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Coming to Broadway this season are some starry sightings and some old favorites. Let’s see what’s ahead.

Cats already meowed onto Broadway this summer. Now  Andrew Lloyd Webber has three shows back on the Great White Way.

Holiday Inn The New Irving Berlin Musical:  This is a stage adaptation of the 1942 film classic about former vaudevillians who run a showbiz-themed New England hotel. Bryce Pinkham, Megan Lawrence and Corbin Bleu star. Previews begin September 1 at Studio 54. Opens October 13th.

Heisenberg: Broadway transfer of the 2015 Off-Broadway hit by Tony Award-winner Simon Stephens for The Curious Incident of the Dog in the Night-Time. Amidst the bustle of a crowded London train station, Georgie (Mary Louise Parker) spots Alex (Denis Arndt), a much older man, and plants a kiss on his neck and life-changing game begins. Mark Brokaw directs. Previews begin September 20 at the Samuel J. Friedman Theatre. Opens October 13th.

The Cherry Orchard: Diane Lane leads the cast in Simon Godwin’s staging of Anton Chekhov’s masterpiece, with a new translation by Stephen Karam ( The Humans). Previews begin September 15 at the American Airlines Theatre. Opens October 16th.

The Front Page: Could this play get any starrier? sHolland Taylor, Robert Morse, Nathan Lane, John Slattery, John Goodman, Jefferson Mays and Sherie Rene Scott, along with Dylan Baker, Patricia Conolly, Halley Feiffer, Dann Florek, John Magaro, Danny Mastrogiorgio, Christopher McDonald, David Pittu, Joey Slotnick, Lewis J. Stadlen, Micah Stock and Clarke Thorell. Previews begin September 20 at the Broadhurst Theatre. Opens October 20th.

Falsettos: This is at the top of my list with two-time Tony  winner Christian Borle, Stephanie J. Block and Andrew Rannells. This is a revival of the 1992 musical written by William Finn (music & lyrics) and James Lapine (book), and directed by Lapine. Marvin (Borle) struggles to create a “tight-knit family” with his ex-wife, his new boyfriend, his adolescent son, his psychiatrist and his neighbors. Previews begin September 29 at the Walter Kerr Theatre. Opens October 27th.

Les Liaisons Dangereuses: Janet McTeer and Liev Schreiber star in a revival of Christopher Hampton’s 1985 play about sexual intrigue in 18th century France. This is a transfer from the hit 2015 production from the Donmar Warehouse in London. October 8 at the Booth Theatre. Opens October 30th.

Natasha, Pierre And The Great Comet Of 1812: This show played in  2013 and was created by Ars Nova.  Josh Groban makes his Broadway debut in this Leo Tolstoy’s epic novel. Broadway’s Imperial Theatre is being reconfigured to accommodate the environmental staging by Rachel Chavkin. Previews begin October 18 at the Imperial Theatre. Opens November 14th.

A Bronx Tale: Musical Co-Directed by Robert DeNiro and Jerry Zacks with Nick Cordero. Based on Chazz Palminteri’s solo show and film, about a young boy from a working-class family who gets involved in the world of organized crime. Music by Tony and Oscar winner Alan Menken with book and lyrics by Palminteri and Glenn Slater. Opens December 1st. at the Longacre Theatre.

Dear Even Hanson: We loved this when it played Off-Broadway. This  musical by Benj Pasek and Justin Paul (Dogfight, A Christmas Story) and Steven Levenson (libretto), about a depressed High School student (Ben Platt) who gets thrust into fame when another student commits sucide. Opens December 4th at the Belasco Theatre.

In Transit: Featuring an a cappella score from the talents behind “Frozen” and “Pitch Perfect”. In Transit follows the intertwining lives of eleven New Yorkers, all hoping to catch the express train to success, love and happiness. Circle in the Square Theatre. Opens December 11th.

In The New Year

The Present: Cate Blanchett and Richard Roxburgh in Andrew Upton’s new play, based on Anton Chekhov’s Platonov, about a disillusioned schoolteacher and the woman who loves him, with the action transposed to the 1990s. John Crowley recreates his staging, seen previously at the Sydney Theatre Company of Australia, where the play debuted in 2015. Begins previews December 17 at the Ethel Barrymore Theatre. Opens January 8, 2017.

