Theater
How to Make it as an Actor
Whether you have been dreaming of the silver screen or treading the boards; if you want to be a successful, memorable actor, you will needto have a clear plan of how to achieve this goal. All creative industries are competitive because they attract so many people with the possibilities they offer, but none as much as being an actor. To do this job well, you will need a wealth of knowledge and an enviable skill set toland the kind of jobs that can forge your career going forward. To help you out, the usefulguide below will give you some tips and advice about how to get started on this amazing journey to stardom.
Well read
Acting is without a doubt, an art and in order tosucceed at any art, you need to be well versed inits history, development and theory if you want to master it and find your ownstyle. A good place to begin is by finding out what books you need to read to obtain this valuable knowledge. One book you cannot do without is An Actor Preparesby Constantin Stanislavski, who is considered the father of modern acting and is the founder of realism which revolutionized the way acting has been donefor centuries. Another book you will need is something that covers how to nail auditions and a widely recommended option is Audition by Michael Shurtleff, which gives you insight into how you can get cast from his many years of experience as a casting director.
Getting the essentials sorted
In order toget yourself noticed as a stand-out actor amongst a vast sea of wannabes, there are some essential things you need to doto succeed. The first thing to do is have professional headshots taken because by doing so, you have something to send around casting directors and agents who may be interesting in hiring you. The next port of call is to start your ownwebsite, especially if you are still looking for an agent, where you can upload your headshots and have a continuously updated showreel for people to peruse. A final thing necessary is getting additional training, such as being able to ride a horse or play a musical instrument, as this will drastically improve your chances of getting hired. Of course, getting all these things done can be costly, but the good news is that you can use Marcus Loans to secure a personal loan to help cover the costs.
The right representation
A final thing you need to do is get some good representationin order toland yourself the big auditions. There are several ways to find the right agent for you who can get you working where you want to be. You should begin by doing your research thoroughly before you get in contact with anyone. Make sure you submit to a variety of agents and don’t worry if you don’t hear back right away, as these things take time.
Becoming an actor is a wonderful adventure and, with these tools, you will be well on your way.
On Sunday look for a brand new charcuterie of Josh Groban and Annaleigh Ashford in Sweeney Todd.. I loved the new production, and it’s two leads.
Hello, Dolly! is a 1964 musical with lyrics and music by Jerry Herman and a book by Michael Stewart, based on Thornton Wilder’s 1938 farce The Merchant of Yonkers, which Wilder revised and retitled The Matchmaker in 1955. The musical follows the story of Dolly Gallagher Levi, a strong-willed matchmaker, as she travels to Yonkers, New York, to find a match for the miserly “well-known unmarried half-a-millionaire” Horace Vandergelder. The show, directed and choreographed by Gower Champion and produced by David Merrick, moved to Broadway in 1964, winning 10 Tony Awards, including Best Musical. These awards set a record which the play held for 37 years. The show album Hello, Dolly! An Original Cast Recording was inducted into the Grammy Hall of Fame in 2002. There is no denying that Jerry Herman never wrote a bad song and that you will go home singing at least one if not several of these wonderfully tuneful songs.
In this neck of the woods, Stephen Casey is well-known for his high- stepping choreography and in the Act II production of Hello, Dolly!, he does not disappoint. Everyone in this show dances. The dance numbers are many and lengthy. And The Waiters Gallop number at the Harmonia Gardens Restaurant is especially applause worthy. The pared down chorus is just as proficient at singing as they are at dancing. And the small stage at Act II is ingeniously used to give an appearance of a much bigger space. Jenny Eisehower is a very lively and likeable Dolly Levi, in contrast to Scott Langdon’s delightfully cantankerous Mr. Vandergelder. Ms. Eisenhower’s statuesque height plays well off the shorter Mr. Langdon.We know she is a woman who is always in control. Elyse Langley displays a mature soprano rendering of “Ribbons Down my Back” as Irene Malloy. Lee Slobotkin is quite endearing as Barnaby Tucker and Jeremy Konopka is a young Tommy Tune with his longer than you can believe it legs.
The costumes by Millie Hiibel were bright and playful and worked in tandem with the simple set design by Dirk Durossette. The score is fully orchestrated though, unfortunately it’s in the “can” which for me takes away from the excitement you get from a live musical.
Unfortunately, I did not enjoy the show as much as I would have had the minor characters not been instructed or simply encouraged to mug to the audience. Every time this happened it brought me right out of the show. In 1812’s producton of The Play That Goes Wrong many of the actors were mugging their pants off and playing it over the top — but they were forgiven because they were supposed to be a terrible community theatre company.
And yet, if you like Jerry Herman and a lot of dancing you will enjoy this show and understand why it’s been revived so many times.
Tickets are available online at act2.org, by calling the Act II Box Office at 215-654-0200, or in-person at the Box Office at 56 E. Butler Ave., Ambler, PA. The Box Office is open Mon-Sat, 2 p.m. – 6 p.m. Student tickets are $15 and group discounts are available.
Hello, Dolly! Directed and Choreographed by Stephen Casey. Running now through June 18, 2023 at Act II Playhouse 56 E. Butler Ave., Ambler, PA 19002
The League of Professional Theatre Women (LPTW) will hold its 10th Annual “Women Stage the World March” — a Suffragette-inspired project to educate the public about the role of women in the theatre industry — on Saturday, June 17. The march will begin at noon, at Shubert Alley and weave through Times Square and the Broadway Theatre District, wrapping up at about 2 p.m.
