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G.H. HARDING

LEAP AGAIN — (Via Deadline) Quantum Leap’s long-rumored return has taken a big leap toward becoming a reality. NBC has given a pilot order to a reboot of the beloved 1990’s sci-fi series, which starred Scott Bakula and Dean Stockwell.

Written and executive produced by La Brea co-showrunners Steven Lilien and Bryan Wynbrandt and executive produced by Blindspot creator Martin Gero as well as Quantum Leap creator/EP Don Bellisario and EP/co-narrator Deborah Pratt, the follow-up series is set in present time. 

 It’s been 30 years since Dr. Sam Beckett (Bakula) stepped into the Quantum Leap accelerator and vanished. Now a new team has been assembled to restart the project in the hopes of understanding the mysteries behind the machine and the man who created it.

Bakula is not attached to reprise his role or produce the new Quantum Leap but is aware of the reboot and has had conversations about potentially getting involved. Bakula’s co-lead on the original series, Dean Stockwell, died in November at age 85.

The original NBC series, which aired 97 episodes from 1989-93, featured Bakula’s physicist and inadvertent Sam Beckett time-hop through various eras by “leaping” into the bodies of other people. Stockwell played Beckett’s sidekick, Admiral Al Calavicci, who appeared as a hologram to guide him through the weekly adventures.

This particular iteration had been kept largely under wraps but Bakula last fall told the late Bob Saget on his podcast that there were “very significant conversations” about a Quantum Leap reboot.

“The rights were a mess for years. I don’t know if they’re even sorted out now. That’s always been the biggest complication,” he said back then. Bakula added that he had spoken occasionally to series creator Bellisario over the years about a potential comeback, “and he would always say, ‘I can’t write it without thinking of you and Dean.’”

Now, I’m a sci-fi fan through and through, yet somehow I missed this show. I was aware of it from Bakula, but still missed it. I loved Gero’s Blindspot and will definitely give this iteration a serious look. I know the show has had an amazing and loyal following, so good news for sure.

Speaking of sci-fi, Kudos to CBS’ NCIS for working in the original Star Trek-theme by Alexander Courage in last week’s episode (All Hands). It was an odd add to say the least, but very, very cool. writer Christopher Waild must be a Trekker.

They also referenced Star Trek: The Next Generation and Deep Space Nine. Go figure!

Mick Fleetwood

FLEET FOXES — (Via Deadline) Fox is going its own way with Mick Fleetwood.

The network is looking to the Fleetwood Mac co-founder to drum up its next drama series after putting 13 Songs into development from the musician, whose band was responsible for mega-records like Rumours.

The scripted project is written by Will Reiser, who wrote the Joseph Gordon-Levitt-fronted comedy feature 50/50, and Jonathan Prince, the American Soul creator who also exec produced Hulu’s adaptation of Four Weddings and a Funeral.

It will be directed by Jonathan Levine, who directed all eight episodes of Hulu’s Nine Perfect Strangers.

Fleetwood will lend his creative and musical voice to 13 Songs, which follows rock legend Jasper Jones and his band, The Grift, who once made music that spoke to a generation of Americans, but not anymore. Decades later, after being diagnosed with terminal cancer, Jasper is given only a few months to live. As a final love letter to his fans, he reconnects with his band to write and record 13 final songs and leave his mark on the world forever.

The project comes from Lionsgate and Polygram Entertainment, which have a relationship, and previously had a first-look TV deal, that recently spawned the Frank Sinatra biographical drama series at Netflix. The two companies will produce with Fox Entertainment, Thruline Entertainment, and Megamix.

It is the latest musical drama series set up at Fox. The network has Monarch, about a country music family dynasty for the fall as well as Icon, an anthology drama series profiling some of the world’s biggest music legends, starting with country music duo Naomi and Wynonna Judd, in the works with The Morning Show EP Adam Milch.

SHORT TAKES —Working in the entertainment sector for decades, MIDEM was the one industry festival, in France, that one  just had to attend. Small companies, big companies, this was the one industry-wide event you wanted to be at. Records labels would provide somewhat lavish-events and bring their key-artists to be seen by the industry. It had unbridled cachet. Shuttered by Covid, the organizers suddenly announced in late-December that after 55 years it would end: Here’s the official announcement: https://completemusicupdate.com/article/midem-axed-after-55-years/… All things must end it would seem.