Jitney:  August Wilson’s first play, about black life in America during the 20th century, never before seen on Broadway. Set in the early 1970s, the drama follows a group of men who drive unlicensed cabs or “jitneys.” Directed by Ruben Santiago-Hudson. Samuel J. Friedman Theatre. Opens January 19th.

Come From Away: New musical that explores the lasting connection forged between a group of travelers whose planes were diverted to a small Newfoundland town on September 11, 2001. Book, music and lyrics by the Canadian husband-and-wife team The fall 2015 run at Seattle Repertory Theatre, broke box-office records. Opens March 12th at a Shubert theatre.

Miss Saigon: Revival of the long-running musical based on the play and opera Madame Butterfly, but with the action transposed to the Vietnam War, written by the Les Misérables team of Claude-Michel Schönberg and Alain Boublil. Produced previously in London by Cameron Mackintosh. Opening March 23rd at the Broadway Theatre.

Hello, Dolly! Talk about anticipated…Bette Midler and David Hyde Pierce will star in a revival of the hit 1964 musical about a Yonkers, NY, matchmaker who journeys to New York City to find matches for three young couples—as well as one for herself. Jerry Zaks will direct and Warren Carlyle will choreograph. Music and lyrics by Jerry Herman and a book by Michael Stewart. pens April 20th at the Shubert Theatre.

Charlie And The Chocolate Factory: Stage adaptation of Roald Dahl’s children’s classic, also the basis for the film Willie Wonka and the Chocolate Factory, about a poor boy who wins a golden ticket that allows him to spend a day at the magical chocolate factory run by the mysterious and eccentric confectionary genius Willie Wonka. Two-time Tony Award winner Christian Borle plays Wonka in the Broadway transfer of this 2013 West End hit. The score is by the Hairspray team of Marc Shaiman and Scott Wittman. Jack O’Brien directs. Opens April 23rd at the Lunt-Fontanne Theatre.

Anastasia: New musical based on the 1997 animated film is being adapted by Terrence McNally. The story follows a young woman who may be the last surviving member of the Russian royal family. The Lynn Ahrens/Stephen Flaherty score uses songs from the movie, including the Oscar- nominated “Journey to the Past. Tony winner Darko Tresnjak ( Gentleman’s Guide to Love and Murder) directs the musical. Opens April 24th at the Broadhurst Theatre.

Show We Know Will be Slated But is Missing A Theatre.

The Spongebob Musical: This musical adaptation of the hit Nickelodeon cartoon series got raves in Chicago. The show has a book by Kyle Jarrow and a score by pop writers, including Steven Tyler, Cyndi Lauper, They Might Be Giants, Jonathan Coulton, Dirty Projectors, The Flaming Lips, Sara Bareilles, John Legend, Lady Antebellum, Panic! At the Disco, Plain White T’s, T.I. and David Bowie.

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Broadway

And The Winners Of The 77th Tony Awards Are: The Outsiders, Merrily We Roll Along, Stereophonic and Appropriate

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Hillary Clinton did show and the Tony’s gave her a standing ovation, but against all odds the best musical of the year The Outsiders won. I have never been so happy to be wrong in my predictions as The Outsiders was my favorite show this year. I am so proud of this industry for honoring this amazing production.

Merrily We Roll Along, Stereophonic, Sarah Paulson, Appropriate, Maleah Joi Moon and so many other predicted choices took home the coveted award.

Ariana DeBose hosted the night, where the surprises were Jeremy Strong, Danya Taymor for The Outsiders, Kecia Lewis for Hell’s Kitchen.…yeah! 

The playbill for the night and the 77th Tony Awards, had speeches that were powerful. Especially in Act One. The theatre before the event.

In the show a tribute to Chita Rivera, Chita you will be missed.

