MvVO Art Launches AD ART SHOW
Off Broadway

A Hopeless Sweet Charity Closes Tomorrow At The Signature

A Hopeless Sweet Charity Closes Tomorrow At The Signature
Sutton Foster, Joel Perez

Sutton Foster, Joel Perez

Sutton Foster proves she is a force of nature and a bonaified star in the New Group’s production of Sweet Charity. The revival of the 1966 musical has been changed and sent into the land of “political correctness” and it is lost in translation. A show once full of hope has been given a depressing, how many mistakes can I make and not look in the mirror attitude by director Leigh Silverman. Bob Fosse’s iconic choreography has been negated for Joshua Bergasse awkward and goofy movements. Normally a fan of Bergasse, this show left me sadly wanting. As a matter of fact, had Ms. Foster not been so engaging, despite the direction, I would have been left wanting for most of the show. I am a huge fan of this Cy Coleman-Dorothy Fields musical. My go to video’s to cheer me up are the Fosse dances that were and still are inspiring.

First the show is done on a small-scale with Joel Perez taking on four of the main character roles and the orchestra a spare six. We follow Charity Hope Valentine, in her opening number “You Should See Yourself,” as she throws herself with abandon into what she has convinced herself is “love.” She literly jumps on them, throws her legs around their waists and with one leg over their head. She is like an awkward puppy. What we don’t see is that painful moment of realization, that this is painful. Charity throws herself at men because of her desperate need to be loved. Dressed in a feathered blond wig and purple misshaped mini-dress, thanks to Clint Ramos, Charity is no longer sexy, but desperate, too desperate. Thanks to book by Neil Simon, Ms Foster and Ms. Silverman find all the jokes and this Charity is funny.

Charity works as a dance hall hostess in what is suppose to be a seedy establishment, again thanks to Clint Ramos’s costumes it no longer has that 60’s feel, which is when it takes place or that seedier side of life vibe. “Hey, Big Spender” looks more like a number from Cabaret.

Sutton Foster, Joel Perez

Sutton Foster, Joel Perez

When Charity ends up in the bedroom of an Italian movie star (well done by Joel Perez) we see a little more depth in “If They Could See Me Now,” until Bergasse turns it into a tap number.

Showstoppers like “There’s Gotta Be Something Better Than This” and “I’m A Brass Band” miss the fanfare we expect and the dance numbers each pale from there.“The Rhythm of Life” has gone Ballywood 60’s style and here Mr. Perez is highly miscast. My favorite number “Rich Man’s Frug” is anemic.

Sutton Foster, Sher Hensley

Sutton Foster, Sher Hensley

When Charity finally meets the neurotic Oscar, the show comes alive. Sher Hensley and Ms Foster’s talents are equally matched. Hensley, is charming and despite the shyness, the looks and the neurosis, we see why Charity would finally feel safe. The problem is because of how Ms. Silverman set up the show, in the end we are not crying, we do not hurt for Charity, because Charity has never become real. Her heart has never really been on her sleeve, She is a cartoon of a person.

Emily Padgett, Sutton Foster, Asmeret Ghebremichael

Emily Padgett, Sutton Foster, Asmeret Ghebremichael

As Charity’s older and wiser companions Nicky (Asmeret Ghebremichael) and Helene (Emily Padgett) can sing and dance, but they are way too young and glamorous. Ms Padgett does manage to act her way to the role, but again is undermined by Mr. Ramos.

Ms. Foster the two-time Tony Award winner (Thoroughly Modern Millie, Little Women) is infectious with her electric grin, brassy belt and limber limbs. What we cheer for is a star up-close and talent so blatant.

Derek McLane brick-wall set and Jeff Croiter lighting are well done for the small space.

The musical direction of Georgia Stitt and her all-female band manages to work wonders.

Sweet Charity was masterpiece of director Bob Fosse and his muse, wife Gwen Verdon. The show told of the changing times and in the original “and so she lived hopefully ever after,” was stated.  Now in 2016 soon to be 2017 we are no longer hopeful. This Sweet Charity ends bleakly and hope is no where to be seen.

Sweet Charity: Pershing Square Signature Center, 480 W. 42nd St. Until December 31st.

 

Off Broadway

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. Currently she has a screenplay in the works, which she developed with her mentor and friend the late Arthur Herzog. She was the Broadway Informer on the all access cable TV Show “The New Yorkers,” soon to be “The Tourist Channel.” email: suzanna@t2conline.com

More in Off Broadway

Get to Know Smith Street Stage’s Beth Ann Hopkins

Suzanna BowlingAugust 22, 2019

Bedlam’s production of Arthur Miller’s The Crucible Announces It’s Cast

Suzanna BowlingAugust 21, 2019

Gideon Glick To Join Little Shop of HorrorsFor Two Weeks of The Run

Suzanna BowlingAugust 21, 2019

He Says: Bat Out of Hell Roars, Revs, and Sputters on Stage at NYCC

RossAugust 20, 2019

Bat Out of Hell Misses Rising To The Top

Suzanna BowlingAugust 18, 2019

The Perfect Fit Triumphs at Rave Theater Festival

Jeffery Lyle SegalAugust 16, 2019

Opening Night of The Perfect Fit With Joshua Turchin

Genevieve Rafter KeddyAugust 14, 2019

Theatre News: Mary-Louise Parker, Campbell Scott, Sheldon Harnick, Come From Away and More

Suzanna BowlingAugust 14, 2019

Downtown’s Midsummer – A Banquet of Magical Moments

RossAugust 12, 2019