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Broadway Musical CD’s, Digital Lotteries and Rush Policy’s Save You Money Seeing Your Favorite Shows

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War Paint
Jenn Collela , Come From Away

Jenn Collela Photo by: Matthew Murphy

The new Broadway musical Come From Away has announced that a limited number of $38 general rush tickets (including the $2 facility fee) will be available at the Gerald Schoenfeld Theatre box office (236 West 45th Street) when it opens for that day’s performance(s). Limited to two tickets per person, tickets are subject to availability. Cash and major credit cards are accepted.

Come From Away, was recently nominated for 14 Helen Hayes Awards in Washington, DC.

Come From Away features Petrina Bromley (Stratford’s As You Like It); Geno Carr (The Old Globe’s Dr. Seuss’ How The Grinch Stole Christmas); Jenn Colella (If/Then); Joel Hatch (Annie); Rodney Hicks (The Scottsboro Boys); Kendra Kassebaum (Wicked); Tony Award nominee Chad Kimball (Memphis); Lee MacDougall (Stratford’s The Music Man); Caesar Samayoa (Sister Act); Q. Smith (Mary Poppins); Astrid Van Wieren (North American premiere of Mamma Mia!); Sharon Wheatley (Avenue Q); Josh Breckenridge (The Scottsboro Boys); Susan Dunstan (The Lion King US National Tour); Tamika Lawrence (If/Then) and Tony LePage (Rock of Ages).

 With a book, music and lyrics by Canadians Irene Sankoff & David Hein, Come From Away is directed by Tony Award nominee Christopher Ashley (Memphis), with musical staging by Tony Award nominee Kelly Devine (Rocky), music supervision by Ian Eisendrath (A Christmas Story),  scenic design by Tony Award winner Beowulf Boritt (Act One), costume design by Tony Award nominee Toni-Leslie James (Jelly’s Last Jam), lighting design by two-time Tony Award winner Howell Binkley (Hamilton), sound design by Tony Award nominee Gareth Owen (End of the Rainbow), orchestrations by August Eriksmoen (Bright Star), and music arrangements by Ian Eisendrath.

In a heartbeat, 38 planes and 6,579 passengers were forced to land in Gander, Newfoundland, doubling the population of one small town on the edge of the world.

On September 11, 2001 the world stopped.  On September 12, their stories moved us all.

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Ghostlight Records has announced plans to record the original cast album of the new musical, War Paint, starring two-time Tony Award winners Patti LuPone and Christine Ebersole. The musical, which began previews on March 7 and will open April 6 at the Nederlander Theatre (208 West 41st Street), played a sold-out run in Chicago this summer where it became the most successful show in Goodman Theatre’s history.

War Paint, also added a digital lottery, where a limited number of tickets will be available for all performances through the digital lottery which will open at 8:00am for both matinee and evening performances and will remain open until 11am and 3pm, respectively, when winners are drawn.  For details and entrance to the digital lottery click on: https://lottery.broadwaydirect.com/show/war-paint.

Digital lottery tickets are $40 each, including the facility fee. Winners will be notified by email shortly after each drawing and will have 60 minutes to pay for their tickets with a credit card online. Tickets can be picked up at the Nederlander Theatre box office (208 West 41st Street) 30 minutes prior to show time. Photo ID is required for pickup and seat locations awarded are subject to availability.

WAR PAINT’s rush ticket policy and standing room tickets will remain, subject to availability. All former rules apply, with rush tickets for $40 and standing room available at $50 each including the facility fee.

 War Paint charts the legendary lives of two trailblazing women – cosmetics entrepreneurs Helena Rubinstein (LuPone) and Elizabeth Arden (Ebersole). The label will record the show’s Original Broadway cast album on April 16 and April 17 to be released in June. Pre-orders are now being taken at the theater. To sign up for updates, please visit www.sh-k-boom.com/war-paint.

