Only in New York would it make perfect sense to take Monet, Klimt, Redon and Cross out of the museum and put them in your makeup bag.

Two decidedly New York institutions have come together for the limited-edition Bobbi Brown x The Met Collection, pairing the beauty brand born in New York City with The Metropolitan Museum of Art and transforming details from some of its celebrated works into objects considerably more portable than a masterpiece. The result is part makeup collection, part miniature art exhibition—and considerably easier to take home from The Met.

The collaboration draws upon works by Henri-Edmond Cross, Gustav Klimt, Odilon Redon and Claude Monet, translating their colors and imagery into packaging that makes opening an eyeshadow palette feel just a little more decadent. It is an inspired pairing because cosmetics and painting have always shared a language: color, shadow, light, texture and the occasional illusion.

At the center of the collection is an eight-well eye shadow palette filled with golds, bronzes and browns in matte and shimmering finishes—the sort of shades that can move easily from an understated New York afternoon to an evening when understated has left the building. A three-in-one Brightening Blush offers that elusive lit-from-within flush, while the Luxe Eye Shadow provides multidimensional shimmer for anyone who believes eyelids deserve their own little work of art.

The lips haven’t been neglected. Bobbi Brown’s Luxe Lipstick gets the museum treatment with skincare-infused color and a pressed, canvas-inspired bullet, while the Extra Lip Tinted Balm delivers a sheer, pH-reactive wash of color with plumping hydration. In other words, one can now contemplate great art while simultaneously wondering whether one needs another lipstick. We know how that usually ends.

The cleverness of the collaboration lies in the packaging. Rather than simply stamping The Met’s name onto a cosmetics case and calling it culture, the collection brings actual works from the museum’s holdings onto the pieces themselves. The compacts become tiny canvases, turning something normally destined for the bathroom counter into something you may be reluctant to throw away once you’ve hit pan.

There is also something wonderfully New York about the entire enterprise. The Met has spent more than 150 years collecting objects of beauty from across civilizations. Bobbi Brown built its reputation on a distinctly modern idea of beauty. One hangs masterpieces on Fifth Avenue; the other gives us the tools to create our own faces before heading out the door.

High art and highlighter were probably destined to meet eventually. The limited-edition Bobbi Brown x The Met Collection is available now through Bobbi Brown Cosmetics.

You may not be able to hang a Monet in your apartment, but apparently you can now keep a little piece of The Met on your vanity.

During Climate Week NYC, New York is awash in conversations about saving the planet. There are panels and pledges, statistics and speeches, dire predictions and ambitious promises. But at the heart of The Footprint of Life Gala, held September 24 at CORE Club, was a considerably more personal question: What are you going to leave behind?

Hosted by Green Vision Foundation co-founders Amy Green and Gary Green, the annual black-tie evening brought together environmentalists, philanthropists, athletes, scientists, business leaders, artists and advocates around the idea that influence carries responsibility. We all leave a footprint. The question is whether that footprint simply records where we have been or actually improves what remains after us.

That distinction gave the evening its purpose. The Footprint of Life was created to harness the collective power of its guests to protect the planet, transform lives and create a lasting legacy for generations to come. This year, its focus expanded the conversation by bringing together sport, philanthropy and global leadership—not as separate worlds, but as forces capable of moving people in ways institutions alone often cannot.

Amy Green

Adam Mett, Amy Green

The evening honored Adam Met, founder and executive director of Planet Reimagined, whose rather unusual résumé makes perfect sense in this context. Musician, educator and climate advocate, Met has taken the reach afforded him by one world and applied it to another. Through Planet Reimagined, he has brought researchers, advocates, policymakers and partners together with the goal of moving climate ideas beyond conversation and into scalable, actionable solutions.

The second honoree came from an entirely different arena. Legendary big-wave surfer Garrett McNamara was recognized for using sport as a force for change, accepting the honor on behalf of Laureus Sport for Good. As a Laureus Ambassador, McNamara represents an organization built around the premise that sport can be far more consequential than competition. Laureus works with children and young people around the world, using sport to help overcome violence, discrimination and disadvantage.