We spoke to PR-man David Salidor who in 1984 helped organize the infamous New Music Seminar with Tom Silverman, Danny Heaps, Scott Anderson and the late Mark Josephson, that essentially replaced the Billboard Disco Forum: “We began the Seminar because the existing ones didn’t really evolve with the times. It was a hit for 15 years, then stopped. Tom tried to bring it back twice, but it just didn’t work. MIDEMwas the standard-bearer for all these industry events. With it’s cancellation, I believe we’ll see many other industry events gone forever. I guess the motto is indeed All things Must Pass” … Daniel Radclifffe to play Weird Al Yankovic? Now, that’s something I wouldn’t have predicted … Terrific three-part series in Clive Young’s Pro Sound

David Bowie’s Toy 

News on the recording of David Bowie’s Toy with Mark Platti – which has finally been released. Check it out here: https://www.mixonline.com/recording/toy-recording-david-bowie-lost-album-leak-restoration?fbclid=IwAR0c288o4nHjWP9Etq-2096YPLeZLwTB9B4roXT5svBW43iryvydVyc73A0 … I’ve spent some serious time in the last three weeks looking for a new laptop and inadvertently bothered more people than I probably should have. I hadn’t shopped, let alone buy, a new one for several years and have been totally overwhelmed by the choices. I’’d been using a Dell XPS and finally decided on another Dell. I’m done now for sure; but what an ordeal … Netflix’s brilliant Ozark returns this Friday with Part 1 of their final season. Season Three was pretty awesome especially with its amped up finale; which saw their friend (?) Helen blown away ..

literally. I’m a big Jason Bateman fan and he definitely found his niche here along with a stellar Laura Linney and Julie Garner as Ruth. Bateman directed several episodes and they were just terrific. Here’s the trailer for Part 1 … just amazing: 

These home Covid-test kits that will be mailed by the Government are great, but several pundits add that they won’t even be delivered till late-February, when the Omicron surge may be dissipating. FUBAR for sure … And, just announced the Grammy’s will be moved to April 3 at the MGM Grand in Las Vegas.

NAMES IN THE NEWS — Scott Shannon; Tom & Lisa Cuddy; Chris Gilman; Todd Rundgren; Mark Bego; Keith Girard; James Edstrom; Monte Hellman; Carole King; Carol Ross; Howard Bloom; Ida Langsam; Ebet Roberts; Jane Berk; Mary Wilson; Andy Skurow; Dan Fortune; and, CHIP!

G. H. Harding is a four decades insider to the entertainment world. He’s worked for record companies; movie companies; video-production He’s worked for record companies; movie companies; video-production companies and several cable outlets. His anonymity is essential in bringing an unbiased view to his writings on pop culture. He is based in NYC.

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G.H. Harding

MAHER’S APPRENTICE— (Via Deadline) Bill Maher stumped tonight on Real Time for the U.S. release of The Apprentice, the Cannes Competition title starring Sebastian Stan as Donald Trump and Emmy-winner Jeremy Strong as Trump’s onetime firebrand lawyer, Roy Cohn.

“It looks great,” said Maher before observing, “This is Trump’s origin story under the tutelage of Roy Cohn.”

The Real Time host continued, “It’s being released in Japan, Canada, the U.K., Germany, [but] no one here will touch it. It bothers me so much.”

Industry watchers were expectant the film would get a U.S. deal soon after its Cannes launch. Some assumed a streamer would be the most logical fit. However, in an election year, threats of legal action from Trump’s team (the film includes a controversial scene in which the Trump character rapes his former wife Ivana) and a report of one disgruntled financier, didn’t help progress towards a swift domestic pact.

The state of play earlier this month was that multiple parties remained interested in the film domestically, and there was confidence a deal will get done, probably this month.

Maher didn’t sound so sure, and he was not happy.

 “This is MY industry, you f*cking p*ssies,” he said, before commanding, “Find a way to release this movie.”

Maher then went on to explain how he says Trump works to get his way across the board.

“First he intimidates the congresspeople…then he intimidates juries, and now he’s intimidating THIS town? Oy.”

Former New York Governor Andrew Cuomo, a guest on the show, replied, “He is very good at manipulation, at leverage, at the use of power.”

Cuomo continued: “Look at what happened with Fox and the Dominion lawsuit. Fox paid $800 million to the Dominion Voting [machine] company because they lied about the election and they knew they were lying. Why were they lying? Because the Trump people left Fox when they [Fox] said, ‘You lost the election.’ That’s his power: He’s got the dog whistle to his cult.”

Maher then summarized by waxing patriotic: “I’m an American and I want to see the movies that I want!”

I’m not a huge fan of Maher – he fired his agency for not getting invited to an Oscar-party- but he was the first one to get Daryl Hall to profess that he and then-partner John Oates, had a business relationship, not a partisanship. Then all the crap happened dissolving Hall & Oates – which still is a tragedy.

He definitely feels way-entitled … but his show does have its interesting moments. Think of an Andy Cohen-light.

