via Maz Digital) Chris Carter was 7 years old when his mother bought him Rubber Soul, the Beatles’ sixth studio album, at a ShopRite market in Wayne, New Jersey. Fifty-seven years later, he’s the ultimate Beatles expert as host for 22 years of Breakfast With the Beatles, a radio show carried each weekday on SiriusXM’s Beatles channel and Sundays on Los Angeles’ KLOS-FM. The show is celebrating its 40th anniversary, at the same time that music fans are marking the 60th anniversary of Beatlemania.
We talked with Carter about his unique position: He’s a musician too. Carter played bass in alternative rock band Dramarama in the 1980’s and 90’s. “I loved Paul’s bass playing, but I got into wanting to play the bass from listening to Grand Funk Railroad, Black Sabbath and Alice Cooper records. That really hooked me in.”He was in the right place when he got the job. Carter follows original host Deirdre O’Donoghue, who died in 2001.
The job offer call came just before he went to a Ringo Starr concert. “I knew once I got the job, I would be there ’til I died. This is one of those long-term things and I’m not going anywhere. “Prep keeps it fresh. “I have to handpick 60 Beatles songs a day, or solo Beatles songs, and have them pertain to that day—say, an anniversary or ‘today in Beatles history.’ There’s always something in Beatles history.” On Wednesdays, he spins a wheel to develop a topic for the show, such as “fifth Beatles” or “violins.” “I have to instantly put a set of songs together that matches that category.”
And news events also play a role. When Robbie Robertson of The Band passed recently, Carter made sure to note that by discussing and playing Ringo Starr’s “Sunshine Life for Me (Sail Away Raymond),” on which Robertson and other members of The Band played. “It never gets old. If they handed me a playlist, like they do for so many DJs, and said ‘Chris, play them,’ I would have no passion for that.” He was in the right place when he got the job.
Carter loves to provide tidbits about the songs he plays, so that listeners can experience them with fresh ears. “You’re dealing with 50- to 60-year-old music. If it’s not served up properly, you know, how many times can you hear ‘Hey Jude’? But if you put it in context, like this song was No. 1 for nine weeks. It was the first single over seven minutes long. And it was the first release on their own label. Most Beatles fans, they think they know a lot about the Beatles, but when you give them some information they might not know, then they’ll come back to you and listen again.” He broadcasts in front of a crowd. The satellite radio shows are put together in Carter’s home studio. But many of the shows for L.A. radio are broadcast live from one of three area venues. “I find it fun because in radio you never see your audience. Typically, you’re sitting in a room by yourself with a microphone. You could have maybe millions of people listening, but you don’t know who they are.
“The Beatles are fans. Paul McCartney and Ringo Starr have each called into the show for interviews, but Carter doesn’t have his head in the clouds about it. “They’ve got to sell a solo record. You’re on the radio. They need you for publicity. They know you’re there for them. Even though they’re the gods of the world, they still need you to sell their records.”
SHORT TAKES — (Via Deadline) The meteoric political rise of George Santos and the web of fabulist tales it was built on are getting a movie treatment. HBO Films has optioned the rights to Mark Chiusano’s new book The Fabulist: The Lying, Hustling, Grifting, Stealing, and Very American Legend of George Santos, which was published on November 28, 2023. My only comment is, why? If this ever gets made, it will not be a hit. Exploitative? Definitely and not needed at all …I’ve watched the two episodes of Hulu’s Fargo so far this season and though somehow intriguing, but didn’t I just see this show on Netflix – Who Is Erin Carter? Fargo’s creator Noah Hawley must have been transfixed by Carter. Odd for sure …
Also, just for the record, why was there so much Russian-dialogue in episode 4 of Apple TV+’s For All Mankind without any sub-titles? Clearly this show has suffered some major budget-cuts, but that was a huge error for sure. Ronald D. Moore’s creation started out brilliantly, but has become something like a space-age soap-opera. Sad for sure.
This show was among my favorites … I loved Chuck Lorre’s Big Bang Theory, so I was anxious to see his Bookie on MAX. Sebastian Maniscalco – who I don’t really get at all – left me somewhat underwhelmed. The show’s about a bookie – funny? Somehow it wasn’t. Even a cameo by Charlie Sheen w/o tiger blood was a letdown.
Very disappointed … Joe Cocker-scribe Mark Bego speaks to Zach Martin Wednesday for his NEWHD outpost …

Chris Carter and Micky Dolenz 2. Who Is Eric Carter? 3. For All Mankind 4. Bookie 5. Zach Martin Ahmet and Mica Ertegun
HAPPY BDAY Randy Newman and RIP one of the most adventurous, creative and intriguing women I’ve ever known, Mica Ertegun.
