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Hello Seth Rudetsky

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Seth Rudetsky

I was much delayed on my flight from LGA to Chicago the other weekend. Flying to hangout with a good friend for a relaxing weekend in the city I love and at the lovely Hollywood Beach. One week delayed because of a flight cancelation, I had missed my chance to see Amy Morton in Taylor Mac’s HIR at Steppenwolf (click here for AntonioNY’s review). I was not having good flight karma with Southwest Air, but eventually I did get on a plane and decided, in a very un-Ross like manner, to watch YouTube videos on the short flight. I had nothing to write about. Summer isn’t particularly busy in the NY theatre review world (and not that great if you’ve been reading my last few reviews, click here and here for two) so I opened up YouTube and searched one of my favorite shows from last season, Dear Evan Hansen (click here for my Broadway review). No better way to spend the next two hours.

I was not prepared for what I discovered: the videos of Seth Rudetsky and his deconstruction of songs, shows, and Broadway singers. It was one long, deep, and totally fascinating rabbit hole that lasted the whole way to and from Chicago into my days babysitting in Princeton. It changed the way I looked at a song and the art of Broadway singing. He opened my eyes to complexities and choices that I didn’t know existed. My friend in Princeton said this was what performers studied in musical theatre performance classes for years, but I studied set design so I had no introduction to this. Seth’s enthusiasm and attention to detail, in a manner that I had never even knew existed was intoxicating and mesmerizing. I had no idea the thought and detailed examination that went into Ben Platt’s rendition of ‘Waving Through the Window’ or any other utterly fascinating performances that I was about to be lead through by this musical director and, in my eyes, a true enthusiast. If you think Ben Platt’s performance in Dear Evan Hansen is spectacular, as I do, but have never studied musical theatre or performance, take a peek. And prepare to have your mind blown.

DECONSTRUCTING: Dear Evan Hansen

And here Seth deconstructs Gavin Creel (She Loves Me) performance in Hello, Dolly! That earned him a Tony (click here for my review):

Seth Rudetsky Deconstructs Hello, Dolly!

To top it all off, here’s some deconstructions of one my favorites, Patti LuPone (click here for my review of War Paint). I’m hoping to see the both of them; Rudetsky and LuPone live on stage Sunday September 24th in Deconstructing Patti:

Deconstructs Patti LuPone’s AMAZING voice

Patti LuPone Recreates Famous Line Readings and Sings on Seth Speaks

Seth Rudetsky, you changed the way I hear a song. I’ll never know or hear music and a song in the detailed and magnificent way you do, but I’m glad I found you. We share that enthusiasm of theatre and a love for great singers and performances. And glad to be schooled by you. Thank you Seth Rudetsky. I’m forever in your debt. Figuratively speaking….

So for more, go to frontmezzjunkies.com

My love for theater started when I first got involved in high school plays and children's theatre in London, Ontario, which led me—much to my mother’s chagrin—to study set design, directing, and arts administration at York University in Toronto. But rather than pursuing theater as a career (I did produce and design a wee bit), I became a self-proclaimed theater junkie and life-long supporter. I am not a writer by trade, but I hope to share my views and feelings about this amazing experience we are so lucky to be able to see here in NYC, and in my many trips to London, Enlgand, Chicago, Toronto, Washington, and beyond. Living in London, England from 1985 to 1986, NYC since 1994, and on my numerous theatrical obsessive trips to England, I've seen as much theater as I can possibly afford. I love seeing plays. I love seeing musicals. If I had to choose between a song or a dance, I'd always pick the song. Dance—especially ballet—is pretty and all, but it doesn’t excite me as, say, Sondheim lyrics. But that being said, the dancing in West Side Story is incredible! As it seems you all love a good list, here's two. FAVORITE MUSICALS (in no particular order): Sweeney Todd with Patti Lupone and Michael Cerveris in 2005. By far, my most favorite theatrical experience to date. Sunday in the Park with George with Jenna Russell (who made me sob hysterically each and every one of the three times I saw that production in England and here in NYC) in 2008 Spring Awakening with Jonathan Groff and Lea Michele in 2007 Hedwig and the Angry Inch (both off-Boadway in 1998 and on Broadway in 2014, with Neal Patrick Harris, but also with Michael C. Hall and John Cameron Mitchell, my first Hedwig and my last...so far), Next To Normal with Alice Ripley (who I wish I had seen in Side Show) in 2009 FAVORITE PLAYS (that’s more difficult—there have been so many and they are all so different): Angels in American, both on Broadway and off Lettice and Lovage with Dame Maggie Smith and Margaret Tyzack in 1987 Who's Afraid of Virginai Woolf with Tracy Letts and Amy Morton in 2012 Almost everything by Alan Ayckbourn, but especially Woman in Mind with Julia McKenzie in 1986 And to round out the five, maybe Proof with Mary Louise Parker in 2000. But ask me on a different day, and I might give you a different list. These are only ten theatre moments that I will remember for years to come, until I don’t have a memory anymore. There are many more that I didn't or couldn't remember, and I hope a tremendous number more to come. Thanks for reading. And remember: read, like, share, retweet, enjoy. For more go to frontmezzjunkies.com

