Jim Brochu’s acclaimed play, Zero Hour, about the life of theatre legend Zero Mostel, returns to its original home, opened last night, Wednesday June 14th, at the Theatre at Saint Clement’s (423 West 46th Street, between Ninth & Tenth Avenues) for a limited engagement through July 9th only! The performance was followed by a gala celebration at Sardi’s with guests including Sondra Lee, Tony Sheldon, Charles Busch, Howard McGillin, Donna McKechnie, Lee Roy Reams, Billy Stritch, Jim Caruso, David Staller, Lynn Sher (ABC News), Jeanne Lehman, Kurt Peterson, Blake Zolfo, and more
For his performance in Zero Hour, Jim Brochu was honored with 2010 Drama Desk Award as well as Helen Hayes (Washington DC), Carbonell (Florida) and Ovation (LA) Awards.
Three-time Academy Award nominee Piper Laurie directs Zero Hour, which is set at Zero Mostel’s West 28th Street painting studio where a naive reporter attempts to interview the famously volatile actor, prompting an explosion of memory, humor, outrage, and juicy backstage lore. It is July 1977 and the actor is giving his final interview before leaving for the pre-Broadway tryout of The Merchant in Philadelphia. Mostel only played one performance as Shylock before his sudden death at the age of 62.
Zero Hour traces Mostel’s early days growing up on the Lower East Side as the son of Orthodox Jewish immigrant parents, through his rise as a stand-up comedian, from the Borscht Belt to Manhattan’s most exclusive supper clubs, and from the devastation of the blacklist to his greatest Broadway triumphs, most notably as Tevye in Fiddler on the Roof and working through his love-hate relationship with Jerome Robbins.
“The rumors of Zero Mostel’s death have apparently been greatly exaggerated. Jim Brochu recalls his subject so uncannily in looks, voice and anarchic spirit that one immediately wants to see him in revivals of “Forum” and “Fiddler.” Thirty-two years after Mostel’s untimely death, it’s a pleasure to have him back on the boards.” – New York Post
Brochu has said, “Zero had a great influence on my life and I was fortunate to get to know him when I was first starting out. His life was filled with great laughter, great drama and great life lessons for all of us. Few people in show business had more obstacles to overcome than Zero Mostel. He was disowned by his own parents, by his profession and even by his own country.”
With his partner, composer Steve Schalchlin, Jim Brochu penned the award-winning Off-Broadway musicals The Last Session and The Big Voice: God or Merman? In addition to his theatrical work, Brochu’s acting credits also include appearances on “All My Children,” “Mary Hartman, Mary Hartman,” “Cheers,” “Wings,” and “Bram and Alice.”
Piper Laurie has appeared on stage in Mornings at Seven (Lincoln Center Theatre), as Laura in The Glass Menagerie with Maureen Stapleton; Larry Kramer’s The Destiny of Me; Molly Kazan’s Rosemary and the Alligators; William Luce’s one-person play, The Last Flapper about as Zelda Fitzgerald; Twelfth Night, Macbeth and The Cherry Orchard, among many others. She received Oscar nominations for The Hustler opposite Paul Newman as well as the fanatical mother in Carrie, and Mrs. Norman in Children of a Lesser God. She was nominated for an Emmy for the original live TV broadcast of Days of Wine & Roses, directed by John Frankenheimer and won the Emmy for “Promise” and the Golden Globe for her work on “Twin Peaks.” She has starred in over 60 films, including Tim opposite Mel Gibson and Truman Capote’s The Grass Harp. Piper wrote and directed her first film, Property and recently filmed Hesher with Natalie Portman and Joseph Gordon-Levitt.
Zero Mostel won Tony Awards for his performances in Fiddler on the Roof, A Funny Thing Happened on the Way to the Forum and Rhinoceros and was nominated for a Tony for his work in Ulysses in Nighttown. His numerous film credits include The Front, Rhinoceros, The Hot Rock, The Great Bank Robbery, The Producers, and A Funny Thing Happened on the Way to the Forum.
Zero Hour is presented by The Peccadillo Theater Company in association with Kurt Peterson and Edmund Gaynes.
Performances are Thursday, Friday, and Saturday evenings at 7:30PM, with matinees Sunday at 3PM, at Theatre at Saint Clement’s, 423 West 46th Street (between Ninth & Tenth Avenues) Tickets are $49 and are available through thepeccadillo.com or by phone toll free at 866/811-4111. To purchase tickets in person, the Box Office will be open one hour before performances only.
Meet Michel Wallerstein and Spencer Aste of Chasing Happy
Pulse Theatre will be presenting Chasing Happy a new comedy by Michel Wallerstein (Flight, Five Women Waiting, Off Hand). Directed by Pulse Theatre co-Founder Alexa Kelly (Strings Attached).