That partnership also made an intriguing point about environmentalism. We tend to separate issues into convenient categories—climate over here, poverty over there, education somewhere else, human rights in another room entirely. Real life isn’t nearly so tidy. Environmental degradation affects communities. Poverty affects opportunity. The health of oceans affects livelihoods. The future of children cannot really be separated from the future of the world they will inherit. The Footprint of Life placed those connections at the center of the evening rather than treating conservation as an isolated cause.

“The Footprint of Life is about recognizing that every one of us leaves an impact—and deciding together what we want that impact to be,” Amy Green told guests. “By bringing extraordinary people into one room, we had an opportunity to turn conversation into collaboration and individual influence into collective action. This evening was ultimately about the world we leave behind and the lives we have the power to change now.”

And it was quite a room.

Among those gathering for the black-tie dinner was legendary oceanographer and Mission Blue founder Dr. Sylvia Earle, whose presence alone provided a living connection to decades of ocean conservation. She was joined by philanthropist and Giving Back Foundation founder Meera Gandhi, television personality Melissa Gorga, former New York City Mayor Eric Adams, Lava for Good founder and CEO Jason Flom, Bank of America Executive Vice Chair Julian Mylchreest, MLB All-Star Joey Votto, former NBA player and coach M.L. Carr, and human-rights advocate Ilwad Elman.

my Green

Amy Green

Fashion and design were represented by Alejandra Alonso Rojas, Andrew Kwon and Nicole Fuller, while actor and filmmaker Randall Batinkoff, environmental justice advocate Saad Amer, We The Planet founder Kunal Sood, real estate developer and entrepreneur Tony Cho, and Laureus U.S. Ambassador Kely Nascimento were among the evening’s other guests.

It made for the kind of eclectic guest list that could only really happen in New York: oceanographers beside athletes, fashion designers beside human-rights activists, financiers beside environmentalists. Yet that was precisely the point. Solving enormous problems requires people who don’t normally inhabit the same rooms to begin talking to one another.

There is always a danger with galas devoted to serious causes that the glamour overwhelms the reason everyone has gathered. Champagne is considerably easier than climate change. A beautiful dinner is easier than conservation. A photograph beside a step-and-repeat is certainly easier than changing the way we live.

But glamour and purpose don’t have to be enemies. A room filled with people who possess money, visibility, expertise, access or influence is also a room filled with resources. The real measure comes afterward: what happens when everyone goes home?

The Footprint of Life is built around that question. Not whether we leave a footprint—we have no choice about that—but what kind of footprint it will be.

Because legacy isn’t ultimately what we say we cared about.

It is what is different because we were here.

The Footprint of Life was presented in partnership with Laureus Sport for Good and supported by Cerity Partners, The Twenty Five, Privé and Worth Magazine.

Climate Week can sometimes feel very big—global summits, sweeping promises, ambitious targets and conversations about what the planet might look like decades from now. Project Petals is bringing the conversation considerably closer to home. Through September 27, the New York-based nonprofit is turning LinkNYC screens across Manhattan, Brooklyn and Queens into platforms for New Yorkers to talk about what climate change already looks and feels like in their own neighborhoods.

The campaign amplifies residents’ experiences with extreme heat, worker safety and environmental inequities that can change dramatically simply by crossing from one neighborhood into another. It is a smart approach because climate change isn’t experienced as a statistic. It is the construction worker spending hours outside during a heat wave, the elderly New Yorker living on a block with too little shade, or the neighborhood where trees, parks and other green infrastructure help lower temperatures while another community is surrounded by concrete absorbing every degree and throwing it straight back.

Project Petals’ campaign grew from Environmental Justice, Heat, Work, and Us, a Pulitzer Center-supported initiative that brought residents together to discuss their experiences with extreme heat, environmental inequality and the realities of working under increasingly difficult conditions. Now those conversations have escaped the conference room and landed directly on New York City streets.

Putting them on LinkNYC screens matters because environmental inequality is frequently discussed by policymakers, researchers and advocates in language that can make the people actually experiencing it disappear. Project Petals reverses that equation. Instead of speaking about communities, it gives members of those communities the microphone and then puts that microphone on a New York City sidewalk.

The campaign also highlights one of the most complicated aspects of environmental policy: New York does not experience climate change uniformly. One neighborhood can have mature trees, parks, gardens and significant investment in green infrastructure while another has relatively little protection from heat. The temperature reported for New York City may be the same, but the experience of living through that temperature can be remarkably different depending upon where you live and work.