Broadway

Ken Fallin’s Broadway: On The Town For Fleet Week

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Fleet Week is upon us, so, attached is a drawing I did of Channing Tatum a few years ago for The Los Angeles Times. This was done for Hail Caesar! choreographed by Christopher Gattelli.

Hail Caesar!  is by Joel and Ethan Coen (No Country for Old Men, Fargo), starring Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes, Jonah Hill, Scarlett Johansson, Frances McDormand, Tilda Swinton, and Channing Tatum, Hail, Caesar! follows a single day in the life of a studio fixer who is presented with plenty of problems to fix.

Here is a video with Channing and the rest of the cast. Talk about a great Happy Memorial Day!

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Shakespeare’s Romeo and Juliet Times Three

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It’s going to be some Shakespeare-heavy months ahead, especially around those famously doomed lovers named Romeo and Juliet, as I fly into the Stratford Festival (formally called the Stratford Shakespeare Festival) here in Ontario, Canada for their first big opening week of six shows. The week will start with Shakespeare’s Twelfth Night followed by the musical comedy about Shakespeare, Something Rotten, and then Shakespeare’s Cymbeline on night three. The fourth night will be the opening of Ibsen’s Hedda Gabler; the fifth, La Cage Aux Folles, followed by, lastly (at least for this coming week) the final opening of this particular opening week, show number six, Shakespeare’s ultimate romantic tragedy, Romeo and Juliet. (Much more follows over the summer of Canada’s fantastic Stratford Festival.)

As directed by Sam White, the founding Artistic & Executive Director at Shakespeare in Detroit, Shakespeare’s great romance Romeo and Juliet slides in at the Festival Theatre on Saturday, June 1st, 2024, starring Jonathan Mason (Stratford’s A Midsummer Night’s Dream) and Vanessa Sears  (CS/Obsidian/Necessary Angel’s Is God Is) as those starcrossed titular characters and lovers. As with the whole season, I’m hoping this production, and all the others, will live up to the festival’s high standards, and be just the beginning of a spectacular year of Shakespeare. And of these two young lovers.

Kit Connor and Rachel Zegler. Photo by Sam Levy.

After that jam-packed week in Stratford, Canada, it doesn’t end for this theatre junkie and his faithful companion. Jetting off soon after to London, England, we have another week of theatre planned. As scheduled, the two of us will see an onslaught of plays, including Chekhov’s The Cherry Orchard at Donmar, two National Theatreproductions; Hills of California and the Olivier-winning Standing at the Sky’s Edge, as well as Ian McKellen in Player Kings (Shakespeare’s Henry IV Part 1 & 2), the Royal Court Theatre’s Bluets, and (of course) the much-talked-about production of Romeo & Juliet, directed and produced by Jamie Lloyd. It just opened this week at the Duke of York’s Theatre, running from Saturday, May 11 through Saturday, August 3, starring Tom Holland as Romeo and Francesca Amewudah-Rivers as Juliet.