Video by Magda Katz
The company of Chasing Happy features Spencer Aste (Wake Up, Axis Theatre), Jenny Bennett (City of Ladies, Pulse Theatre), Schyler Conaway in his Off-Broadway debut, Christopher James Murray (The Falling Season, Theatre Row), and Elizabeth Shepherd (Relatively Speaking and Conduct Unbecoming on Broadway; War and Peace and Inherit the Wind in London’s West End).
T2C talked to Michel Wallerstein and Spencer Aste to learn more.
Chasing Happy is a modern comedy about personal identity, love, acceptance …and the elusive pursuit of happiness. Nick is in love with another man’s boyfriend. (Oops.) Nick’s mother says George Clooney wants to date her (Really?). Nick’s ex-wife says she has to have surgery.( Now?) …It’s a laugh a minute on an unexpected merry-go-round when you’re chasing happy.
The limited engagement will play a five-week limited engagement, October 11 through November 11, at Theatre Row (410 West 42nd Street, NYC). Opening night is Thursday, October 19 at 7PM. Tickets are now on sale at TheatreRow.org or by calling the box office, 212-714-2442 ext. 45.
For more information visit www.ChasingHappyOffBroadway.com.
Primary Stages’ “DIG” Does Exactly That Into What’s Underground
By Dennis White
The theater is filled with eerie almost tribal music with birds chirping as the audience finds their seats for Primary Stages’ production of DIG at 59E59 Theaters. It’s a new play written by Theresa Rebeck (Bernhardt/Hamlet) who also directs and as the name implies, DIG is not going to let us just see what’s on the surface. This story wants us to DIG to find out what we don’t see going on underground. The play’s setting is a garden shop that we’re told is failing but is filled with what looks like thriving plants.
Roger, the owner, played with elegant restraint by Jeffery Bean (Broadway’s Amadeus, Bells Are Ringing) seems content with keeping his shop even though developers are buying up the neighborhood. But Roger is unaware of how his complacent life is going to change thanks to his longtime friend Lou played by Triney Sandoval (Broadway’s Bernhardt/Hamlet), a man who reluctantly has his tormented daughter Megan come live with him. Megan deftly played by Andrea Syglowski (Broadway’s Pass Over) is a woman lost but even though it seems futile, she has not given up – completely. Entering the shop Megan takes a seat in the corner facing the wall attempting to camouflage herself in greenery covering her face with a hoodie.
She has committed an unforgivable act that has made national headlines. After a failed suicide her father agrees to supervise his daughter’s release even though he cannot forgive her. Megan reaches through her pain and within minutes she offers to repot a plant hoping to convince Roger he needs her help and she’ll work for free. You can feel how Syglowski’s Megan feels caught like the plant’s bound roots pushing against the sides of the pot, trapped and in pain. But she sees hope in the garden shop and Roger. The relationship between Roger and Megan is tenuous at first but the actors reel in the audience. The garden shop is coming alive as a place where they can both grow but it’s not as easy as they find out.
The rest of the cast is vital as they build the grotesque puzzle pieces of Megan’s horrifying past with pros like Mary Bacon (Public’s Coal Country) as Molly. Bacon does a good job as the judgmental nosy customer who turns into a helping hand. Stoner Everett aptly played in what can be described as a life lived in a pot cloud haze by Greg Keller (Playwrights Horizons’ The Thanksgiving Play) seems like a comical diversion but there’s a darker side coming. A surprising element is the appearance of Adam, Megan’s ex-husband, played with the intensity of a caged animal by David Mason (Broadway’s Pictures from Home) who makes the most of this small part. You can feel the audience cringing through the entire scene as writer/ director Theresa Rebeck finally gets her chance to see her play fully realized as she saw it in her mind, line by line.
DIG takes us to places we could not imagine when we first meet the characters. She builds relationships, tears them down, and then gives them some hope by the end. The play’s surprising revelation leaves the audience stunned, gasping at the turn of events and the secrets revealed. Rebeck’s direction seems effortless, moving her actors in the garden shop through this story of realization, forgiveness, and redemption. The scenic design by Christopher and Justin Swader (Off-Broadway’s The Boy Who Danced On Air) fill the garden shop with life, growing and changing reflecting the events of the play. Lighting by Mary Ellen Stebbins (MCC’s Space Dogs) helps set the mood with deep shadows and the original music and sound design by Fitz Patton (Broadway’s Choir Boy) give us an ominous melody to add to the tension, giving DIG a chance to get a lot of it right. The cast led by Syglowski and Bean hit all the right notes as they travel through tormented waters, some raging, while others swirl below the surface. Rebeck’s play with its unexpected twists and turns wrenches our guts and we follow gladly to the end.