 War Paint also features Tony Award nominees John Dossett and Douglas Sills. Dossett portrays Tommy Lewis, Miss Arden’s husband and chief marketing officer, and Sills portrays the ambitious Harry Fleming, Madame Rubinstein’s clubby confidante and faithful ally.

The cast also includes Barbara Jo Bednarczuk, Patti Cohenour, Mary Ernster, Tom Galantich, David Girlolmo, Joanna Glushak, Chris Hoch, Mary Clarie King, Steffanie Leigh, Erik Liberman, Barbara Marineau, Donna Migliaccio, Stephanie Jae Park, Jennifer Rias, Angel Reda and Tally Sessions.

Directed by Michael Greif (Rent, Next to Normal, Grey Gardens),  War Paint reunites Scott Frankel and Michael Korie—the acclaimed composer and lyricist team of Grey Gardens and Far From Heaven—with Tony Award and Pulitzer Prize-winning playwright Doug Wright (Grey Gardens, I Am My Own Wife). Choreography is by Tony Award-winner Christopher Gattelli.

The musical is inspired by the book,  War Paint, by Lindy Woodhead and the documentary film, The Powder & the Glory, by Ann Carol Grossman and Arnie Reisman.

 War Paint tells the remarkable story of cosmetics titans Helena Rubinstein (LuPone) and Elizabeth Arden (Ebersole), who defined beauty standards for the first half of the 20th Century. Brilliant innovators with humble roots, both women were masters of self-invention who sacrificed everything to become the country’s first major female entrepreneurs. They were also fierce competitors, whose 50-year tug- of-war would give birth to an industry that would forever change the face of America. From Fifth Avenue society to the halls of Congress, their intense rivalry was ruthless, relentless and legendary—pushing both women to build international empires in a world dominated by men.

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In Transit

In Transit

 In Transit, is pleased to announce the Original Broadway Cast Recording will be released on Hollywood Records. The original cast album is now available for preorder at Amazon.  The album will be available wherever digital music is sold and streamed on Friday, April 28 and wherever CDs are sold on Friday, June 9.

In Transit, a funny and poignant new Broadway musical, follows the intertwined lives of 11 New Yorkers faced with the challenges of city life.  With a groundbreaking a cappella score by a team including the creators of Pitch Perfect and Frozen, In Transit takes you on a journey with people hoping to catch the express train to their dreams—including the stops they make along the way.  Modern yet timeless, In Transit is a story about all of us, set to music that will stay with you long after the ride is over.

With a book, music and lyrics by Academy Award® winner Kristen Anderson-Lopez (Frozen), James-Allen Ford, Russ Kaplan and Sara Wordsworth,  In Transit is directed and choreographed by three-time Tony Award® winner Kathleen Marshall (Anything Goes, Nice Work If You Can Get It).

In Transit features a cappella vocal arrangements by Deke Sharon (Pitch Perfect, “The Sing-Off”), music supervision by Rick Hip-Flores (Rocky), scenic design by Tony Award winner Donyale Werle (Peter and the Starcatcher), costume design by Tony Award winner Clint Ramos (Eclipsed), lighting design by Tony Award winner Donald Holder (She Loves Me), sound design by Ken Travis (Aladdin), projection design by Caite Hevner, hair and wig design by Cookie Jordan and casting by Binder Casting, Inc.

In Transit currently stars David Abeles (Once), 2016 “America’s Got Talent” contestant Moya Angela (Ghost The Musical), 2012 American Beatbox Vice Champion Steven “HeaveN” Cantor (Broadway Debut), Justin Guarini (Women on the Verge of a Nervous Breakdown; “American Idol”), Telly Leung (Allegiance), Erin Mackey (Amazing Grace), Gerianne Pérez (Broadway Debut), Margo Seibert (Rocky), NYC beatbox and vocal percussion pioneer Chesney Snow (Broadway Debut), James Snyder (If/Then), Mariand Torres (Broadway Debut), Nicholas Ward (On the Town), Adam Bashian (Broadway Debut), Laurel Harris (Beautiful), Amy Justman (Phantom of the Opera), Arbender Robinson (Shuffle Along), Brad Standley (Broadway Debut), Aurelia Williams (Broadway Debut) and Chelsea Williams (Mamma Mia!)