Kelly Clarkson

SHORT TAKES — I happened to catch 2 episodes of Kelly Clarkson’s NBC-afternoon talk fest. Besides reading a tad to near her cue cards, she comes off nowhere as professional as Kelly Ripa or Katie Couric. Doing TV is the next step after making records, so she’s probably upped her income substantially, but she should stick to making records. She looks fabulous, but I was not impressed … Too bad about Justin Timberlake; having lived out there for years, extra-caution should always be applied. I understand the copy who arrested him was too young to even know who he was. Now that’s ironic …

Just saw a feature of NYC’s Virgin Hotel in NOMAD featured on NBC’s First Lookwith the always delightful Sara Gore. They showed the pool, the bar, the restaurant, but not the rooms. Weird, right? Don’t they want people booking rooms there? … Check out this terrific interview (Art Net) with art-maven (and maverick video-director) Ed Steinberg: https://news.artnet.com/market/interview-with-ed-steinberg-317245 … I like Kevin Costner; I always have …

His No Way Out is a major favorite, but as he promoted tirelessly his Horizon epic these last few weeks, he was quoted as saying he’d go back to Yellowstone if asked. Well, the show’s next season as been shot and yesterday Costner said he wouldn’t be going back at all. In a way, this sounds like the Jon Bon Jovi story all over again – will he or won’t he? I loved Yellowstone and loved it with Costner. A shame as it revived his career in a big way. I will see Horizon when it opens next week. Stay tuned …

Paul Giamatti and Robert Funaro

Here’s a great shot of our faves Robert Funaro and Paul Giamatti …

Caught a pretty good movie on Hulu this week, To Catch A Killer with Ben Mendelsohn and Shailene Woodely … New Coldplay album Moon Music (October) featuring the single “feelslikeimfallinginlove.” Check it out here: https://www.youtube.com/watch?v=zKQ1ai_ymh0 … That long-in-the-works autobiography from old-pirate Dave Masom has new release date: September 10. Seems to be it was to be released almost 2 years ago. Wonder if they’ve updated it …

Donald Sutherland was one of my favorite actors … ever. His performance in Oliver Stone’s JFK was utterly brilliant; as was his roles in MASH; Klute; and Ordinary People. Just a brilliant actor. Rest In Peace … 

Paul McCartney

HAPPY BDAY Paul McCartney and Carson Daly.

ENDQUOTE —From Deadline on Justin Timerberlake’s mug-shot: He should use that picture as an album cover. It actually is a really good picture. Name the album, Trouble Man. And make that remake of Marvin Gaye.

NAMES IN THE NEWS — Ed Steinberg; Zach Martin; Scott Shannon; Naples Stamp; Mark Bego; David Geffen; Larry Elllison; Megan Ellison; Nancy Jeffries; Howard Bloom; Mark Adelman; Jared Leto; Tony Seidel; Toby Mamis; Arthur Levy; Danny Fields; Brad Balfour; Jane Blunkell; Sara Gore; Tom & Lisa Cuddy; Pete Sanders; Freda Payne; and SADIE!

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GIAMATTI’S TREK — (via DEADLINE) Paul Giamatti has joined the cast of the upcoming Paramount+ original series Star Trek: Starfleet Academy in a recurring role. He will play the Season 1 villain, a man with an ominous past connected to one of our cadets.

“Sometimes you’re lucky enough to discover that one of the greatest actors alive is also a huge Star Trek fan, and meeting Paul was one of those miraculous moments for us. The sheer delight with which he dove in on Starfleet Academy is only surpassed by the gratitude we feel about him joining our incredible cast,” shared co-showrunners and executive producers Alex Kurtzman and Noga Landau in a joint statement.

He joins previously announced Holly Hunter, who will star in the series as the captain and chancellor of Starfleet Academy. The series will begin production later this summer.

Star Trek: Starfleet Academy follows a young group of cadets who come together to pursue a common dream of hope and optimism. Under the watchful and demanding eyes of their instructors, they discover what it takes to become Starfleet officers as they navigate blossoming friendships, explosive rivalries, first loves and a new enemy that threatens both the Academy and the Federation itself.

Alex Kurtzman and Noga Landau serve as co-showrunners and executive producers of the series alongside executive producers Gaia Violo, Aaron Baiers, Olatunde Osunsanmi, Jenny Lumet, Rod Roddenberry, Trevor Roth, Frank Siracusa and John Weber. The series premiere episode is written by Gaia Violo.

Star Trek: Starfleet Academy is produced by CBS Studios in association with Secret Hideout and Roddenberry Entertainment and is distributed by Paramount Global Content Distribution.

HEART STOPPED — (Via Deadline) The Heart of Rock and Roll, the struggling musical built around the hits of Huey Lewis, will play its final performance at a matinee on Sunday, June 23. The show will have played 24 previews and 72 performances.

In a statement, producer Hunter Arnold said, “It was pure joy working on the show with the team of creatives headed by writer Jonathan A. Abrams, director Gordon Greenberg, choreographer Lorin Latarro, music arranger and orchestrator Brian Usifer and special gratitude to the support and participation of the iconic music legend Huey Lewis.

The musical began previews on March 29 and opened on April 22.