Here is the list of the winning shows and performers:

BEST MUSICAL: The Outsiders

Daniel Radcliffe, Jonathan Groff, and Lindsay Mendez in NYTW’s Merrily We Roll Along. Photo: Joan Marcus.

BEST MUSICAL REVIVAL: *Merrily We Roll Along

BEST ACTRESS (MUSICAL): *Maleah Joi Moon, Hell’s Kitchen

BEST ACTOR (MUSICAL): *Jonathan Groff, Merrily We Roll Along. 

BEST FEATURED ACTRESS (MUSICAL):***Kecia Lewis — Hell’s Kitchen

BEST FEATURED ACTOR (MUSICAL): *Daniel Radcliffe, Merrily We Roll Along

BEST DIRECTOR (MUSICAL): ***Danya Taymor — The Outsiders. This win gives me such hope as Danya Taymor directs with heart. Her directorial performance in Jonah also was a tour de force. Taymor makes you feel.

BEST BOOK Of A MUSICAL: *Shaina Taub for Suffs

BEST MUSICAL SCORE: * Shaina Taub for Suffs

BEST ORCHESTRATIONS: *Jonathan Tunick, Merrily We Roll Along

BEST CHOREOGRAPHY: *Justin Peck, IIinoise

SCENIC DESIGN (MUSICAL): Tom Scutt — Cabaret at the Kit Kat Club

COSTUME DESIGN (MUSICAL): *Linda Cho, The Great Gatsby 

LIGHTING DESIGN (MUSICAL): ***Brian MacDevitt and Hana S. Kim — The Outsiders

SOUND DESIGN (MUSICAL): ***Cody Spencer — The Outsiders

PLAYS

Tom Pecinka and Sarah Pidgeon Photo by Julieta Cervantes

BEST PLAY: * Stereophonic

Sarah Paulson and Elle Fanning in 2ST’s Appropriate. Photo by Joan Marcus.

BEST PLAY REVIVAL: *Appropriate 

BEST ACTRESS (PLAY): *Sarah Paulson, Appropriate

BEST ACTOR (PLAY): Jeremy Strong — An Enemy of the People

BEST FEATURED ACTRESS (PLAY): *Kara Young, Purlie Victorious

BEST FEATURED ACTOR (PLAY): **Will Brill, Stereophonic. Thrilled for this win. One of my favorite performances of the year.

BEST DIRECTOR (PLAY): *Daniel Aukin, Stereophonic

BEST SCENIC DESIGN (PLAY): David Zinn, Stereophonic

BEST COSTUME DESIGN (PLAY): *Dede Ayite, Jaja’s African Hair Braiding 

BEST LIGHTING DESIGN (PLAY): Jane Cox — Appropriate

BEST SOUND DESIGN (PLAY): *Ryan Rumery, Stereophonic

Audra McDonald

Given special awards were: The Wilma Theatre Outstanding Regional Theatre,

lifetime Achievement to George C. Wolfe, Excellence in Theatre Education to CJay Philip

Harvey Fierstien

lifetime Achievement to Jack O’Brien

Brian Stokes Mitchell and Billy Porter

Isabelle Stevenson Award Billy Porter

*our prediction to win.

** our prediction to what should win

*** our prediction for Best but we did not think would win

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Broadway

James Monroe Iglehart At The Drama Desk and A Rap For A Wonderful World: The Louis Armstrong Musical

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T2C was at the Drama Desk Awards and talked to our friend James Monroe Iglehart. Years ago I learned that James could make up raps instantaneously, so I had him do one at the Hamilton opening night for Lin Manuel Miranda. Since James is opening up in October in A Wonderful World: The Louis Armstrong Musical, I ask him to do a rap to plug his show. This is the result.

James’s new musical is about the life and loves of Louis Armstrong and Tony Award® winner James Monroe Iglehart is the legendary American icon. A Wonderful World charts Armstrong’s incredible journey from the birth of jazz in his native New Orleans through his international stardom. It features beloved songs recorded and made popular by Armstrong, including favorites like “What a Wonderful World” and “When You’re Smiling,” among many other standard favorites.