NAMES IN THE NEWS — Kent and Laura Denmark; Steve Leeds; Ira Robbins; Richard Branciforte; Eppy; Barry Fisch; Frank Patz; Bobby Bank; Roger Clark; Edmond O’ Brien; Jonathan Clyde; Richard Johnson; James Edstrom; Tom & Lisa Cuddy; Kent Kotal; Bob Kaus; and BELLA!
Events
Music News: Julie Benko, Karen Mason, Debbie Wileman, Klea Blackhurst, Jim Caruso, Billy Stritch, KT Sullivan, Jeff Harnar, Stacy Sullivan and Todd Murray

CLUB44 RECORDS has released “The Man with the Bag” – the festive and swinging new single from breakout Broadway star Julie Benko. Her full debut holiday EP Christmas with You has also just been released. After skyrocketing to fame as Fanny Brice in Funny Girl on Broadway last season, Julie has returned to the New York stage in Barry Manilow and Bruce Sussman’s wonderful musical Harmony. “The Man with the Bag” is arranged by Jason Yeager. The EP Christmas with You is produced by Julie Benko and Jason Yeager, with arrangements by Jason Yeager.
Birdland Jazz Club will present the return of Broadway, recording and concert star Karen Mason for her annual holiday show “Christmas! Christmas! Christmas!” on Monday, December 11 at 7:00 PM. With Karen’s unique interpretations of holiday classics old and new, the holidays will never be the same. Sassy, brassy, and tinged with confessional monologs, this show includes a slinky arrangement of “Santa Claus Is Coming to Town,” a heartfelt “I’ll Be Home for Christmas,” and more.
Debbie Wileman, the singing sensation who captured world-wide attention during the global pandemic with her uncanny recreation of Judy Garland’s legendary voice, as she makes her return to Carnegie Hall on Sunday, December 10, 2023 as the star of “Judy Garland” We Need a Little Christmas.”
Debbie will be joined by special guests, including the legendary Tony Award-winning Broadway icon Chita Rivera and Academy Award winner Margaret O’Brien, the iconic film, radio, television and stage actress and one of the last surviving stars from the Golden Age of Hollywood cinema, with more guests to be announced. (subject to change)
Debbie will be accompanied by a live orchestra, conducted by award-winning musical director and arranger Steve Orich. She will take to the stage to perform Judy’s signature Christmas songs as well as newly arranged holiday hits that Judy may have performed if she were with us today.
Birdland Jazz Club will present the 14th Annual “A Swinging Birdland Christmas” – starring vocalists Klea Blackhurst, Jim Caruso, and Billy Stritch – for five performances from Thursday, December 21to Monday, December 25 at 5:30 PM. The December 22 show will be available as a special livestream, with tickets available HERE. This wildly successful extravaganza has been celebrating the holidays at this historic music room since 2010. In the tradition of beloved seasonal specials, the trio of singers will perform swinging arrangements of “The Christmas Waltz,” Kay Thompson’s “Holiday Season,” “Sleigh Ride,” “I’ve Got My Love to Keep Me Warm,” “Snow,” and “It Happened in Sun Valley,” among other favorites. The show will also include a musical tribute to Birdland regular Freddy Cole, who was also a holiday tradition. The vocalists will be joined by Steve Doyle on bass and Daniel Glass on drums.
54 Below, Broadway’s Supper Club, presents four award-winning New York cabaret favorites KT Sullivan, Jeff Harnar, Stacy Sullivan and Todd Murray with Music Director jazz virtuoso Jon Weber in the New York debut of We Love The Winter Weather Songs of the Holidays on Tuesday December 5th at 7pm, in-person and with a livestream option.
The show is an eclectic and entertaining holiday songbook including songwriters Irving Berlin, Jule Styne, Sammy Cahn, Carol Hall, Peter Yarrow, Mel Torme and David Friedman. The seasonal spotlight shines musically on traditional favorites as well as surprises including “Grandma,” Elvis, Peggy Lee and a “Short Attention Span Theater” retelling of the film White Christmas with the quartet donning the roles of Bing Crosby, Rosemary Clooney, Vera Ellen and Danny Kaye. This show had its debut at The Brownville Concert Hall in Brownville, Nebraska. This quintet of talent will send you out believing “It’s The Most Wonderful Time of the Year.”
Cabaret
Adrienne Haan Celebrates Irving Berlin and Christmas at the Triad

This Christmas take a big scoop of classic Irving Berlin songs, have them sung by the ever sparkling Adrienne Haan, sprinkle in the voice of her musical director, Richard Danley and you have a festive feast for your ears. I have seen a number of Ms Haan’s shows at the Triad and each one includes something that makes it a step above a typical cabaret show. The first time I saw her there was an actual tuba on stage; the second a number of costume changes, other shows had duets with guest stars or choreography; this time hearing the singing voice of her long-time accompanist and musical director, Mr Danley. The two have bantered in the past but in this show Richard shows his vocal and comedic side with songs like I Paid My Income Tax Today and How About a Cheer for the Navy.