“We were honored,” he continued, “to have an amazing cast and crew who brought their immense enthusiasm, commitment and talent to each and every performance. With our original cast album just released and talks underway for a national tour and international productions, the musical will continue to delight audiences for years to come.”

The musical, received by critics with lukewarm reviews, did not received any Tony Award nominations and has been struggling at the box office, sometimes with the James Earl Jones Theatre just more than half-full with audience members. For the week ending June 9, the show grossed a tiny $272,051.

SHORT TAKES — Francis Ford Coppola’s Megalopolis will be released through Lionsgate. Tepid reviews? Not really. Face it, Coppola’s a genius. Check out Roger Friedman’s (SHOWBIZ 411) take: https://www.showbiz411.com/2024/06/17/coppola-leases-megalopolis-to-lions-gate-for-september-release-in-distribution-only-deal

Darius Rucker said that the bandmates in Hootie and the Blowfish tried to outparty each other? Interesting. Check this out here: https://www.yahoo.com/entertainment/darius-rucker-says-hootie–the-blowfish-bandmates-tried-to-outparty-each-other-that-was-just-how-we-lived-214135068.html

Add one more Jon Bon Jovi-intervene to the list. NBC’s Sunday With Willie Geist. Was good, but nothing on Richie Sambora and nothing new. He’s not going to tour; he wants to tour; a surprise gig in Nashville ….

Micky Dolenz and Michael Stip (R.E.M.)

what’s going on? More kudos for his PR-man Brad Cafarelli … Congrats to R.E.M. on their Songwriters Hall of Fameinduction … HAPPY BDAY Michelle Toscas!

NAMES IN THE NEWS — Tom & Lisa Cuddy; Mark Adelman; Christine Nagy; Race Taylor; Anthony Noto; Robert Funaro; Al Roker; Tony LoBianco; Les Moonves; Les Schwartz; Marion Perkins; Mary Wilson; Tony Seidel; Bob Schartoff; Julie Laufer; Liza Lillien; Richie Ridge; William Schill; Dan Zelinski; Carol Ross; Gary Gershoff; David Adelson; Roy Trakin; Lee Jeske; Anthony Mason; and BELLA!

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CAMPBELL’S KITCHEN — (Via Ultimate Classic Rock) Mike Campbell  has been making records since the ’70s, most famously as a member of Tom Petty and the Heartbreakers.

“I’m grateful that I was part of that whole experience,” Campbell recently told UCR, speaking to his Heartbreaker days. It’s been a full decade since the band released their last album, 2014’s Hypnotic Eye, and six and a half years since Petty’s passing, which effectively ended the Heartbreakers.

Campbell describes himself as “still grieving,” but tries not to spend too much time dwelling. “If I think about it too hard, I’ll just get sad,” he says. In the past four years, he’s kept himself busy with new work, recording and performing with his band the Dirty Knobs. As Campbell sees it, their third album, Vagabound, Virgins & Misfits (out June 14 via BMG), marks “huge growth” for him both lyrically and vocally. After years of operating as Petty’s right-hand man and usually taking the backseat when it came to singing — Campbell sang lead on exactly one Heartbreakers song, “I Don’t Wanna Fight” from 1999’s Echo — it’s taken three albums worth of work to reach a place where he feels self-assured of his ability to front a band. “A lot of it is confidence,” he says.

UCR caught up with Campbell and talked about Vagabonds, Virgins & Misfits, including its various guest stars.

This is your third album with the Dirty Knobs, but obviously you’ve been in this business a long time. How would you say your approach to songwriting has changed from your early days to this new album?

Well, my approach to songwriting is the same as it’s ever been. Except when I was partnered with Tom, I mostly just did music. I would make music tracks and give them to him and if he liked it, he would write the words. Now that he’s gone, I have my own band, I’m exploring the lyrics and the characters, as well as the music. So that’s a new frontier, but I’m really taking to it and I’m just trying to get good at it, you know? I see a huge growth in three albums. This new album, I think, has some really good lyrics, and the band, as always. And just, you know, the music is just — it’s always there. I write all the time, you know, and that hasn’t waned at all.

I would like to mention though, just to carry on what you said before about the female’s perspective. (This writer spoke with Campbell previously about another upcoming album, Petty Country: A Country Music Celebration of Tom Petty.) One thing on this album that I love, which was an afterthought, was Lucinda Williams’ addition of her words in the song “Hell or High Water.” [I] cut it as a Dirty Knobs song, and then listening back, it occurred to me and George Drakoulias, the producer: Wouldn’t it be great if this female character in the song actually came in and sang on the song? When I thought of Lucinda, I thought, God, if she would do it, that would be perfect. And she came through with flying colors, she put so much heart and soul into that verse. So, there’s an example [of a] song from a woman’s perspective adding much more depth to the song.

Totally. It would have been an entirely different track without that. It’s great that you have these contacts at your disposal that you can call up.