That is where Project Petals has concentrated much of its work. Community investment can determine whether a neighborhood has access to environmental solutions capable of making it healthier and more resilient. During Climate Week, however, the organization is doing something equally important: it is making those disparities visible to the rest of the city.

There is something wonderfully New York about using LinkNYC to do it. We walk past those screens every day. They are part information source, part urban furniture and part background noise. Suddenly, the person staring back isn’t selling us a movie, a sneaker or the latest must-have product. It is one of our neighbors telling us what is happening where they live.

Climate Week will end. The international delegations will leave, the panels will conclude, the credentials will come off and New York will move rapidly toward whatever is next. The neighborhoods will still be here, and so will the people living in them. Project Petals is making sure that, for at least one week, New Yorkers aren’t merely the subject of the climate conversation.

They’re the ones having it.

There may be no television sound more instantly recognizable than dun dun. Now, for two days in October, it could also mean lunch.

NBC’s Law & Order “Dun Dun Diner” is returning to New York City on Friday, October 9 and Saturday, October 10, transforming Bill’s Bar & Burger at Rockefeller Center into an immersive celebration of one of television’s most enduring—and most thoroughly New York—franchises.

Running from 11 a.m. until 9 p.m. both days, the pop-up combines themed food, interactive experiences, photo opportunities and exclusive merchandise with something Law & Order has always understood particularly well: New York itself.

This time, some serious New York food royalty is joining the investigation. Ess-a-Bagel, Katz’s Delicatessen, Magnolia Bakery and Serendipity3 are collaborating on a specially curated menu for the event. NBC hasn’t yet revealed every dish, which means the evidence remains tantalizingly incomplete, but the four institutions bring together some of the city’s most recognizable bagels, deli fare and desserts under one very familiar television umbrella.

Fans have two ways to enter the scene. For $30, the Booth Service Dining Experience offers a seated meal inside the Dun Dun Diner, including the guest’s choice of one featured collaborative dish, dessert, Law & Order-branded merchandise and interactive touches inspired by the series. For those more interested in investigating than eating, the free Grab & Go Experience includes merchandise giveaways and a themed photo opportunity. Both experiences require reservations.

Reservations opened September 18 on a first-come, first-served basis, so anyone planning to report for duty should probably move faster than Detective Benson arriving at a crime scene.

The timing couldn’t be better. The Dun Dun Diner opens one day after the new seasons of Law & Order and Law & Order: Special Victims Unit premiere Thursday, October 8 on NBC, with episodes streaming the following day on Peacock. This year’s event also falls during NBC’s centennial celebration, marking 100 years of the network’s television history.

The pop-up itself has become something of a tradition. Last year’s Dun Dun Diner also descended upon Rockefeller Center, complete with memorabilia, themed experiences and plenty of opportunities for fans to insert themselves into the Law & Order universe. For 2026, the diner moves into Bill’s Bar & Burger and expands the culinary component with its lineup of distinctly New York collaborators.

Because two days hardly seems sufficient to interrogate a pastrami sandwich, select dishes from the collaborations will continue at participating partner restaurants on October 12 and 13. Which dishes and locations will participate have yet to be announced.

There is something wonderfully appropriate about Law & Order turning itself into a New York diner. For decades, the city hasn’t merely served as the backdrop for the franchise; it has been one of its principal characters. Courthouses, precincts, sidewalks, brownstones, restaurants and recognizable corners of Manhattan have given the shows a sense of place that no soundstage could quite duplicate.

Now New Yorkers get to step inside that world—with considerably less danger and considerably more cheesecake.

The Law & Order Dun Dun Diner takes over Bill’s Bar & Burger at 16 West 51st Street on October 9 and 10 from 11 a.m. to 9 p.m.

Reservations are available through the Dun Dun Diner reservation page.

In the culinary justice system, the people are represented by two separate but equally important groups: those who secure reservations—and those who wish they had.

Dun dun.

Booking a house painter in Onehunga requires going beyond merely comparing hourly rates. Homeowners should ask about surface preparation, paint systems, project timing, insurance, and payment terms before work begins to ensure they get good value for their money. The answers show whether a contractor can protect the property, manage weather interruptions, and achieve an even, lasting finish. 