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Vivian Reed

Vivian Reed

Vivian Reed has announced her new album “Standards and More.” The recording is currently available on iTunes, Amazon and CD Baby. Based on her recent smash extended New York concert engagement, the album includes unique arrangements of classic standards by Billy Strayhorn (“Take the A Train”), Rodgers & Hart (“My Funny Valentine”) and Cole Porter (“Just One of Those Things”) in a dazzling blend of pop, jazz, soul and R&B, backed by a four-piece band led by William Foster McDaniel.

Vivian Reed is a  passionate multi-faceted entertainer who has earned two Tony Award nominations, the Drama Desk Award, Theatre World Award, Outer Critics Circle Award, the NAACP Award and several others.  When Vivian originally took New York by storm in the original Broadway production of Bubbling Brown Sugar, she was hailed for her “magnificent voice” by The Hollywood Reporter and her “fine dancing talent and stage electricity” by The New York PostPeople Magazine heralded her one of their “25 Most Intriguing People of the Year.” In the show she introduced her fiery rendition of “God Bless the Child,” which has since become her signature show-stopper. Vivian subsequently starred in the show in Los Angeles and then led the world tour through England, Germany, Switzerland, Holland, Italy, France and beyond.

Her national TV appearances include “The Tonight Show,” “The Today Show” and the ABC daytime drama “One Life to Live.”  She has shared the bill with notable performers such as Patti Labelle, Brian Stokes Mitchell, Audra McDonald, Elaine Stritch, Alan King, Sammy Davis Jr., Quincy Jones, Ashford & Simpson and Charles Aznavour.  Her film credits include Heading for BroadwayL’Africain with Catherine Deneuve and La Rumba, in which she portrayed Josephine Baker. Recently she produced and starred in the short film What Goes Around, written by Straight Outta Compton star Angela Gibbs.

She captured the attention of Pierre Cardin, who booked Vivian into his theater which led to her first European TV special. She was invited by the Prince and Princess of Monaco to sing in Monte Carlo and later performed at the Top Fashion Designers Gala at the Théâtre des Champs Elysées and the American Film Festival in Deauville. She has been featured in magazines such as VogueElleTimeParis MatchPeopleEbonyand a cover profile in Jet.  

Vivian’s most recent Broadway appearance was opposite Audra McDonald in Michael John LaChiusa’s Marie Christine at Lincoln Center Theatre, which was nominated for six Tony Awards. She received critical acclaim in major productions of Sophisticated LadiesRoar of the Greasepaint, Smell of the CrowdBlues in the NightHigh RollersShow Boat and Tintypes. Her recent plays include Blues for an Alabama SkyPork Pie and Cookin’ at the Cookery. She also portrayed Lena Horne in More Than A Song with the Pittsburgh Ballet Company, directed by Lynne Taylor-Corbett.  Vivian appeared at the Lena Horne Awards honoring Rosie O’Donnell and Quincy Jones at the Ford Center in New York.  She appeared in Three Mo’ Divas at the San Diego Rep and Arena Stage in Washington, DC and received critical acclaim for her dramatic portrayal in The Second Tosca.

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Adam Chanler-Berat and Phillipa Soo

Amélie, A New Musical  is offering a limited number of rush seats are available for purchase in-person for $39.50 each at the Walter Kerr Theatre (219 W 48th Street) box office beginning at 10am (12pm on Sundays) for that day’s performance(s) only. Maximum two tickets per person. Rush tickets are subject to availability and may not be offered at all performances. Seats are best available and may be partial view. Cash or card accepted.

A limited quantity of $45 front row lottery tickets to each performance will be available through previews only at ameliebroadway.com/lottery. One entry per person (no age restrictions), up to two tickets per winner, payment by credit card only. Lottery winners will be notified by SMS and email by noon the day prior to the performance for which they have entered.