The show is conceived by Tony Award® nominee and Drama Desk Award winner Christopher Renshaw (Broadway’s The King and I, Taboo), and novelist Andrew Delaplaine. Book by Aurin Squire (“This is Us,” “The Good Fight”). Directed by Renshaw, with choreography by Rickey Tripp (Associate Choreographer for Broadway’s Hell’s Kitchen, Once on This Island, and Choir Boy). Featuring classic songs from Armstrong’s catalogue.

We look forward to seeing James and this new musical.

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Broadway

Who Should/Will/Did Win a 2024 Tony Award? Predictions and Actual Winners.

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Here’s my list of who I think will win, who I think should win, and who ended up winning on June 11th, Tony night, as I like to call it. There are a number of obvious choices, but a few races that are difficult to call. Like the Jessica Vs Sarah American Horror alumn battle, or the emotional contest of Best New Musical. Here are mine.

Below is the full list of winners (🏆), my predictions (⭐️), who I think should win (👍), and all of the nominations:

Here goes nothing.

⭐️= Who I think Will Win

👍= Who I Think Should Win

🏆= Who Did in the End Win (stay tuned Sunday, June 11th, 2023 from the United Palace Theatre in NYC)

Best Book of a Musical

Hell’s Kitchen – Kristoffer Diaz

The Notebook – Bekah Brunstetter

The Outsiders– Adam Rapp and Justin Levine

👍 ⭐️ Suffs – Shaina Taub

Water for Elephants – Rick Elice

Best Original Score (Music and/or Lyrics) Written for the Theatre

Days of Wine and Roses – Music & Lyrics: Adam Guettel

Here Lies Love – Music: David Byrne and Fatboy Slim – Lyrics: David Byrne

👍 The Outsiders – Music & Lyrics: Jamestown Revival (Jonathan Clay and Zach Chance) and Justin Levine

Stereophonic – Music & Lyrics: Will Butler

⭐️ Suffs – Music & Lyrics: Shaina Taub

Jeremy Strong in An Enemy of the People – Photo by Emilio Madrid.

Best Performance by an Actor in a Leading Role in a Play

William Jackson Harper, Uncle Vanya
Leslie Odom, Jr., Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch
Liev Schreiber, Doubt: A Parable
👍 ⭐️ Jeremy Strong, An Enemy of the People
Michael Stuhlbarg, Patriots

This is a hard one, but I’m leaning on the overall effect of the riveting An Enemy of the People leading Strong to a Tony victory. Stuhlbarg was excellent in the lesser excellent Patriots. Odom and Harper are two good actors who I believe underperformed, and I’m hoping their star-power doesn’t push them over the winning line.

Best Performance by an Actress in a Leading Role in a Play

Betsy Aidem, Prayer for the French Republic
Jessica Lange, Mother Play
Rachel McAdams, Mary Jane
👍 ⭐️ Sarah Paulson, Appropriate
Amy Ryan, Doubt: A Parable

Although everyone here excelled, particularly Aidem and Ryan, I do believe Paulson delivered something more profound and detailed than Lange, probably because the play gave her so many more complex opportunities which she gobbled up fantastically for our pleasure.

Sarah Paulson and Elle Fanning in 2ST’s Appropriate. Photo by Joan Marcus.

Best Performance by an Actor in a Leading Role in a Musical

Brody Grant, The Outsiders
👍 ⭐️ Jonathan Groff, Merrily We Roll Along
Dorian Harewood, The Notebook
Brian d’Arcy James, Days of Wine and Roses
Eddie Redmayne, Cabaret at the Kit Kat Club

No shocker here. This is Groff’s moment, even though I loved Grant and Redmayne in their lesser received shows. James was also good, vocally, in a musical that I just didn’t connect to, so I wasn’t as connected to him or his performance. The same can be said of O’Hara. I just didn’t care, even within the dramatic ending.

Best Performance by an Actress in a Leading Role in a Musical

👍 Eden Espinosa, Lempicka
⭐️ Maleah Joi Moon, Hell’s Kitchen
Kelli O’Hara, Days of Wine and Roses
👍 Maryann Plunkett, The Notebook
Gayle Rankin, Cabaret at the Kit Kat Club

I think the new kid on the block might take home the prize, although I would not be disappointed if either Espinosa or Plunkett jumped to the front of the Hell’s Kitchen train.