“The event is FREE and LPTW invites all theatre women and allies to join us as we increase awareness, lift our voices, and advocate for more opportunities for women in theatre,” said Ludovica Villar-Hauser, Co-President of LPTW.
“The Women Stage the World March is designed to educate the public about the role women play in creating theatre and the barriers they face as men continue to outnumber women by 4 to 1 in key roles such as playwright, director and designers. Women buy 67% of the tickets and represent 65% of the audience, yet 80% of the storytelling on stage is shaped by men’s voices,” said Katrin Hilbe, Co-President of LPTW.
Handouts during the March will prompt ticket-buyers to ask three questions as they make buying decisions: (1) Who wrote, directed and designed this play? (2) What is this theatre’s track record in giving opportunities to women? (3) How can you spread the word and promote women’s voices?
“All participants are encouraged to dress as their favorite historical theatre woman, or dress all in white. March participants will gather at Shubert Alley starting at 11:30 AM, in preparation for the start of the march at noon. Women Stage the World sashes and signs will be provided, as supplies last,” noted Penelope Deen, LPTW member and organizer of the event. Those interested in participating in the event please R.S.V.P. at: https://www.theatrewomen.org/women-stage-the-world or contact Penelope Deen at: Womenstagetheworld@Theatrewomen.org
LPTW Co-President Ludovica Villar-Hauser added: “The League of Professional Theatre Women stands alongside the Writers Guild of America (WGA) as they demand fair wages and take action to ensure more protections for artists. We encourage LPTW members to find a time to join the WGA on the picket lines this month as the strike continues. Women writers are the future of the film and television industry, just as they lead the way in theatre. LPTW supports the women on the frontlines of this movement as they call for long overdue change. We are stronger together.”
For the past 10 years LPTW members, affiliated union members, theatre artists and their allies have hit the streets in a March reminiscent of the Suffragette parades of the early 20th Century, with some marchers dressed in traditional suffrage garb and colors. Like the Suffragettes before them, participants in the Women Stage the World March empower women and men to become aware, take action and influence others.
The League of Professional Theatre Women (LPTW) is a membership organization championing women in theatre and advocating for increased equity and access for all theatre women. Our programs and initiatives create community, cultivate leadership, and increase opportunities and recognition for women working in theatre. The organization provides support, networking and collaboration mechanisms for members, and offers professional development and educational opportunities for all theatre women and the general public. LPTW celebrates the historic contributions and contemporary achievements of women in theatre, both nationally and around the globe, and advocates for parity in employment, compensation and recognition for women theatre practitioners through industry-wide initiatives and public policy proposals. LPTW is celebrating its 40th Anniversary in 2023.
Yesterday the 72nd Annual Awards honoring achievements in the 2022-2023 Broadway and Off-Broadway season were presented at the Bruno Walter Auditorium, New York Public Library for the Performing Arts.
Here are highlights from the show.
Outstanding New Score: Marc Shaiman and Scott Wittman – Some Like It Hot
T2c interviewed the fantastic duo.
Outstanding Lead Performer in an Off-Broadway Play: Bill Irwin –Endgame
Outstanding Featured Performer in a Broadway Musical: Alex Newell – Shucked
Outstanding Lead Performer in a Broadway Musical: J. Harrison Ghee
Outstanding Featured Performer in a Broadway Play: Brandon Uranowitz – Leopoldstadt
T2c talked to this amazing performer before the ceremony.
Special Achievement Award:To B.H. Barry, one of the world’s foremost fight directors.
Outstanding New Broadway Play: Leopoldstadt and Outstanding Director of a Play:Patrick Marber – Leopoldstadt
Outstanding New Broadway Musical: Some Like It Hot Robert E. Wankel and Neil Meron
The 72nd Annual Awards honoring achievements in the 2022-2023 Broadway and Off-Broadway season were presented on Thursday, May 25, 2023, at the Bruno Walter Auditorium, New York Public Library for the Performing Arts. Executive Producer Lauren Yager, did a marvelous job and the event was enjoyed by all.
Here are highlights from the show.
President of the Outer Critics Circle David Gordon and Vice President Richard Ridge welcomed everyone.
Presenter Lea Solonga presented Outstanding Director of a Musical to Michael Arden – Parade
Outstanding Lead Performer in a Broadway Play Sean Hayes – Good Night, Oscar was hysterical and the highlight of the afternoon.
Outstanding Solo Performance Jodie Comer – Prima Facie
T2C had a chance to talk to Lea beforehand
John Gassner Award for New American Play (Preferably by a New Playwright): Fat Ham by James Ijames
Outstanding Book of a Musical: Robert Horn – Shucked
We talked to Robert prior to his speech.
Outstanding Featured Performer in an Off-Broadway Play: K. Todd Freeman – Downstate
Outstanding Featured Performer in an Off-Broadway Musical:Lindsay Mendez – Merrily We Roll Along
Outstanding New Off-Broadway Musical: The Harder They Come and Outstanding Revival of a Play (Broadway or Off-Broadway):Topdog/Underdog Suzan Lori Parks
More tomorrow.
And The Winners of The 2023 Drama Desk Awards Are ………
Ken Fallin’s Broadway: Remembering Angela Lansbury in Sweeney Todd
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