The cast of Amélie, A New Musical features Phillipa Soo, Adam Chanler-Berat, Emily Afton, David Andino, Audrey Bennett, Randy Blair, Heath Calvert, Alison Cimmet, Savvy Crawford, Trey Ellett, Manoel Felciano, Harriett D. Foy, Alyse Alan Louis, Maria-Christina Oliveras, Destinee Rea, Jacob Keith Watson, Paul Whitty and Tony Sheldon.

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Broadway

Lempicka Brings An Artist Work Back To Life

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In 1984, I saw the interactive show Tamara based on the life of the artist Tamara de Lempicka in LA and fell in love with it, so much so that it has stayed one of my favorites to this day. Lempicka is a new musical based more on her sexual choices than her stylized Art Deco portraits that changed and inspired generations. She was one of the first feminists, as Tamara choose art, sexual freedom and a lifestyle in a time of war and destruction.


The musical starts out on a park bench in LA as an older Tamara (Eden Espinosa) reflects on her life. Flash back to Warsaw, Poland as Tamara is to be wed to Lempicka (Andrew Samonsky) an aristocrat and is to live a life of luxury. Then the Bolshevik’s in prison her husband, she uses sexual favors to free him and they flee to Paris with their daughter. When her husband is unwilling to work she becomes a painter and uses the name Lempicka. There she is befriended by a wealthy art patron (Nathaniel Stampley) and his wife (Beth Leavel), is influenced by Marinetti (George Abu), the founder of the Futurist art movement, and is inspired and in love with Rafaela (Amber Iman). Both Lempicka and the musical come alive at this point. Tamara finds friendship and solace with a nightclub owner, Suzy (Natalie Joy Johnson), who gives her and others like her a refuge, until the Nazi’s invade. In the end, while breaking ground Lempicka’s life style becomes rather self centered or should I say one of self preservation as she loses her husband, her daughter and her lover.

Amber Iman, Eden Espinosa Photo by Matthew Murphy/Evan Zimmerman

Matt Gould’s music and Carson Kreitzer’s lyrics are well sung and the show sounds glorious. This is a new take on pop music. The problem here is the minor characters get the songs that make the show come alive. Iman, Abu and Johnson almost steal the show with their numbers. Level gets the 11 O’Clock number and breaks our hearts. Though Espinoza has some good numbers and sells them, none of them really stand out.

George Abud photo by Matthew Murphy/Evan Zimmerman)

Kreitzer also conceived the book and wrote it with Gould. Again the show does and doesn’t work. Instead of focusing on Lempicka’s art, the changing world around her and the fact that she was one of the first feminists, the story is more focused on lesbian repression. The show is billed as a triangle of love, but her husband once they get to Paris is in his own world until she gets together with Rafaela a prostitute. Rachel Chavkin’s direction makes the scenes between Rafaela and Lempicka beautiful and in a strange sense if feels a little like Indecent, however the show as a whole doesn’t jell.

Photo by Matthew Murphy/Evan Zimmerman

I did like Raja Feather Kelly’s choreography that seemed to evoke the changing world around.

Riccardo Hernández’s set of steel, seems like the world is on the verge of collapse and rebuilding. The lighting by Bradley King and projections by Peter Hylenski and Justin Stasi added to that effect. Paloma Young’s costumes missed the mark and seemed like they were in two different stories.

The reason to see Lempicka is it is sung and acted gloriously.

Once you see Lempicka, you will realize how much Tamara de Lempicka’s art change and influenced the world of art. This was a woman who survived at all costs and that should always be admired.