Eden Espinosa in Lempicka. Photo: MATTHEW MURPHY AND EVAN ZIMMERMAN

Best Performance by an Actor in a Featured Role in a Play

👍 Will Brill, Stereophonic
⭐️ Eli Gelb, Stereophonic
Jim Parsons, Mother Play
Tom Pecinka, Stereophonic
Corey Stoll, Appropriate

Such a hard call, but I fully believe that, as in many categories including this one, it will be a winning Stereophonic night. Some say Stoll might snatch it up, but I’d be very surprised.

Best Performance by an Actress in a Featured Role in a Play

Quincy Tyler Bernstine, Doubt: A Parable
👍 Juliana Canfield, Stereophonic
Celia Keenan-Bolger, Mother Play
👍 Sarah Pidgeon, Stereophonic
⭐️ Kara Young, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch

Gosh. Young was, for me, by far the best thing in this revival elevating it spectacularly leaving everyone, including the bland Odem, Jr. At the bottom of the hill.

Leslie Odom, Jr. and Kara Young in PURLIE VICTORIOUS – Photo by Marc J. Franklin.

Best Performance by an Actor in a Featured Role in a Musical

Roger Bart, Back To The Future: The Musical
👍 Joshua Boone, The Outsiders
Brandon Victor Dixon, Hell’s Kitchen
Sky Lakota-Lynch, The Outsiders
👍 ⭐️ Daniel Radcliffe, Merrily We Roll Along
Steven Skybell, Cabaret at the Kit Kat Club

I’ll be cheering for Radcliffe when he wins the Tony for his performance in this stellar production, but I did love The Outsiders maybe more than most, and Boone really gave the new musical its solid emotional heart.

Best Performance by an Actress in a Featured Role in a Musical

Shoshana Bean, Hell’s Kitchen
Amber Iman, Lempicka
Nikki M. James, Suffs
Leslie Rodriguez Kritzer, Monty Python’s Spamalot
👍 ⭐️ Kecia Lewis, Hell’s Kitchen
Lindsay Mendez, Merrily We Roll Along
👍 Bebe Neuwirth, Cabaret at the Kit Kat Club

What an amazing group, and I’d really be happy anyway this one went, but Neuwirth feels so damn perfect in the part, and Lewis made me cry, so there’s that….

Steven Skybell and Bebe Neuwirth in CABARET at the Kit Kat Club at the August Wilson Theatre. Photo by Marc Brenner.

Best Scenic Design of a Play

dots, Appropriate
dots, An Enemy of the People
Derek McLane, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch
David Zinn, Jaja’s African Hair Braiding
👍 ⭐️ David Zinn, Stereophonic

Conrad Ricamora (Ninoy Aquino – left), Arielle Jacobs (Imelda Marcos – right), and the cast of Here Lies Love in the Broadway Theatre.
Photo Credit: Billy Bustamante, Matthew Murphy and Evan Zimmerman (2023)

Best Scenic Design of a Musical

AMP featuring Tatiana Kahvegian, The Outsiders
Robert Brill and Peter Nigrini, Hell’s Kitchen
Takeshi Kata, Water for Elephants
David Korins, Here Lies Love
Riccardo Hernández and Peter Nigrini, Lempicka
Tim Hatley and Finn Ross, Back To The Future: The Musical
👍 ⭐️ Tom Scutt, Cabaret at the Kit Kat Club

Best Costume Design of a Play

Dede Ayite, Appropriate
⭐️ Dede Ayite, Jaja’s African Hair Braiding
👍 Enver Chakartash, Stereophonic
Emilio Sosa, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch
David Zinn, An Enemy of the People


Eddie Redmayne (center) and the cast of CABARET at the Kit Kat Club at the August Wilson Theatre. Photo by Marc Brenner.