The guests on the record were not me going out and cherry-picking people. They’re just people who seemed to show up. Like Graham Nash, who did an incredible job. He was doing an interview with me and I got up the courage to ask him if he would maybe sing on one song (“Dare to Dream”), which he did. Chris Stapleton, I think was in town that weekend getting a Grammy or something and he came by the house. Here, would you sing on this song? And [Benmont Tench came over] and put piano on it, you know. So, the guests were kind of afterthoughts, but in each case, they made the song way better.

Did Graham record his parts remotely or did he also come by your studio? I know he lives in New York and you’re in L.A.

No, I had already cut the song. It was finished. And I did the interview with him, and you know, I’m a huge Hollies fan, the ’60s, all those bands. So just being able to have a conversation with him was wonderful. And I was really kind of sheepish like, I didn’t think he would say yes. … I said “Would you be interested maybe in trying to sing on something?” And he goes, “Sure, I’ll make your song better.” [Laughs] So I had the track. He went back to New York. I sent him the track, as a lot of people do now, he did his vocals and mailed it back to me and I lost my mind. It was so good.

There were several tracks on this album that when I heard them, I thought “Wow, Mike’s voice sounds great.” You’ve really grown into your role as lead singer, from the first Dirty Knobs album (2020’s Wreckless Abandon) to this one. How do you feel about your singing now?

Wow, can I send you some flowers? [Laughs] I thank you for saying that. I’m getting used to it, you know? And I have a little Florida slang that comes through now and then. But I don’t sound like Tom. When I first started singing…I actually did sound a lot like him because we talk a lot the same and stuff. But I think I’ve worked hard to kind of filter that out through the three albums, and there will always be little bit of that Southern thing in there. I think I found a voice that I’m comfortable with. I’m not a Roy Orbison, [but] I have the personality of certain characters that I put across. And a lot of it is confidence, Allison. If you get confident and work on the voice a little bit and believe that you pulled it off, you know, that’s a lot of the game right there. So, my confidence has grown as I keep working on it. But thank you for that compliment, that was wonderful.

And that goes for live shows, too. I would imagine that you also feel some confidence when you’re up in front of a crowd that’s encouraging you.

Oh, yeah. You know, it’s interesting, because I play with the Dirty Knobs, it’s our songs, it’s our trip, but I’m still a member of this legacy. And I sometimes will do a few Heartbreakers songs just out of respect for Tom because the crowd likes them and I like singing some of them. But the crowd, yeah. When they’re there for you and supporting you…I get the sense that a lot of the people in the audience that know me and my years are pulling for me. … I’m trying to find my own way and they’re supporting me and they’re helping me get there

Speaking of singing, your wife, Marcie, sings some backing vocals on the song “Hands Are Tied.” Is that the first time she’s done that on one of your albums?

That’s a funny story. Because, you know, she usually sings around the house. She’s not a singer per se, but all through my life — you know, I’ll be doing a demo and I’ll say “Why don’t you come in and put a little part on this?” “No, no, no, I don’t sing.” On this album…she goes, “You know what? I think I’d like to sing on this one.” And I said “Really?” I was in shock. I said “Okay, well, we got this song. All you got to do is go ahhhhh.” [Laughs] And her sound and her feel on it really helped the song a lot.

You have a note in your credits thanking Stevie Nicks for the “cool dulcimer.” And you’re actually holding the instrument on the cover of the album. Can you tell me about that?

Yeah, I hope she sees the cover, ’cause I think she will appreciate it. There’s a story with that. When I was doing the Mac project, we were at rehearsal one day, and Mick Fleetwood came in with one of those customized dulcimers, just beautiful. And I was talking to him about it and saying “Oh, this is really a nice instrument.” I guess she overheard the conversation and a week later, I walk in and she says “Here, this is for you.” She went and bought one just like it for me. I was blown away. In fact, I even wrote the song — “Innocent Man” was written on that dulcimer, on the album. But the funny thing is, I took it home and played it — it’s in my studio — and then a couple of weeks later, she came up, she said, “You probably never even play it, do you?” [Laughs] I said “I play it all the time!” You know, that’s so Stevie. So, I hope that she sees the cover and knows that I covered it and used it.

You’ve had a number of full circle moments, so to speak, in the last few years. I’m thinking of your time touring with Fleetwood Mac and reconnecting with Stevie Nicks, or playing with Bob Dylane at Farm Aid last year. You also shot the “Dare to Dream” music video with the Dirty Knobs at the Church Studio in Tulsa, Oklahoma, which was where the Heartbreakers signed their very first record deal. Is there anything else along those lines you’d like to do? Anything you want to revisit?

Well, I enjoyed the Tulsa thing quite a bit. That was not my idea, but the idea came up [from] management. And I thought it was very touching to go back where Tom and I had passed through on the way to get a record deal and to revisit that energy and those ghosts in the studio there. I enjoyed that a lot. But to be honest with you, I’d rather like, think forward and not think backward because sometimes nostalgia can be sad, you know? I’m real proud of that video, though. But I think I want to move forward and think forward.