#RomeoJulietLDN production photography by Marc Brenner

From the photos popping up on Facebook, Lloyd’s pulsating new vision of Shakespeare’s immortal tale of wordsmiths, rhymers, lovers, and fighters is sure to be something to see. It will definitely be talked about all over the world, yet it was truly disheartening to read about all the hateful postings around the casting choice of Lloyd’s Juliet. It says, sadly, so much about our world right now, but it seems to have quieted down some (although the sting and stink must still be lingering in the air for us all), and although the reviews of this West End production came out today, I will try to stay away from them until long after. Whether the production will follow the successful path of other Lloyd hits, including the pared-down stagings of A Doll’s House that starred the incredible Jessica Chastain or the phenomenal Betrayal with Tom Hiddleston, Charlie Cox, and Zawe Ashton, remains to be seen, but I am curious if it will also find its way across the pond to Broadway.

If it does, it will have some pretty fierce competition, as another Romeo & Juliet, this one starring Heartstopper‘s Kit Connor and West Side Story‘s Rachel Zegler will begin Broadway performances on Thursday, September 26, at Circle in the Square Theatre, with an official opening night set for Thursday, October 24. The run, directed by Sam Gold, is a strictly limited, 16-week engagement, and I can not wait to get in to see it as well. All three really. And I won’t have to ask the forever question, “O Romeo, Romeo, wherefore art thou Romeo?” I’ll just have to ask which Romeo are we looking for? And which Juliet.

See video here. 

Often called the greatest love story of all time, Romeo + Juliet has captivated audiences and artists for centuries and provided the inspiration for hundreds of films, ballets, operas, novels, including the iconic Broadway musical West Side Story.

Stratford Festival’s production of Shakespeare’s Romeo and Juliet officially opens on June 1 and runs until October 26 at the Festival Theatre. Tickets are available at stratfordfestival.ca

The West End’s Romeo & Juliet officially opened on May 23rd at the Duke of York’s Theatre, London, and runs until Saturday, August 3. Tickets are available (although probably sold out) at https://www.thedukeofyorks.com/romeo-and-juliet

The Broadway production of Romeo + Juliet at Circle in the Square Theatre, with an official opening night set for Thursday, October 24, and running for a limited engagement of 16 weeks. Tickets will be available at https://romeoandjulietnyc.com/

For tickets and more information, click here.

 

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League of Professional Theatre Women Invite the Public to Oral History Interview Of Broadway Playwright Theresa Rebeck