Best Costume Design of a Musical

Dede Ayite, Hell’s Kitchen
Linda Cho, The Great Gatsby
David Israel Reynoso, Water for Elephants
👍 Tom Scutt, Cabaret at the Kit Kat Club
⭐️ Paul Tazewell, Suffs

Best Lighting Design of a Play

Isabella Byrd, An Enemy of the People
Amith Chandrashaker, Prayer for the French Republic
👍 ⭐️ Jiyoun Chang, Stereophonic
Jane Cox, Appropriate
👍 Natasha Katz, Grey House

The cast of The Outsiders. Photo by Matthew Murphy.

Best Lighting Design of a Musical

Brandon Stirling Baker, Illinoise
⭐️ Isabella Byrd, Cabaret at the Kit Kat Club
Natasha Katz, Hell’s Kitchen
Bradley King and David Bengali, Water for Elephants
👍 Brian MacDevitt and Hana S. Kim, The Outsiders

Best Sound Design of a Play

Justin Ellington and Stefania Bulbarella, Jaja’s African Hair Braiding
Leah Gelpe, Mary Jane
Tom Gibbons, Grey House
Bray Poor and Will Pickens, Appropriate
👍 ⭐️ Ryan Rumery, Stereophonic

The cast of Stereophonic on Broadway. Photo by Julieta Cervantes.

Best Sound Design of a Musical

M.L. Dogg and Cody Spencer, Here Lies Love
👍 Kai Harada, Merrily We Roll Along
Nick Lidster for Autograph, Cabaret at the Kit Kat Club
⭐️ Gareth Owen, Hell’s Kitchen
Cody Spencer, The Outsiders

Best Direction of a Play

👍 ⭐️ Daniel Aukin, Stereophonic
Anne Kauffman, Mary Jane
Kenny Leon, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch
Lila Neugebauer, Appropriate
Whitney White, Jaja’s African Hair Braiding

Gabriel Olivera de Paula Costa and Wade McCollum in WATER FOR ELEPHANTS – Photo by Matthew Murphy.

Best Direction of a Musical

👍 ⭐️ Maria Friedman, Merrily We Roll Along
Michael Greif, Hell’s Kitchen
Leigh Silverman, Suffs
👍 Jessica Stone, Water for Elephants
Danya Taymor, The Outsiders

Friedman, in a way, did the impossible with this formerly problematic musical so her win is well deserved. But Stone also delivered a spectacular worthy of the Water for Elephants story it told.

Best Choreography

Annie-B Parson, Here Lies Love
Camille A. Brown, Hell’s Kitchen
👍 Rick Kuperman and Jeff Kuperman, The Outsiders
⭐️ Justin Peck, Illinoise
Jesse Robb and Shana Carroll, Water for Elephants

Ricky Ubeda and Ben Cook of Broadway’s Illinoise. Photo by Liz Lauren.

Best Orchestrations

Timo Andres, Illinoise
👍 Will Butler and Justin Craig, Stereophonic
Justin Levine, Matt Hinkley and Jamestown Revival (Jonathan Clay and Zach Chance), The Outsiders
Tom Kitt and Adam Blackstone, Hell’s Kitchen
⭐️ Jonathan Tunick, Merrily We Roll Along

Best Play

Jaja’s African Hair Braiding – Author: Jocelyn Bioh

Mary Jane – Author: Amy Herzog

Mother Play – Author: Paula Vogel

Prayer for the French Republic – Author: Joshua Harmon

👍 ⭐️ Stereophonic – Author: David Adjmi

No contest. Really. And that’s no slight to the other wonderfully written plays in this group.

Kecia Lewis and Maleah Joi Moon in Hell’s Kitchen on Broadway. Photo by Marc J. Franklin.

Best Musical

⭐️ Hell’s Kitchen

Illinoise

👍 The Outsiders

Suffs

👍 Water for Elephants

This is a hard call cause none of them are perfect yet all deliver something pretty special. And unique. I loved The Outsiders, more than I imagined I would. Its heart beats the strongest for me, but I think Keys will triumph for expanding the genre and the audience up so many floors.