Of course Adrienne blew her audience away with her renditions of There’s No Business Like Show Business and Blue Skies; but, hearing the usually silent man behind the piano was a surprise to me like Teller taking the stage from Penn and his baritone was as shocking as hearing the bumbling Gomer Pyle turn into the rich voiced singer, Jim Nabors. The two of them created a wonderful celebration of Mr Berlin’s musical catalogue with a combination of solos and duets.
Entering the theater, as the holiday season begins, and a show title of White Christmas at the Triad Theater, one would expect to hear 90 minutes of Christmas songs; but, read the second line on the program and you realize that it is really a celebration of the man who wrote one of the most recognizable holiday songs of all time, White Christmas. Not only will we hear the music of Mr Berlin but we will get some insight into his life as Adreinne celebrates his 130 year anniversary of his arrival in the United States. From Europe to Broadway to Hollywood; in military songs, love songs or holiday classics the trio of Haan, Danley and Berlin take us on a historical journey of a life well lead.
Opening the show in a festive seasonal outfit ready for a New Years Eve celebration with “ice” dangling from her ears and around her wrist Adriene introduces us to some well-known Berlin tunes Alexander’s Ragtime Band and Let Me Sing and I’m Happy. One of the treats of her shows is that she does a lot of research into the music she sings and she has done her homework telling us about the life of Israel Beillin, immigrant from Imperial Russia, the country now known as Belarus. He only spoke Yiddish when he landed on Ellis Island so Ms Haan sings Ofyn Pripetchik in his native tongue and then follows with Berlin’s Give Me Your Tired, Your Poor – a tribute to that wonderful Statue in NY harbor. She finishes this section of the show with Marie from Sunny Italy which gives her the opportunity to show her strong vocal ability with a long strong belt of a song.
Berlin came to America in 1893 at the age of 5 which means he was drafted into the army during World War 1, where he wrote the famous anthem Oh How I Hate to Get up in the Morning and which Ms Haan sang in military uniform. A number of tunes that Berlin wrote for both World Wars followed as the two singers alternated songs and Adrienne gave us some more tidbits about the composer. The song I Paid My Income Tax Today sung by Mr Danley is actually owned by the IRS. (I wonder is THEY have to pay tax on the royalties they earn when it is sung.)
Ms Haan is a proud Luxembourger and as life imitates art, or vice versa, Mr Berlin’s Broadway and film musical, Call Me Madam is based on the life of Perle Mesta who was the Ambassador to Luxembourg from 1949-1953. Haan again showed she’s the singer with the zinger when she sang The Hostess with the Mostes’ on the Ball from that show as well as the tribute to the fictitious country in that show Lichtenburg. As far as art leading to reality it is interesting to note that Mr Berlin’s home, 17 Beekman Place, was purchased by the Grand Duchy of Luxembourg in 1990 a year after Berlin’s death.
Berlin wrote over 1,500 songs in his 60 years of composing so to highlight all of the numbers Haan sings is too long a list; but, the jaunty I’ve Got the Sun in the Morning, They Say that Falling in Love is Wonderful, Cheek to Cheek and Blue Skies show her range of interpreting music. The love song Always was a particularly important song to Berlin and Haan did it justice as this song was written to Berlin’s wife, Ellin Mackay, on their wedding day.
Of all the show tunes, patriotic anthems, and love songs performed in this show I have to give a special shout out to the Haan/Danley duet of You’re Just in Love. I have seen it sung by a number of Broadway stars, Merman, Stritch, Donald O’Connor and Larry Blyden, (and for the newer generation, Laura Osnes and Santino Fontana) in the past; but I’ve never seen the male singer play the piano at the same time. WOW!
It is the holiday season, remember, so Ms Haan’s third costume change is a beautiful red gown that fits the time and she finished the evening with the traditional songs of the Yuletide spirit, including Happy Holiday, I’ve Got My Love to Keep Me Warm and of course White Christmas.
This is not a traditional Christmas carol singing show but Ms Haan never is one to follow the norm. This was a wonderful tribute to Mr Berlin with added surprises featuring the excellent wit and talents of both Adrienne and her musical director and accompanist of 22 years, the unsung (until this show) singer Mr Richard Danley.
A second show is at the Triad on Tuesday, December 5 at 7PM. It will get you smiling and into the holiday spirit.
Broadway
Ken Fallin’s Broadway: Spamalot

Here is the amazing cast of Spamalot. Christopher Fitzgerald as Patsy, James Monroe Iglehart as King Arthur, Leslie Rodriguez Kritzer as The Lady of the Lake, Ethan Slater as The Historian/Prince Herbert, Jimmy Smagula as Sir Bedevere, Michael Urie as Sir Robin, Nik Walker as Sir Galahad and Taran Killam as Lancelot.
I was so inspired I drew the whole cast.
To read T2C’s review click here.
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