Speaking of blasts from the past: The Wallflowers are going to be playing a show in L.A. later this year and the plan is for them to perform the entirety of their album Bringing Down the Horse, which you played on, and also the entirety of the Heartbreakers’ Long After Dark. What do you think about that?

You know, it’s wonderful that people are pulling out this music and revisiting it, you know, and I love Dylan — Jakob Dylan. I played on their first single, “Sixth Avenue [Heartache],” which was really fun and I’ve always been proud of his career. And I think he’s taken on a lot to do all those songs in one set, but more power to him. I’m sure he’ll do a great job.

What are you most looking forward to about touring with this new Knobs music?

I’m thrilled beyond to go out on the road with my band and play the new album. I’m real proud of it and the songs sound great in rehearsal. And the show will be a lot of the new album, and I’ll be throwing in a couple of surprise Heartbreaker songs that I think people will like here and there.

Howie Mandel

SHORT TAKES — Why does Howie Mandel seem to be channeling Boy George’s fashion-look on the new America’s Got Talent season. A cry for help for sure …

I got a memo about a co-op for sale located at 12 West 21st Street in NYC. It took me a minute to recall that that was the address for the long gone and much missed Private Eyes club; where Scott Blackwell was DJ. Great memories for sure: https://en.wikipedia.org/wiki/Private_Eyes_(nightclub)

The Eagles will do a residency at the Sphere in Las Vegas: https://www.forbes.com/sites/hughmcintyre/2024/06/13/the-eagles-announce-new-residency-at-las-vegas-sphere/

Seth Meyers

Is NBC really cutting the 8G band (led by Fred Armisen) for the Late Night with Seth Meyers? Read Roger Friedman’s exclusive take on this development: https://www.showbiz411.com/2024/06/12/nbc-cheaps-out-cuts-seth-meyers-live-band-from-show-beginning-in-september ..

PR-pasha David Salidor called to tell  us about a new book project. Steven J. Immerman’s In Search of Pleasure Island.  Here’s the logline: “In Search of Pleasure Island” delves into the bowels of ‘international sex trafficking’ as Dr. MATHEW NOBLE (a professor of criminology and retired special warfare operator) journeys across the globe in the search for his daughter and the men responsible for her abduction and his wife’s murder – stay tuned for more on this … Happy Bday Roger Friedman …

Mark James

RIP Tony LoBianco and Mark James, who wrote “Suspicious Minds” and “Hooked On A Feeling.”

NAMES IN THE NEWS — Tony Seidel; Mark Bego; Robert Shalom; Anni Bella; Terry Guerin; Terry Jastrow; Deb Caponetta; Melissa Davis; Dan Zelinski; Adam White; Glenn Friscia; Glenn Friscia; Vito Bruno; Lush Ice; Tom & Lisa Cuddy; Mitch Dolan; Race Taylor; Kent & Laura Denmark; Kevin Costner; Tony King; Elton John; Freddie Mercury; Donald Fagen; Warner LeRoy; and CHIP!

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A JON BON SURPRISE — (Via Ultimate Classic Rock) Jon Bon Jovi played a surprise five-song set in Nashville on Friday, June 7.

The intimate performance celebrated the grand opening of JBJ’s, the new rooftop bar and restaurant owned by Jon Bon Jovi. It also came on the day Bon Jovi released their sixteenth studio album, Forever.

The show was notable considering the lingering uncertainty surrounding Jon Bon Jovi’s voice. The singer underwent vocal surgery in 2022 and has been enduring a long road to recovery ever since. The frontman recently confirmed he’ll be unable to tour in support of his new album, noting that he’s “more than capable of singing again,” but that “two and a half hours a night, four nights a week” would not be possible.

The frontman’s voice appeared pitchy but strong during the Nashville club set. Bon Jovi showcased plenty of his trademark energy during the gig, dancing on the small stage and engaging fans to sing along with him.

The performance opened with “Blood on Blood,” the stirring album cut from Bon Jovi’s classic 1988 LP New Jersey. According to Ssetlist.fm, this marked the first time “Blood on Blood” has been performed in concert since 2019.

Later, the singer addressed his absence from performing.

“It’s been a couple of years since I’ve been up on a stage with some people in the house,” Bon Jovi declared midway through the set. “Too long, too long. Yeah, it feels good. I hope it sounds good, because it feels good.”

Bon Jovi also acknowledged Nashville’s importance in his band’s history, noting that they’d spent “so much time” writing and recording in the town. “I always jokingly say, Nashville, this is my people.”

Motley Crue singer Vince Neil. Jelly Roll and Big Kenny from Big and Rich were among the celebrities on hand for Bon Jovi’s club gig. Other highlights on the night included a rousing rendition of “You Give Love a Bad Name” and the lead single from Forever, “Legendary.”