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Stage, film, television and novel writer Theresa Rebeck will be interviewed about her long and brilliant career at 6p.m., Monday, June 3, at the Bruno Walter Auditorium, at the New York Public Library for the Performing Arts at Lincoln Center (111 Amsterdam Avenue at 65th Street), New York.
This event, which is FREE and open to the public, is part of the League of Professional Theatre Women’s (LPTW) Oral History Project in partnership with the Library and is a highlight of LPTW’s 41st season.
Theresa Rebeck is a widely produced writer for stage, film, television and novels, whose work can be seen and read throughout the United States and internationally. With five plays produced on Broadway, Rebeck is the most Broadway-produced female playwright of our time.
Rebeck’s Broadway credits include I Need That (starring Danny DeVito), Bernhardt/Hamlet (starring Janet McTeer), Dead Accounts (starring Norbert Leo Butz); Seminar (starring Alan Rickman); Mauritius (starring F. Murray Abraham). Other New York productions of her work include Dig (Outer Critic’s Circle nomination), Seared (starring Raul Esparza, DramaLeague Award) at MCC Theater, Downstairs (starring Tim Daly and Tyne Daly); The Scene (starring Tony Shalhoub), The Water’s Edge, Loose Knit, The Family of Mann and Spike Heels at Second Stage; Bad Dates, The Butterfly Collection and Our House at Playwrights Horizons; The Understudy at Roundabout Theatre Company; and View of the Dome at New York Theatre Workshop. Other notable plays include Poor Behavior, What We’re Up Against, and Omnium Gatherum (co-written), which was a finalist for the Pulitzer Prize in 2013.
As an author, Rebeck has written three novels: Three Girls and Their Brother (Random House/Shaye Areheart Books, 2008), Twelve Rooms with A View (Random House/Shaye Areheart Books, 2010) and I’m Glad About You (G.P. Putnam’s Sons, 2016), along with Free Fire Zone, a book of comedic essays about writing and show business.
Rebeck made her NYC Directorial debut with Rob Ackerman’s play Dropping Gumballs on Luke Wilson at The Working Theatre and directed the World Premiere of her new play Dig at Primary Stages in NY and Dorset Theatre Festival in Vermont. Her new podcast play, “Nightwatch” (starring Norbert Leo Butz), was released in 2023.
In television, Rebeck created the NBC showbiz drama “Smash,” and has written for “Canterbury’s Law,” “LA Law,” NYPD Blue,” “Law & Order: Criminal Intent,” “Dream On,” Brooklyn Bridge,” and many more.
Her produced feature films include the big-budget all-female spy thriller 355 (co-written with Simon Kinberg for Jessica Chastain’s production company); Trouble (writer/director), starring Angelica Huston and Bill Pullman; Harriet the Spy; Gossip and the independent features Sunday on the Rocks and Seducing Charlie Barker, an adaptation of her play, The Scene.
Theresa lives in Brooklyn with her husband Jess Lynn.
To attend this event, please RSVP HERE.
To view past oral history interviews, visit the Library’s Theatre on Film and Tape Archive, or visit the LPTW’s archive.
Women working in the theatre industry are eligible to join LPTW.  For more information on upcoming events and to join LPTW, visit: www.theatrewomen.org.
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Museum of Broadway Launches ‘Moulin Rouge! The Musical: Spectacular, Spectacular’ Exhibit

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Sparkle this summer with the most dazzling exhibit at The Museum of Broadway.

This week the beloved museum hosted the launch for the opening of Moulin Rouge! The Musical: Spectacular, Spectacular, presented in partnership with Chase Freedom.

Cast members and friends were on hand at the Big Apple opening nigh including Courtney Reed (Satine), Ashley Loren (OBC Satine), Jacqueline B. Arnold (La Chocolat), Jeigh Madjus (Baby Doll), Jessica Lee Goldyn (Nini), Krystal Joy Brown (Merrily, We Roll Along), Jay Armstrong Johnson (Parade), Charl Brown (Motown the Musical), and more gathered to raise a glass to the glitter.

The exhibit will run through September 8, 2024. Marking the fourth dedicated installation created exclusively for The Museum of Broadway, the new exhibit follows SIX: The Royal GalleryALL THAT JAZZ: The Legacy of Chicago The Musical, and The American Theatre As Seen by Hirschfeld. Entrance to the special exhibit is included in any ticket purchased to the Museum of Broadway and for museum members. The Museum of Broadway is open seven days a week – tickets start at $34.

FOR MORE INFO, CLICK HERE.

 

Photos by David Troncoso for The Museum of Broadway

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Chita Rivera Awards Part 2 The Interviews

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T2C was at the 2024 Chita Rivera Awards at NYU Skirball Center for the Performing Arts. We got to interview some of the best in dance and look forward to sharing this with you.

On this video watch Michael-Demby Cain, Joe Lanteri, Bernadette Peters, Debbie Allen, Justin Peck, Norm Lewis, Rick and Jeff Kuperman, Chita’s daughter Lisa Mordente, Kenny Ortega, Serge Trujillo,  winners for Water For Elephants Jesse Robb and Shana Carroll, winner Camille A Brown Hell’s Kitchen, Marina Tamayo, Lorin Latarro, David Petersen, Bruce Robert Harris, Ali Louis Bourzgui, Huey Lewis, Phil LaDuca, Riki Kane Larimer, Grant Plotkin and highlights from the show with Ali Louis Bourgzgui, Kristin ZChenoweth, Norm Lewis, Wayne Brady and more.

This was one spectacular night.

Video by Magda Katz

 

 

 

 

 

 

 

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