Lempicka: Longacre Theatre, 220 West 48th Street.
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Ken Fallin’s Broadway: The Outsiders

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These boys are taking Broadway by storm Jason Schmidt, Sky Lakota-Lynch, and Brody Grant. In Tulsa, Oklahoma, 1967, the hardened hearts and aching souls of Ponyboy Curtis, Johnny Cade and their chosen family of “outsiders” are in a fight for survival and a quest for purpose in a world that may never accept them. A story of the bonds that brothers share and the hopes we all hold on to, this gripping new musical reinvigorates the timeless tale of “haves and have nots”, of protecting what’s yours and fighting for what could be.

The Outsiders opened on Broadway at the Bernard B. Jacobs Theatre, 242 W 45th Street.

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Broadway

We Say Good Bye To Costume Designer Extraordinaire Carrie Robbins

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I met Carrie Robbins at an art gallery with Louis St Louis, Baayork Lee and Judy Jacksina. The four of us stayed well into the morning talking, laughing and having a fabulous time. Carrie and I bonded after that as she turned to playwriting. It broke my heart to learn that on the evening of April 12, 2024 Costume Designer extraordinaire Carrie Robbins passed away.

Carrie’s work has been featured in over 30+ Broadway shows, including Class Act, Grease (original), Agnes of God, Yentl, Octette Bridge Club, Sweet Bird of Youth (Lauren Bacall), Frankenstein, Happy End (Mary Streep), Boys of Winter, Cyrano (Frank Langella), & Shadow Box (Mercedes Ruehl).

Her awards and nominations included: 2012 recipient of the Irene Sharaff Lifetime Achievement Award presented by the Theatre Development Fund & the tdf/Costume Collection with the support of the Tobin Theatre Arts Fund. 2 Tony (Noms.), 5 Drama Desks, Maharam, USITT/Prague International, L.A. Dramalogue, Henry Hughes, F.I.T-Surface Design, & Audelco, among others.

Robbins’ costumes for the Irving Berlin musical White Christmas played major cities in the USA, Broadway, and Great Britain. Her regional work included M. Butterfly and On the Verge, for director Tazewell Thompson (Arena Stage) and the Gershwin musical American in Paris by Ken Ludwig for director Gregory Boyd (Alley Theatre, Houston) as well as The Tempest (Anthony Hopkins as Prospero) & Flea in Her Ear (director Tom Moore at Mark Taper Forum), many productions for the Guthrie (MN), Williamstown, and many others from Alaska to Buffalo.


Locally, in NYC, Robbins designed for many productions for The Lincoln Center Repertory Theatre, Chelsea Theatre at BAM, Acting Company at Juilliard and NY Shakespeare Festival.

She also designed for the Opera and they included Death in Venice for Glimmerglass (’08 Prague International Design Exhibit), Samson et Dalila (San Francisco Opera, Houston Grand, more), and many productions for Sarah Caldwell’s Opera Company of Boston. Her work has also been seen at the Hamburg StatsOper.

For film Robbins designed the movie “In The Spirit” (Elaine May, Peter Falk, Marlo Thomas); TV design included: Saturday Nite Live, PBS Arts in America, & several unseen pilots.

Robbins has designed clothes for several seasons of Queen Esther Marrow and The Harlem Gospel Singers’ European Tour. She also did the designs for The Cincinnati Ballet’s new Nutcracker, in December of 2011

Robbins was an MFA grad from the Yale School of Drama and was Master Teacher of Costume Design at the NYU Tisch School of the Arts for many years. She is extremely proud of the extraordinary number of award-winning, successful young costume designers and costume teachers across the country who came out of her classes.