Natalie Gold, Alyssa Emily Marvin, Michael Esper, Sarah Paulson, and Corey Stoll in 2ST’s Appropriate. Photo by Joan Marcus.

Best Revival of a Play

⭐️ Appropriate – Author: Branden Jacobs-Jenkins

👍 An Enemy of the People – Author: Amy Herzog

Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch

An Enemy of the People is solid and as strong as its Strong star, but Appropriatedelivers in so many unexpected ways it’s impossible not to be taken in completely, laughing in its uncomfortableness and its tense emotional turmoil.

Best Revival of a Musical

Cabaret at the Kit Kat Club

Gutenberg! The Musical!

👍 ⭐️ Merrily We Roll Along

The Who’s Tommy

Another no-contest win. But I also loved Cabaret far more than your average critic. And I’m still a little surprised by that.

Daniel Radcliffe, Jonathan Groff, and Natalie Wachen in Merrily We Roll Along. Photo by Mathew Murphy.

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Broadway

Tony Predictions: What Will Win, What Should Win and What Should Have Been Nominated

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Stereophonic, Illinoise, Sarah Paulson in Appropriate, and Jessica Lange in Mother Play, Julieta Cervantes; Matthew Murphy; Belasco Theatre; 2ndStage

There were 36 productions that included musicals, plays, and revivals, opening on Broadway this season. On Sunday the coveted statues will be given out at the 77th annual Tony Awards. Here is T2C’s predictions of what and who will win, what should win and what whould have been nominated.

BEST MUSICAL

What will win: Suffs, because Hillary Clinton is a producer and New York is a fan.

What Should Win: Hell’s Kitchen. This show shows New York in a fabulous light, unlike New York, New York of last year. Also Alicia Keys music will bring in a younger audience which will help Broadway survive.

What Should Have Been Nominated: Heart of Rock and Roll. This heartfelt musical was ignored by the critics, but is beloved by those who see it.

BEST MUSICAL REVIVAL

What will win, what should win: Merrily We Roll Along Hands down this is the chosen piece.

BEST ACTRESS (MUSICAL)

What will win, what should win: Maleah Joi Moon, They are going to want to honor Hell’s Kitchen and this is how they will do it.

BEST ACTOR (MUSICAL)
Who will win: Jonathan Groff, Merrily We Roll Along. Merrily is going to take every award it is nominated for.

Who Should Win: Brian d’Arcy James, Days of Wine and Roses. Brian has deserved this honor and his performance was layered and heartbreaking.

BEST FEATURED ACTRESS (MUSICAL)

Who will win: Lindsay Mendez, Merrily We Roll Along. Merrily is going to take every award it is nominated for.

Who Should Win: Bebe Neuwirth, Cabaret. It is a spectacular performance and Bebe has given a great deal to theatre.

BEST FEATURED ACTOR (MUSICAL)

Who will win: Daniel Radcliffe, Merrily We Roll Along. Merrily is going to take every award it is nominated for.

Who Should Have Been Nominated:George Abud in Lempika and Paul Alexander Nolan Water for Elephants. Mr Nolan’s performance was my favorite of the season.

BEST DIRECTOR (MUSICAL)

Who will win: Maria Friedman, Merrily We Roll Along. Merrily is going to take every award it is nominated for.

Who Should Win: Jessica Stone, Water for Elephants. Her direction was like looking at slides from a view master.

BEST ORIGINAL SCORE

What will win: Shaina Taub for Suffs. She is the darling of Broadway.

Who Should Win and should have been nominated: Music by Matt Gould, lyrics by Carson Kreitzer, for Lempicka. This was an exciting score and had songs that will last.

Who Should Have Been Nominated: Music by Barry Manilow and lyrics by Bruce Sussman for Harmony. This score is a classic and was ripped off.

BEST BOOK OF A MUSICAL

What will win: Suffs

Who Should Have Been Nominated: Harmony

BEST ORCHESTRATIONS

What will win: Jonathan Tunick, Merrily We Roll Along

Who Should Have Been Nominated: Music orchestrated by Cian McCarthy; Music arranged by Remy Kurs for Lempicka

BEST CHOREOGRAPHY

What will win: Justin Peck, IIinoise. This is a dance show so they will honor it.