Ken Fallin’s Broadway: Dracula: A Comedy Of Terrors
Dracula: A Comedy of Terrors, is now playing at New World Stage, 340 West 50th Street, until January 7, 2024 or beyond.
In this caricature you will find James Daly’s Dracula and clockwise: Andrew Keenan-Bolger, Arnie Burton, Ellen Harvey and Jordan Boatman who make up this amazingly talented cast.
You can read T2C’s mouth watering review here.
Theatre News: Wicked, The Wiz, Hypnotique, Female Troubles and Love In The Time Of Crazy
Broadway’s blockbuster Wicked, in partnership with National Day Calendar, has announced that October 30 will officially become National Wicked Day, in honor of the hit Broadway musical’s debut at the Gershwin Theatre (245 West 51st Street) on October 30, 2003.
This marks the first time that a Broadway show will have its own official day in the National Day Calendar. With this inclusion, Wicked joins some of the most recognizable National Day celebrations, including National Barbie Day, National Star Trek Day, National Scrabble Day, National Winnie the Pooh Day, and National Teacher Appreciate Day, among others.
Read the official announcement HERE.
Currently Wicked 4th longest-running show in Broadway history, and will celebrate its 20th Anniversary on Broadway this October 30th.
The Broadway production of Wicked currently features Alyssa Fox as Elphaba, McKenzie Kurtz as Glinda, John Dossett as The Wizard, Michele Pawk as Madame Morrible, Jordan Litz as Fiyero, Jake Pedersen as Boq, Kimber Elayne Sprawl as Nessarose, and William Youmans as Doctor Dillamond.
Emmy Award®-winning music director and Grammy Award®-winning writer, Adam Blackstone, joins the creative team as Dance Music Arranger for the revival of The Wiz. The Wiz will launch a national tour on September 23, 2023 in Baltimore, MD before returning to Broadway for a limited engagement in the 2023/24 season.
“Joining The Wiz’s creative team has been a very surreal moment. I remember watching the film on VHS daily for years, wondering how it sounded so incredible, how MJ transformed into the Scarecrow, and the score and orchestrations truly told a story all of its own. Fast forward to today, I get to musically partner with Terence Vaughn and reunite with my brother, super choreographer and creative director JaQuel Knight, and explore our own interpretation for a revival of this masterpiece. I am excited and look forward to this body of work changing lives, just like it did for me in the 80’s!” stated Adam Blackstone.
The cast will include previously announced Wayne Brady to lead the production as the Wiz on Broadway in Spring of 2024, San Francisco (January 16 – February 11, 2024) at the Golden Gate Theatre, and Los Angeles (February 13 – March 3, 2024) at the Hollywood Pantages Theatre. Alan Mingo Jr. will star in the role of the Wiz in the following cities of The Wiz National Tour this fall, kicking off with the tour launch in Baltimore, including Cleveland, OH, Washington, DC, Pittsburgh, PA, Charlotte, NC, Atlanta, GA, Greenville, SC, Chicago, IL, Des Moines, IA, Tempe, AZ and San Diego, CA.
The cast will also feature Nichelle Lewis as Dorothy, Deborah Cox as Glinda and Melody A. Betts as Aunt Em and Evillene, Kyle Ramar Freeman as the Lion, Phillip Johnson Richardson as the Tinman, and Avery Wilson as the Scarecrow. The Wiz ensemble includes Maya Bowles, Shayla Alayre Caldwell, Jay Copeland, Allyson Kaye Daniel, Judith Franklin, George, Collin Heyward, Amber Jackson, Jackson, Jones, Jones, Kindle, Mariah Lyttle, Kareem Marsh, Anthony Murphy, Rae, Matthew Sims Jr, Avilon Trust Tate, Keenan D. Washington, and Timothy Wilson.
The production will include ‘Everybody Rejoice’ music and lyrics by Luther Vandross, as well as the ‘Emerald City Ballet’ with music by Timothy Graphenreed.
The McKittrick Hotel (530 West 27th Street, NYC), home of Sleep No More, announced the opening of Hypnotique – A Late Night Sultry Spectacle. Performances have been extended on Friday and Saturday nights through October 14, 2023. The all-new Hypnotique revue offers a unique after-dark experience that envelops you. Audiences are captivated by spontaneous performances and mesmerizing dancers, accompanied by daring sonic soundscapes in a surreal ambiance in The Club Car.
The cast features Chloé Lexia Worthington, Courtney Sauls, Fabricio Seraphin, Haley Bjorn, Jacob Nahor, Jesseca Scott, Maurice Ivy, Maya Kitayama, Samantha Greenlund, Victoria Edwards, and swings Alex Sturtevant, Cameron Arnold, Kennedy Adams, and Stacey Badgett Jr..