See the complete set list below, along with video of the entire performance.

Bon Jovi, 6/7/24, JBJ’s, Nashville, Set List

1.  “Blood on Blood”
2. “We Weren’t Born to Follow”
3. “You Give Love a Bad Name”
4. “Born to Be My Baby”
5. “Legendary”

Jon’s been very, very visible of late. From his Hulu-four-part show to stints on everything from Kelly Clarkson to Jimmy Kimmel and it seems to me he’s been a tad overexposed. Sure, he’s got a new album to sell as well as the cable-series, but his logline seems to be over whether he can tour … or not.  And, apparently, he can’t.

Honestly, that’s gotten bigger play than his rumored feud with Richie Sambora. I know Jon and he’s smart as a fox. He and his PR-person, which I believe is Brad Cafarelli, have done a stellar job.

This Nashville-appearance was after he may the ‘I can’t tour’ announcement, so what gives?

I’d love to know who he played with in Nashville. Was it some of the Bon Jovi-band or just some Nashville-players? Maybe we should ask Brad.

George Harrison

GO GEORGE — We loved this story from Far Out Magazine about George Harrison and Phil Collins:

The seed for his prank on the Genesis drummer began back in 1970 when Collins was a teenage session musician who grew up in absolute awe of everything Beatles related.

At the time, Collins was in his former band Flaming Youth and wouldn’t audition to join Genesis until later on in the same year.

“Our manager got a call from Ringo Starr’s chauffeur, who said they needed a percussionist, and he suggested me,” said Phil.

“So I went down to Abbey Road, and Harrison was there and Ringo and Billy Preston and Klaus Voormann and Phil Spector, and we started routing the song.”

George was recording his debut solo album, All Things Must Pass.

“No one told me what to play, and every time they started the song, Phil Spector would say, ‘Let’s hear guitar and drums,’ or ‘Let’s hear bass and drums.’ I’m not a conga player, so my hands are starting to bleed. And I’m cadging cigarettes off Ringo – I don’t even smoke, I just felt nervous. Anyway, after about two hours of this, Phil Spector says, ‘Okay congas, you play this time.’ And I’d had my mic off, so everybody laughed, but my hands were shot.”

“After that they all disappeared – someone said they were watching TV or something – and I was told I could go. A few months later, I buy the album from my local record shop, look at the sleeve notes, and I’m not there. And I’m thinking, ‘There must be some mistake!’ But it’s a different version of the song, and I’m not on it.”

Once Collins would become a world-famous star in his own right, he and George were back in contact.

“Cut to years later,” Collins added. “I bought [former Formula 1 driver] Jackie Stewart’s house. Harrison was a friend of Jackie’s, and Jackie told me George was remixing All Things Must Pass.

“He said, ‘You were on it, weren’t you?’ And I said, ‘Well I was there.’ Two days later a tape’s delivered from George Harrison with a note saying: ‘Could this be you? Suddenly the congas come in – too loud and just awful. At the end of the tape you hear George Harrison saying, ‘Hey, Phil, can we try another without the conga player?’

“So now I know, they didn’t go off to watch TV, they went somewhere and said, ‘Get rid of him,’ cos I was playing so badly. Then Jackie rings and says, ‘I’ve got someone here to speak to you,’ and puts George on and he says, ‘Did you get the tape?’ and I said, ‘I now realise I was fired by a Beatle.’ He says, ‘Don’t worry, it was a piss-take. I got Ray Cooper to play really badly, and we dubbed it on. Thought you’d like it!’ I said, ‘You f**king bastard!’”, Collins then reminisced in hindsight, “It was lovely, wasn’t it?”

Yes, George went out of his way to pay a whole band to spend a day in the studio with him just so he could pull a joke on Phil Collins.

The Killers

SHORT TAKES — Our spy at the weekend’s Governor’s Ball said The Killers were spectacular. They played “Mr. Brightside” and “Andy, You’re A Star” (first time in seven years). One of my favorite bands, ever! Great to hear this …

Dick Van Dyke

Congrats to Dick Van Dyke at 98 winning an Emmy for his stint on Days of Our Lives. Bravo! …

This Thursday at the Landis Theatre in Vineland, New Jersey, is a special screening of The Zombie Wedding. Based on the hit interactive play (which premiered in 2015). The first-ever wedding between a Human Bride and a Zombie Groom; starring Heather Matarazzzo; Kevin Chamberlin; Vincent Pastore and Micky Dolenz.

Details to follow from producer Robert Dragotta … Watched Michael Mann’s Ferrari over the weekend and just loved it. Adam Driver; Penelope Cruz and Shailene Woodley were just extraordinary. Not your typical Mann-pic either. A must-see for sure …

And also caught Netflix’s Hitman with Glen Powell-the man-of-the-moment in film. He’s great, sort of a George Clooney-in the making. Directed by Richard Linklater – a surprise. Kind of a silly premise, but he carries it admirably and does his love-interest, the sultry Adria Arjona – who makes a rather memorable debut.