Who should win: Rick and Jeff Kuperman, The Outsiders. The Kuperman’s have their cast flying and soaring and it is spectacular.

Who should have been nominated: Lorin Latarro  Heart Of Rock and Roll. Dancing on bubble wrap and cardboard is inventive and should have been reconized.

SCENIC DESIGN (MUSICAL)

What will win: David Korins, Here Lies Love 

Who Should Have Been Nominated: Paul Tate dePoo III, The Great Gatsby 

COSTUME DESIGN (MUSICAL)

Who will and should win: Linda Cho, The Great Gatsby 

LIGHTING DESIGN (MUSICAL)

What will win: Bradley King and David Bengali, Water for Elephants

SOUND DESIGN (MUSICAL)

What will win: Kai Harada, Merrily We Roll Along 

PLAYS

BEST PLAY

What will win: Stereophonic. It is the darling of the critics.

Who Should Win: Prayer for the French Republic. This play was so brilliantly done, but with the Pro-Palestinian conflict this show is being dismissed by the voters.

BEST PLAY REVIVAL
What will win: Appropriate 

BEST ACTRESS (PLAY)
Who will win: Sarah Paulson, Appropriate and Jessica Lange, Mother Play. This should be a tie, but if they give the award to one person it will go to Sarah Paulson

BEST ACTOR (PLAY)
Who Will Win: Leslie Odom Jr., Purlie Victorious

Who Should Win: Michael Stuhlbarg, Patriots

BEST FEATURED ACTRESS (PLAY)

Who will win: Kara Young, Purlie Victorious

Who Should Win: Celia Keenan-Bolger, Mother Play

BEST FEATURED ACTOR (PLAY)

Who will win: Corey Stoll, Appropriate

Who Should Win: Will Brill, Stereophonic, but the nominees will cancel each other out. This was one of the best performances of the year.

BEST DIRECTOR (PLAY)

Who will win: Daniel Aukin, Stereophonic

BEST SCENIC DESIGN (PLAY)

What will win: dots, Appropriate 

BEST COSTUME DESIGN (PLAY)

What will win: Dede Ayite, Jaja’s African Hair Braiding 

BEST LIGHTING DESIGN (PLAY)

What will win: Jiyoun Chang, Stereophonic 

BEST SOUND DESIGN (PLAY)

Who will win: Ryan Rumery, Stereophonic

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Broadway

The  78th Annual Theatre World Awards And You Are There

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The historic 78th Annual Theatre World Awards Ceremony was held on Monday evening, June 10, 2024 at the Marquis Theatre.

The event was hosted by well-known theater journalist, Peter Filichia.

Ali Louis Bourzgui

Winners of the 2024 Theatre World Awards were honored The Who’s Tommy‘s Ali Louis Bourzgui

 Oh, Mary!‘s Cole Escola

 The Outsiders‘ Brody Grant was given his award by Daphne Rubin Vega

Michael Imperioli and wife

 An Enemy of the People‘s Michael Imperioli

Phillip Johnson Richardson

The Wiz‘s Phillip Johnson Richardson

Nichelle Lewis

Nichelle Lewis, Phillip Johnson Richardson

and Nichelle Lewis

 Patriots‘ Will Keen

 Mary Jane‘s Rachel McAdams

Hell’s Kitchen‘s Maleah Joi Moon was given his award by Kristin Chenoweth

Casey Likes

Tom Pecinka

and Stereophonic‘s Tom Pecinka

Sarah Pidgeon

Sarah Pidgeon

Chris Stack.

and Chris Stack.

A.J. Shively

Also receiving honors were A.J. Shively, who has won the Dorothy Loudon Award for his work in Irish Rep’s Philadelphia, Here I Come

Len Cariou

Len Cariou, winning the John Willis Award for Lifetime Achievement

Peter Filichia

and arts writer Peter Filichia, this year’s Special Award honoree.

There to honor them were

Maria Friedman

André De Shields

A great night was had by all.

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