Besides being a costume designer Carrie also was a playwright. In August 2010, her play, The Death & Life of Dr. Cutter, a Vaudeville, based on the true stories told by her husband Dr. R.D.Robbins, had its 4th reading at the Snapple Theatre Center; it was chosen by Abingdon Theatre Co, NYC, to be part of its First Readings Series in Fall, 2009. In 2011-12 the  League of Professional Theatre Women chose The Dragon Quartet as part of its 30th year anniversary celebration. In 2012-13, La MaMa (oldest off-off-Broadway theater in NYC at 51 years) chose The Diamond Eater for its “Concert Reading Series”. In 2013: TACT (The Actors Company Theatre, chose Sawbones for part of its newTACTics New Play Festival. In 2014 both The Diamond Eater and Sawbones  received 6 Nominations from N.Y. Innovative Theatre Awards (the most nominations given out in the 2014 season). In 2015, Le Wedding Dress, was a semi-finalist in NYNewWorks Theatre Festival. In 2016: Obsessions Of An Art Student chosen by NYNewWorks Theatre Festival. In 2016, The Actress, was a finalist in NY Thespis Summer Festival. In 2017, My Swollen Feet, chosen by NY Summerfest Theatre Festival/ Hudson Guild Theatre. In 2018 The Diamond Eater , semi-finalist at the 14th St. Y competition War + Peace/2018/19 season and The Dragon Griswynd, was chosen by Theater for the New City for its “Dream-Up Festival” In 2019 Pie Lessons, was invited by Crystal Field, Exec. Artistic Director of Theater for the New City, to be part of “Scratch Night at TNC”.

The last thing Carrie was working on was For The Lost Children Of Paris. This play was about how the Nazis, with help from the Vichy Government, collected French-Jewish schoolchildren and delivered them to Auschwitz. Excellent German record-keeping revealed 11,400 children were taken. At the liberation, only 200 were found alive. This is the story of one classroom’s collection day and its aftermath.

She did this play using puppets as the children.

Carrie had a voice that she used in a multiple of ways. She was a caring friend, a dedicated teacher, a prolific writer and costume designer, who always cared about others first. Carrie you will be missed.

 





 

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Patti LuPone Returns to Broadway and The Big Screen

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Three-time Tony Award winner Patti LuPone, who gave up her Equity card in 2022, will star opposite Mia Farrow in Jen Silverman’s new play, The Roommate. The production will be directed by Jack O’Brien and will begin previews at the Booth Theatre in August ahead of a September opening.

The Roommate tells the story of Sharon, in her mid-fifties, who is recently divorced and needs a roommate to share her Iowa home. Robyn, also in her mid-fifties, needs a place to hide and a chance to start over. But as Sharon begins to uncover Robyn’s secrets, they encourage her own deep-seated desire to transform her life completely. A dark comedy about what it takes to re-route your life – and what happens when the wheels come off.

The Roommate premiered at the Actor’s Theatre of Louisville in March 2015, and has had several regional productions including at Williamstown Theatre Festival in 2017.

Ms. LuPone will star in the upcoming Marvel series, WandaVision spinoff series Agatha: Coven of Chaos. She’s in a coven of witches, playing Lilia Calderu, who is hot, with a great body and hair. Calderu, first appeared in Marvel comics in 1973 as a 450-year-old Sicilian witch whose power is divination and whose trial is tarot. The other witches are Kathryn Hahn, Aubrey Plaza, and a familiar who is played by Joe Locke. Locke, is currently on Broadway in Sweeney Todd.

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Cabaret Celebrated Broadway Legend Joel Grey’s Birthday

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Last night, Eddie Redmayne currently in previews as the ‘Emcee’ in Cabaret at the Kit Kat Club celebrated Broadway legend Joel Grey’s 92ndbirthday on stage at the August Wilson Theatre. Grey, who originated the role of the ‘Emcee’ on Broadway in 1966 and went on to star in the beloved film of Cabaret, took the stage as the entire cast, band, and creative team sang “Happy Birthday” while a custom cake, shaped like a giant pineapple, emerged from the stage.

 During his speech honoring Grey, Eddie Redmayne said, “Tonight is an extraordinarily special night for us because we are in the presence of an extraordinary human being without whom none of us would be here.” After thunderous applause, Redmayne continued “Your performance in this part changed my life and it was one of the things that made me want to be an actor.”

Joel Grey, Gayle Rankin, and Eddie Redmayne Photo by Jenny Anderson

The cast and Grey were also joined on stage by Cabaret composer John Kander.