A detailed discussion also limits misunderstandings and makes each quote easier to compare. This checklist gives Onehunga residents a practical way to assess painters before making a decision. Let’s dive right into it!

1. What Will the Job Include?

Before discussing price, ask whether the painter will inspect the walls, ceilings, trim, doors, and exterior cladding. A written scope should identify repairs, sanding, priming, coats, products, and cleanup. Homeowners comparing house painters in Onehunga should gather enough detail to see whether each quote covers equivalent work and whether the quote is justified. Otherwise, a cheaper figure may either exclude preparation or lead to unexpected costs later.

The estimate should name every area included, such as bedrooms, stairways, ceilings, fences, eaves, and doors. It should also state whether furniture moving, minor plaster repairs, wallpaper removal, and fixture protection are covered. Ask how the team will handle damaged timber, cracks, mould, or peeling coatings before painting begins.

Clarify whether the painter supplies ladders, scaffolding, or other access equipment. Waste removal should also appear in the written agreement. A detailed scope gives both parties a shared reference and makes any change easier to approve. It also helps prevent disagreements about incomplete work.

2. How Will Onehunga Surfaces Be Prepared?

Preparation often determines how well a coating will perform over time. Ask whether the exterior surfaces will be washed, loose paint removed, rough edges sanded, and holes filled. Interior walls may require patching, stain sealing, and dust removal before primer and colour coats are applied.

Older Onehunga homes have weather exposure, damp areas, or ageing surfaces that need closer inspection. Request written notes or photographs where substantial repairs are required. This record helps homeowners confirm the agreed standard before painting starts and can prevent problems from being covered rather than corrected.

3. Which Paints and Finishes Suit Each Surface?

Paint selection should reflect the surface, room use, exposure, and cleaning requirements. Ask which products the contractor recommends and why they suit each area. Kitchens, bathrooms, and busy hallways often need washable finishes. Exterior walls need coatings made for local weather conditions.

Confirm the number of coats, expected coverage, sheen, and colour-matching process. The quote should separate paint costs from labour and clarify who owns any unused materials. Homeowners may also ask how future touch-ups will be handled, especially if a particular colour is difficult to match.

4. What Timeline Should Homeowners Expect During Work?

Timing matters when rooms must remain available or household routines need adjustment. Ask for an estimated start date, daily working hours, expected completion date, and likely weather delays. Rain and high humidity may interrupt exterior painting. Interior work can often continue if ventilation and safety measures are suitable.

Confirm who will move furniture, protect floors, secure gates, and leave the site tidy each evening. A realistic schedule helps families plan around drying times, pets, parking, and access. Ask how much notice the contractor will provide if conditions change the agreed dates.

5. Who Will Complete the Painting Work?

Homeowners should check the contractor’s experience with similar properties before accepting an offer. Ask how long the team has worked locally, who will supervise the project, and whether subcontractors will be involved.

Confirm that public liability insurance and relevant worker protections are current. References can provide useful information about punctuality, communication, preparation, cleanup, and finish quality. Recent photographs may also show whether the painter has handled comparable interior or exterior projects.

Clear answers cannot guarantee a perfect result. They can, however, reduce avoidable risks and show whether the contractor takes planning, property protection, and communication seriously.

6. What Does the Written Quote Cover?

The price should be assessed alongside the complete scope of work. Ask whether the quote covers preparation, materials, labour, access equipment, travel, tax, rubbish removal, and the final inspection.

Clarify the deposit, payment stages, warranty terms, and process for approving additional work. Any variation should identify the extra task, reason, cost, and effect on timing before work proceeds. Verbal promises are easy to forget, while written details give everyone a reliable record.

Compare at least two detailed proposals before choosing. The strongest option may not be the lowest figure. Reliable communication, suitable materials, careful preparation, and clear workmanship standards often provide better value over the life of the paintwork.

Once you answer the essential questions, selecting a house painter in Onehunga becomes simpler. A clear scope, a thorough preparation plan, suitable products, a realistic schedule, verified insurance, and transparent pricing give homeowners a sound basis for comparison. 

The cheapest quote is not always the best choice. A dependable contractor explains the work, records agreed details, protects the property, and communicates quickly when conditions change. Completing these checks allows residents to book with greater confidence.