Cocktails inspired by the experience, including the signature Hypnotonique (an electrifying punch made with cucumber-infused vodka, elderflower liqueur, and grapefruit juice), are available from The Club Car’s bar.
Performances are offered on Fridays and Saturdays at 10:30PM. General Admission tickets with standing room are currently priced from $65 per person.
Two industry readings for Female Troubles, an original musical comedy, will happen next week at Open Jar Studios. Female Troubles is a completely original musical comedy featuring lyrics by two-time Tony Award nominated and Grammy Award nominated songwriter Amanda Green (Mr. Saturday Night, Hands On A Hardbody, Bring It On), music by three-time Emmy Award nominee Curtis Moore (“The Marvelous Mrs. Maisel”), book by Emmy Award-winning writers Gabrielle Allan and Jennifer Crittenden (“Veep,” “Arrested Development,” “Seinfeld,” “The Simpsons,” “HouseBroken”) and directed by Tony Award winner Christopher Gattelli (Disney’s Newsies, My Fair Lady, “Schmigadoon,” “Schmicago”).
The cast for the readings will includeKrystina Alabado, Kevin Del Aguila, Amanda Green, Lilli Cooper, Lillias White, Lesli Margherita, Ryann Redmond, Kate Rockwell, Matt Saldivar, Alanna Saunders, Trent Saunders, Jake Swain, Sav Souza, Rachel Stern and Frank Viveros.In Female Troubles, Elinor Benton finds herself surprisingly and undeniably “knocked up” — and, since she’s unmarried and this is 19th century England, she has a very big dilemma. Facing ruin, she and her girlfriends embark on a raucous journey to find the one notorious woman who can help them with their “female troubles.” Their misadventures change the course of each of their lives. This uproarious musical comedy asks the trenchant question “Can you believe this sh*t is still happening in 1810?”
I attended the reading of Love In The Time Of Crazy withbook and lyrics by Peter Kellogg (Outer Critics Winner for Desperate Measures), music by Stephen Weiner (two-time Richard Rodgers Award winner) and David Hancock Turner (orchestrator for Desperate Measures and Penelope), directed by Lauren Molina (Desperate Measures ). The cast stared Philippe Arroyo, Stephen DeRosa, Robin Dunavant, David Merino, Josh Lamon, Roe Hartrampf and Alexis Cofield .
Love in the Time of Crazy is a riot, but, you know, in a good way.
Arms and the Man Meet The Press
Gingold Theatrical Group next show is a new production of George Bernard Shaw’s Arms and the Man.
The cast of Arms and the Man will feature Shanel Bailey (“Grease: Rise of the Pink Ladies”)
Delphi Borich (Camelot)
Ben Davis (New York New York)
Keshav Moodliar (Queen)
Evan Zes (The Kite Runner),
Tony Award winner Karen Ziemba (Prince of Broadway).
Understudies for this production are Mazvita Chanakira (Gap Year)
René Thornton Jr (The Tempest)
and Matthew Zimmerman (A Midsummer Night’s Dream).
Arms and the Man will be directed by David Staller.
The production will feature set design by Lindsay Genevieve Fuori
lighting design by Jamie Roderick
costume design by Tracy Christensen
and sound design by Julian Evans. Prop design is by Emmarose Campbell.
Production management is by Allie Posner. Hair design is by Cassie Williams, and Stephanie Yankwitt of tbd Casting Co. is the Casting Director.
Logan Gabrielle Schulman is the Assistant to the Director and Ariel Kregard is the Assistant to the Costume Designer.
The production stage manager is April Ann Kline and Jade Doina will serve as assistant stage manager.
Arms and the Man is one of Shaw’s most popular comedies. The plot follows a hunted soldier who, seeking refuge in a young lady’s boudoir, starts in motion a series of highly engaging and unlikely comedic events. His unusual philosophies about love, war and life in general open up a world of thought she’d never previously entertained–certainly not with her dashing war-hero fiancée who also arrives unexpectedly. This early work of Shaw’s is remarkably pithy.
The play’s title, Arms and the Man, references the first line of the epic Virgil poem, The Aeneid, in which we’re reminded of how foolish humans can be by fighting each other and struggling against the best of human nature: “Arms and the man I sing, who, forced by fate / And haughty Juno’s unrelenting hate, / Expelled and exiled, left the Trojan shore.”
Arms and the Man will play Theater Two at Theatre Row (410 W 42nd St, New York, NY 10036) from October 17 through November 18, 2023. Opening night is set for October 26. The performance schedule is Tuesday–Thursday at 7pm; Friday at 8pm; Saturday at 2pm & 8pm; Sunday at 3pm. Cast and guest-moderated talkbacks will take place after each Sunday performance.
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