Alongside Joel’s daughter Jennifer Grey and Kander, a star-studded crowd came out to fete the theater icon including Anderson Cooper, Candice Bergen, Jackie Hoffman, Jane Krakowski, Lin-Manuel Miranda, David Rockwell, and more. They were joined by numerous alum of Cabaret spanning the decades including Maude Apatow (Sally Bowles in London, 2023), Madeline Brewer (Sally Bowles in London, 2022), Joely Fisher (Sally Bowles on Broadway, 2000), Gina Gershon (Sally Bowles on Broadway, 2001), Mason Alexander Park (Emcee in London, 2023), Adam Pascal (Emcee on Broadway, 2003), Molly Ringwald (Sally Bowles on Broadway, 2002), Jake Shears (Emcee in London, 2023), and Brooke Shields (Sally Bowles on Broadway, 2001).

Cabaret at the Kit Kat Club is now in previews on Broadway at the August Wilson Theatre (245 West 52nd Street). The production, directed by Olivier Award winner Rebecca Frecknall and designed by Tony Award nominee and Evening Standard Award® winner Tom Scutt, will have decadent twin opening night gala celebrations starting Saturday, April 20 and continuing into the following night, with the official press opening on Sunday, April 21. Tickets are on sale now at www.kitkat.club or via Seat Geek HERE.

In addition to Redmayne, Cabaret also stars Gayle Rankin as the toast of Mayfair ‘Sally Bowles, two-time Tony Award winner Bebe Neuwirth as ‘Fraulein Schneider,’ Tony Award nominee Ato Blankson-Wood as ‘Clifford Bradshaw,’ Obie Award winner and Drama Desk Award® nominee Steven Skybell as ‘Herr Schultz,’ Henry Gottfried as ‘Ernst Ludwig,’ and three-time Helen Hayes Award winner Natascia Diaz as ‘Fritzie/Kost.’

The cast of Cabaret includes Gabi Campo as ‘Frenchie,’ Ayla Ciccone-Burton as ‘Helga,’ Colin Cunliffe as ‘Hans,’ Marty Lauter as ‘Victor,’ Loren Lester as‘Herman/Max,’ David Merino as ‘Lulu,’ Julian Ramos as ‘Bobby,’ MiMi Scardulla as ‘Texas,’ and Paige Smallwood as ‘Rosie.’ Swings include Hannah Florence, Pedro Garza, Christian Kidd, Corinne Munsch, Chloé Nadon-Enriquez, and Karl Skyler Urban.

The Prologue Company, the dancers and musicians that welcome audiences to the club, feature dancers Alaïa, IRON BRYAN, Will Ervin Jr., Sun Kim, Deja McNair and swings Ida Saki and Spencer James Weidie. The musicians of the Prologue are Brian Russell Carey (piano & bass), Francesca Dawis (violin), Keiji Ishiguri (dedicated substitute), Maeve Stier (accordion), and Michael Winograd (clarinet).

For this thrilling production of Cabaret, the creative team have transformed the August Wilson Theatre into the Kit Kat Club with an in-the-round auditorium and custom spaces which guests will be invited to explore during the Prologue, the production’s pre-show entertainment. After purchasing tickets, guests will receive a “club entry time” to allow them to take in the world of the club before the show starts.

Patrons can upgrade their experience at the Kit Kat Club with exclusive dining or drinks packages that allow them to soak up the pre-show atmosphere. These various upgrades offer unparalleled service and unique experiences in the heart of the Kit Kat Club. Drinks can be enjoyed before and during the show, while food will be cleared shortly before the performance begins, ensuring uninterrupted and unmissable views of Cabaret. For a complete menu and more information on the upgrade packages, please visit www.kitkat.club/upgrade.

The 2021 Original London Cast Recording of Cabaret featuring Eddie Redmayne and recorded during a live performance is available on Decca Records as a CD and to stream on all major platforms. To order the album or stream it, please visit https://cabaret.lnk.to/ListenNow

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