NAMES IN THE NEWS — Jane Blunkell; Dan Zelinski; Jane Berk; Howard Bloom; Peter Lubin; Stu Taub; Roy Trakin; David Adelson; Michael Nice; Joel Diamond; Mark Bego; Jimmy Fallon; Julie Gurovitsch; Vince Napolitano; Obi Steinman; Peter Abraham; David Sanborn; Craig Zisk; Tom & Lisa Cuddy; Brad Balfour; Jill Christiansen; Anni Bella; Lush Ice; Markos Papadatos; and Bella.

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G.H. Harding

TRAINOR’S TODAY — She first hit the airwaves a decade ago with “All About That Bass” and has managed to remain a headliner since. A new album Timeless dropped Friday and though she was pretty great on the Today Show; she’s certainly not in the same atmosphere as Beyonce or Cardi B or Janelle Monae. Why? Her performance on Today was without a band; with backing tracks; and six dancers. Corny? Perhaps.

Her whole allure seems to be somewhere on the Peggy Lee-spectrum, which if memory serves, was cute, but a tad boring.

As to her backing tracks, veteran PR-man David Salidor (who has worked with everyone from Madonna to Debbie Gibson) says, “It’s ironic, because if an artist used backing tracks in the 80’s, it was widely criticized and looked down upon. I think the audiences today don’t really care and it’s a shame because there’s a real artistry in having a band, Sadly, these audiences are missing that and they don’t even know it. I bet if they knew what they were missing, they’d demand it.

MORE BEACH BOYS — No doubt about it, this Disney doc has ignited opinions both pro and con.

The Brian Wilson-fans said since Brian couldn’t really be interviewed, the opinions were somewhat one sided, while fans of The Beach Boys loved it. Variety’s Roy Trakin perhaps said it best: Survivors get to tell the story. This is more hagiography and tribute than biopic but the music saves it. Beach Boys 101. Nothing new to see here. But it did look good in IMAX.

The last hour was quickly wrapping up all the pieces – perhaps a tad too quickly. Love’ s suit against Brian claimed to be about the publishing rights, which father-Murray sold years ago for peanuts, figuring they’d never be worth anything.

Dennis Wilson

“Kokomo” which was a big hit isn’t spoken about at all, instead used as a closing theme. and, Dennis’ death hardly mentioned. Pacific Ocean Blue not mentioned either.

As with most of these docs .. they leave you wanting more … and I did with this one.

Benny Harrison

SHORT TAKES — What ever chapped to Benny Harrison’s Back To Front series. This was to be a show featuring the backing musicians and studios that go into making a show. Great idea but apparently Harrison couldn’t find the right producers. There’s another show very similar out right (featuring The Power Station studio now owned by Berklee) now and that probably didn’t help … Eminem and Jellyroll dueted on “Sing For The Moment” for this week’s Detroit-concert. celebrating the re-opening of Michigan Central Station. They sounded great together. Also, there Diana Ross; Melissa Etheridge and Jack White …

New Eels album out- titled Eels Time ... Carol Klenfner was married to industry magnet Michael Klenfner. Here’s what she’s up to now: https://w42st.com/post/carol-klenfner-west-side-story-ping-pong/?fbclid=IwZXh0bgNhZW0CMTEAAR2qx06-OGVRqdQ-Uq_5Vban37FBUlmbINGjXI45lSRt2yDropCNpBIg9lU_aem_AUwj8G9hZ961orkpaRbod2lsomw3aHTWWS6h7ymamZxSKBXHozIvFkracqZg2NLQ4eHi-c_jC7H7zc6Pl1u0kRaL

Cheap Trick/John Lennon

Did you ever take a look at the John Lennon video with Cheap Trick doing his “I’m Losing You?” It was producer Jack Douglas’ idea. Brilliant if you ask me. Take a look: https://www.loudersound.com/features/cheap-trick-rick-nielsen-john-lennon-double-fantasy

… Great Neil Finn tale of how he joined Fleetwood Mac in Mojo:https://www.mojo4music.com/articles/stories/neil-finn-on-joining-fleetwood-mac/HBO/MAXjust canceled Toyko Vice after 2 seasons. I loved it … Happy Bday London Records’ John Boulos!

NAMES IN THE NEWS — Ed Steinberg; Vinny Rich; Adrian Niles; Anni Bella; Nicole Nirvana; Lucy Woodward; Robert Miller; Alan Rothstein; Kneecap; Tony King; Jane Ayer; Pete Gidion; Ray Free; Ron Alexenburg; Herbie Rosen; Juggy Gayles; Jerry Lembo; Wayne Rosso; Tone Scott; Dan Zelinski; and ZIGGY!

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